Melancholy, tender, and charged with rich symbolic power, it's a muted yet strangely fragile film that's as much about Middle Eastern womanhood as the horrors of parental bereavement.
Deserted Station (2002)
Tomatometer
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Reviews Counted:21
Fresh:21
Rotten:0
Average Rating:7.8/10
Runtime: 88 mins
Genre: Foreign Films
Synopsis: Based on a concept the director and Abbas Kiarostami developed on a photography trip together, a man and a young woman (Leila Hatami of Leila) are stranded in a remote village after their car... Based on a concept the director and Abbas Kiarostami developed on a photography trip together, a man and a young woman (Leila Hatami of Leila) are stranded in a remote village after their car breaks down. The photographer and the sole adult male inhabitant, a schoolteacher, leave to get help while the young woman, herself childless, bonds with the children whose parents are nowhere to be found. -- © First Run Features [More]
Starring: Leila Hatami
Starring: Leila Hatami
Director: Alireza Raisian
Director: Alireza Raisian
Studio: First Run Features
Reviews for Deserted Station
It's a simple enough setup, but Raisian packs so much into it that multiple viewings may be necessary.
Hardcore Kiarostami devotees may miss the master's harsher clarity, but Hatami, best known for her starring role in Dariush Mehrjui's Leila, makes her character's inner transformation both subtle and palpable.
The film's relaxed pace, unassuming tone, and respect for its characters all recall the films of Abbas Kiarostami, who provided the story idea, but director Ali Reza Raisian adds a slightly more dramatic and emotional edge.
For filmgoers who like dramas that are spare yet evocative, that focus on the subtleties of relationships, and that feature foreign settings completely off the beaten path, Deserted Station will be a masterpiece.
This deeply humanistic drama is strongly reminiscent of the earlier, less self-referential films of Abbas Kiarostami.
Excessively enigmatic, Deserted Station nevertheless provides an allegory for modern-day Iran.
Kiarostami and Raisian conjure up the oppressive miasma clinging to women and kids in patriarchal Iran . . . offers startling images . . . [a] stubbornly ambiguous film.
It's not often you encounter a film that's simultaneously as tedious and moving as The Deserted Station.
A spare plot that's 'relaxed' if 'relaxed' means that it moves as quickly as molasses climbing up a tree in January.
The sweet script, crisp direction and a delightful performance by Leila Hatami, as the sad-eyed wife, should put Deserted Station on your must-see list.
It is filled with feeling and far from sentimental or cloying, with a beautiful score enhancing the melancholia.
Like all of Iranian cinema, Deserted Station is marked by unaffected, neo-realist performances, particularly by Nezam Manouchehri as the testy and uncertain husband, and Leila Hatami as his quietly sad wife.
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