Sloppy and corny, and rather enjoyable if you like this kind of thing.
Casanova (2005)
Tomatometer
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Reviews Counted:127
Fresh:55
Rotten:72
Average Rating:5.6/10
Consensus: This frothy, oddly bloodless film does a disservice to the colorful life of the real Casanova.
Theatrical Release:17-02-2006
Synopsis: CASONOVA is loosely based on the memoirs of the writer, adventurer, and infamous lover Giacomo Casanova--themselves notably unreliable--and fortunately has no pretensions to historical realism.... CASONOVA is loosely based on the memoirs of the writer, adventurer, and infamous lover Giacomo Casanova--themselves notably unreliable--and fortunately has no pretensions to historical realism. Instead, it's a witty, lighthearted romantic comedy, which uses its 18th century setting and renowned hero as a jumping-off point for sexy banter and ruminations on love, lust, and freedom. Directed with visual flair and wit by Lasse Hallström--a master of classy period pieces like CHOCOLAT and CIDER HOUSE RULES--the movie was filmed on location in Venice, and the stunningly gorgeous scenery is almost a character in its own right. Heath Ledger, believable and engaging here in a role that couldn't be more different from his powerhouse performance in BROKEBACK MOUNTAIN, turns on all of his considerable charms here. Abandoned by his mother as a child, Casanova has grown into a lascivious yet oddly innocent young man, who pursues pleasure wholeheartedly and mistakes lust for love. His biggest concern is eluding Italy's puritanical Inquisitors, until he meets Francesca Bruni (Sienna Miller), a beauty who publishes clever pamphlets on women's rights under a pen name. In the time-honored tradition, Casanova is instantly smitten with the one woman in Venice who doesn't want anything to do with him. The plot provides few surprises, but that is beside the point; the pleasures of CASANOVA are in its warm freewheeling tone, its sumptuous visuals, and the cheerful exuberance of its actors. In addition to Ledger's winning star turn, Lena Olin is her usual mesmerizing self as Francesca's scheming mother, and the reliably excellent Oliver Platt (as Francesca's overmatched fiancé) and Jeremy Irons (as the frustrated head Inquisitor) both deliver deft comic performances. [More]
Starring: Heath Ledger, Sienna Miller, Jeremy Irons, Oliver Platt
Starring: Heath Ledger, Sienna Miller, Jeremy Irons, Oliver Platt, Lena Olin, Charlie Cox, Philip Davis, Stephen Greif, Helen McCrory
Director: Lasse Hallstrom
Director: Lasse Hallstrom
Screenwriter: Jeffrey Hatcher, Kimberly Simi
Producer: Gary Levinsohn
Composer: Alexandre Desplat
Studio: Buena Vista Pictures
Reviews for Casanova
Surprisingly for a movie about a legendary womaniser there's hardly any sex in it, let alone any nudity. This is a criminal oversight from which the film never really recovers.
For those looking for a lighthearted romp, this handsome Casanova proves pretty seductive.
Lasse Hallstrom's tale of an uncomplicated lover is a delightful respite from awards-season seriousness.
Despite its oh-so deviant title character, Casanova is a harmless bon-bon, a breezy period farce that mimics lesser Shakespeare and a look that recalls Amadeus or Shakespeare in Love.
a giddy, good-natured romp with lust on its mind and romance in its heart.
While not quite as irresistibly seductive as its title character, Casanova is the perfect cinematic one-night stand: charming, romantic and awfully easy on the eyes.
surprisingly avoids anything that resembles a trite, tiresome, period-piece romance
In the hands of this fine ensemble cast, the ordinary period piece is turned into a light and breezy bit of entertainment with clever dialog, action, and a touch of romance.
Lasse Hallstrom, whose previous movies, such as Chocolat, have not shown a light touch, has one here, making the movie witty and romantic.
Randy flirtations and elaborate masquerades to evade the sanctimonious powers-that-be are the cornerstone of this exuberant film.
...a luscious three-ring circus, with comic twists among the gorgeous Venice locations, leading up to a grand finale...
Casanova is such a sheer delight that every fault gets swept away by the stubborn glee of it all.
Ledger, if less memorable than Donald Sutherland in Fellini's Casanova or Mastroianni's old rake in La Nuit de Varennes, is a virile, enjoyable addition to the Casanovan collection.
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