For all the pretty people and prettier costumes stuffed into the film, [Coppola] has left a blank emotional slate on which moviegoers can Etch-a-Sketch any version they like.
Marie Antoinette (2006)
Tomatometer
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Reviews Counted:170
Fresh:92
Rotten:78
Average Rating:6/10
Consensus: Lavish imagery and a daring soundtrack set this film apart from most period dramas; in fact, style complete takes precedence over plot and character development in Coppola's vision of the doomed queen.
Runtime: 2 hrs 3 mins
Genre: Dramas
Synopsis: Oscar® winner Sofia Coppola brings to the screen a fresh interpretation of the life of France's legendary teenage queen MARIE ANTOINETTE. Betrothed to King Louis XVI (Jason Schwartzman), the naïve... Oscar® winner Sofia Coppola brings to the screen a fresh interpretation of the life of France's legendary teenage queen MARIE ANTOINETTE. Betrothed to King Louis XVI (Jason Schwartzman), the naïve Marie Antoinette (Kirsten Dunst) at the age of 14, she is thrown into the opulent French court which is steeped in conspiracy and scandal. Alone, without guidance, and adrift in a dangerous world, the young Marie Antoinette rebels against the isolated atmosphere at Versailles and, in the process, becomes France's most misunderstood monarch. Kirsten Dunst stars as the youthful princess whose fateful life became the stuff of myth and legend. The story begins when 14-year-old Marie Antoinette is whisked away from her family and friends in Vienna, stripped of all her possessions and deposited in the sophisticated and decadent world of Versailles, the lavish royal court near Paris. Marie Antoinette is merely a pawn in an arranged marriage meant to solidify the harmony between two nations. Her teenage husband, the Dauphin Louis (Jason Schwartzman), is heir to the French throne. But Marie Antoinette is ill prepared to be the kind of ruler for whom the French populace yearns. Beneath her finery, she's a sheltered, frightened and confused young woman, surrounded by vicious detractors, insincere flatterers, puppet masters and gossips. Trapped by the conventions of her station in life, Marie Antoinette must find a way to fit into the complex and treacherous world of Versailles. Adding to her woes is the indifference of her new husband, Louis. Their marriage goes unconsummated for an astonishing seven years. The awkward future king proves to be a disaster as a lover, sparking grave concerns (and relentless gossip) that Marie Antoinette will never produce an heir. Overwhelmed and distraught, Marie Antoinette seeks refuge in the decadence of the French aristocracy and in a secret love affair with the alluring Swedish Count Fersen (Jamie Dornan). Her indiscretions are soon the talk of France. Whether she is being idealized for her impeccable style or vilified for being unforgivably out of touch with her subjects, reaction to Marie Antoinette is always extreme. Yet, slowly, as she matures, she begins to find her way as a wife, mother and Queen — only to be tragically swept up in a bloody revolution that alters France forever. -- © Columbia Pictures [More]
Starring: Kirsten Dunst, Jason Schwartzman, Steve Coogan, Judy Davis
Starring: Kirsten Dunst, Jason Schwartzman, Steve Coogan, Judy Davis, Rip Torn, Asia Argento, Marianne Faithfull, Aurore Clement, Molly Shannon, Shirley Henderson, Jamie Dornan
Director: Sofia Coppola
Director: Sofia Coppola
Producer: Francis Ford Coppola, Ross Katz
Studio: Columbia Pictures
Reviews for Marie Antoinette
The real-life Marie Antoinette lost her head. The sunshiny-day-dreaminess of 'Marie Antoinette' may make you wonder if writer-director Sofia Coppola has lost her mind.
Once she makes the sound feminist point that it wasn't easy being a girl in 1768, Coppola proves intellectually taxed.
It is both the greatest strength and a major weakness of Marie Antoinette that every moment seems as self-contained as a pop song.
[It] uses an 18th century story to shed some light on how flamboyantly and shallowly some people lead their lives in any age.
The film deflates the reason why she is a compelling figure, if at all. Her courage during her confinement, %u2026 and her ultimate death made her an honorary member of the Dead Blonde Hall of Fame. Her victimization made her an icon.
For all the rock music, modern dialogue and lack of accents, Marie Antoinette is not that different from most historical/political biopics.
Works for about an hour until it becomes as monotonous as hanging out with a gaggle of teenage shoppers who couldn't care less about their history assignment.
...never quite becomes anything more than a mildly entertaining curiosity - something that can be attributed to Coppola's meandering screenplay and penchant for long, dialogue-free sequences.
After her appearance in Godfather III, I didn't think it was possible that I could hate Sofia Coppola more, but her Marie Antoinette really takes the cake
A sort of John Hughes movie, "The Breakfast Club Part 2: A Semester at Versailles."
Mainly, Marie Antoinette is a film about fetish. It's about taking in all the pink cookies, pink shoes and pink wigs and finding them wonderful, even erotic.
Though Dunst looks the part and stunningly carries off foot-high powdered wigs and lavish costumes, her flat affect and simpering voice don't conjure up the requisite sense of arrogant power, corruption and narcissism.
Marie Antoinette, which was shot at Versailles, looks absolutely sumptuous, but is, ultimately as substantial as a bonbon.
A largely static, desperately pseudo-hip attempt to reconstruct the events leading up to the French Revolution from the vantage point of a 1980s punk rocker.
The queen may keep her head here, but this Marie is pretty brainless.
A startlingly original and beautiful pop reverie that comes very close to being transcendent.
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