It’s deliberately oblique, but the remarkable visuals and soundtrack will stay with you long after the 'so what?' plot is forgotten.
Somersault (2006)
Tomatometer
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Reviews Counted:63
Fresh:52
Rotten:11
Average Rating:6.9/10
Consensus: A poignant coming-of-age tale marked by a breakout lead performance from Abbie Cornish and a successful directorial debut from Cate Shortland.
Runtime: 1 hr 46 mins
Genre: Dramas
Synopsis: Australian directors have always made fascinating and unique films in the coming-of-age genre, from Bruce Beresford's PUBERTY BLUES (1981) to John Duigan's FLIRTING (1991). Now, with SOMERSAULT,... Australian directors have always made fascinating and unique films in the coming-of-age genre, from Bruce Beresford's PUBERTY BLUES (1981) to John Duigan's FLIRTING (1991). Now, with SOMERSAULT, first-time director Cate Shortland has managed to make this well-trodden genre seem fresh once again, and in the process, introduced the world to Abbie Cornish, an actress of uncommon presence. Cornish is 16-year-old Heidi, who lives with her single mother, Nicole. After her mother walks in on Heidi kissing Nicole's boyfriend, the sexually precocious teen flees her troubled home for the Aussie ski town of Jindabyne, where young people drink to excess every night and deal with the ramifications of their intoxicated couplings the morning after. She manages to find a job at a local filling station, and lodging at a hotel run by motherly Irene (Lynette Curran)--but when she falls for wealthy farmhand Joe (Sam Worthington), she finds that her budding feminine wiles are no match for class differences, and will only create pain and confusion for her once again. Shortland paints Heidi's often painful journey in a palette of beautiful, melancholic blues, which are the perfect match for the spare, acoustic/electronic score by the Australian band Decoder Ring. SOMERSAULT's meditative pace is an effective choice for making us understand Heidi's loneliness. As Heidi, Abbie Cornish (who was 21 at the time of production and resembles a combination of Nicole Kidman and Maria Bello) perfectly captures the whirlwind of confusion and sexuality that Heidi hasn't yet learned to wield properly. Despite her poor choices, we are on her side--and it hurts to see her continuous missteps. Even though she is in a vacation spot, Heidi stays on the outside looking in--watching everyone else have the fun. [More]
Starring: Abbie Cornish, Sam Worthington, Lynette Curran, Erik Thomson
Starring: Abbie Cornish, Sam Worthington, Lynette Curran, Erik Thomson, Nathaniel Dean, Hollie Andrew, Olivia Pigeot
Director: Cate Shortland
Director: Cate Shortland
Screenwriter: Cate Shortland
Producer: Anthony Anderson
Composer: Decoder Ring
Studio: Magnolia Pictures
Reviews for Somersault
Shortland well deserves the awards already lavished on her back home in Australia.
[Cornish] gives a superb performance as Heidi, who is a complex mixture of childish innocence (symbolised by her ever-present scrapbook) and a powerful, almost dangerous sexual confidence that belies her emotional naivety.
Shortland paints a collage of regret: evocative snapshots of what might be; gritty footage of what is. Her cast is bursting with promise.
Not an earth-shattering film by any means, but it's thoughtfully and beautifully made.
Newcomer Abbie Cornish is a revelation of empathy and dramatic transparency in a role riddled with moral landmines.
A psychological drama that registered with audiences and critics alike because of its heartfelt painful story.
A well-wrought if modest movie that lingers with you longer than many more ambitious pictures.
Pretty slow and predictable, and filled with soap opera-like plot contrivances.
Moves with all of the sluggish energy of stop-and-go traffic during rush hour. It just keeps marking time until Heidi has another brief sexual encounter with some new guy.
An incisive and emotive account of a girl masquerading as a woman, and the danger that entails.
How a down-to-earth country like Australia grew so attached to the pretentious Somersault, I have no idea.
The 'free spirited innocent' archetype doesn't convincingly share residence with this numbly sexual Lolita.
This is an honest movie that should, but probably won't, be seen by the tweenie crowd.
It is pretty, and it stays just left of the dial of darlingness, and Cornish's is the most goddamn, gosh-wow debut I've seen in years.
She may be promiscuous, but she's a stronger person than Joe and a better person than all the men in the movie put together. I was impressed with Abbie Cornish's performance.
Latest News for Somersault
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