You'll leave the theater with a lot to think about, especially regarding the plight of women around the globe.
Water (2006)
Tomatometer
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Reviews Counted:87
Fresh:79
Rotten:8
Average Rating:7.6/10
Consensus: This compassionate work of social criticism is also luminous, due to both its lyrical imagery and cast.
Theatrical Release:01-06-2007
Synopsis: When Deepa Mehta first began filming WATER in 2000, angry fundamentalist mobs burned her sets and threatened her life. The Indian government claimed it could not protect her, and the project had to... When Deepa Mehta first began filming WATER in 2000, angry fundamentalist mobs burned her sets and threatened her life. The Indian government claimed it could not protect her, and the project had to wait four years before finally filming in Sri Lanka. Her film has raised the ire of extremists because it challenges the Hindu customs that dictate that widows, considered half-dead after the loss of their husbands, must be closeted in holy ashrams--a practice that still exists today. Set in the 1930s, the film tells the story of eight-year old Chuyia, whose husband dies before she even meets him. Her parents shave her head and whisk her away to a house of widows where the women sleep on the ground and beg in the streets to earn their puny portion of rice. Chuyia, feisty and resilient, comes into this world like a ray of light, and soon the women are rethinking their mute acceptance of their fate. Her closest friend and ally is the lovely Kalyani, and soon a forbidden romance begins to develop between Kalyani and Narayana, a young Brahmin man who, following the teachings of Gandhi, has denounced injustice. The film is sumptuously beautiful, Chuyia is utterly winsome, and despite the harsh social issues at its heart, it often feels light and lively: Chuyia and Kalyani play games and dance, Chuyia steals sweets for a dying old widow, the women dance and paint each other's faces during a color festival, and the Cinderella-story romance between Kalyani and Narayana shimmers with the promise of salvation and happiness. Mehta, however, knows it would be disingenuous to allow such an easy resolution to such a dire situation, and the final chapter of WATER takes a tragic turn. [More]
Starring: Lisa Ray, Seema Biswas, Kalbushan Kharbadna, Waheeda Rehman
Starring: Lisa Ray, Seema Biswas, Kalbushan Kharbadna, Waheeda Rehman, Rishma Malik, John Abraham
Director: Deepa Mehta
Director: Deepa Mehta
Screenwriter: Deepa Mehta
Producer: Mark Burton
Composer: Mychael Danna
Studio: Fox Searchlight Pictures
Reviews for Water
The humane and courageous clarity of Mehta's storytelling works on you like a hard spring rain.
The final chapter in Mehta's feminist trilogy (Fire, Earth), is, alas, the weakest.
Every moment that is exquisite here... is tinged with a profound melancholy... For every beautiful moment... there is an ugly counterpart...
Detailed and graced with irreverent humor and fine performances, Mehta's film deals powerful blows to economic injustice and misogyny.
Below its surface, Water isn't about religion, politics or even India. It's about timeless and universal divides between people, when humanity is eclipsed by self-serving subjugation.
It levels its criticisms within a climate of respect, a combination that creates a work of true humanity.
The film is lovely in the way Satyajit Ray's films are lovely. It sees poverty and deprivation as a condition of life, not an exception to it, and finds beauty in the souls of its characters.
Succeeds in its central goal: to turn a forgotten class of women into real, memorable human beings who deserve a different life.
It is superb and strange at once, a discreet and self-disciplined attack dog of a movie.
Water runs deep because Mehta is an able -- if somewhat gloomy -- storyteller.
Water doesn't fully capture the pain and hardship of these repressed women, but it's a powerful saga of the suppressive force of certain cultural customs.
Like India's greatest filmmaker, Satyajit Ray, Mehta is a great pure-hearted storyteller and a maker of shining naturalistic images.
a tribute to all the dispossessed in our world and an amplification of their silent screams
It's a heartbreaking film, and we can see why the powers that be in India are so angry.
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