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The Oh in Ohio (2006)
Tomatometer
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Reviews Counted:67
Fresh:14
Rotten:53
Average Rating:4.5/10
Consensus: A muddled sex-comedy that feels oddly sexless, The Oh in Ohio packs in too many ideas without establishing a clear identity or objective.
Runtime: 88 mins
Genre: Comedies
Synopsis: What happens to the couple who seem destined to be together but can't satisfy each other between the sheets? That's the question at the heart of Billy Kent's directorial debut, THE OH IN OHIO.... What happens to the couple who seem destined to be together but can't satisfy each other between the sheets? That's the question at the heart of Billy Kent's directorial debut, THE OH IN OHIO. Priscilla (Parker Posey) and Jack (Paul Rudd) have reached breaking point after a decade together because of Priscilla's inability to climax during sex. The situation frustrates Jack just as much as Priscilla, so he sets out to have an affair with an 18-year-old student named Kristen (Mischa Barton). Meanwhile, Priscilla finds solace in sex toys and, eventually, an unlikely stud played by none other than Danny DeVito. Amusing scenes abound as Jack and Priscilla enjoy their separate sexual reawakenings, although couples might find some of the scenes uncomfortable to watch, especially if their sex lives aren't exactly setting the world on fire. Indie queen Posey clearly relishes the chance to take a rare lead role, and Priscilla really pushes her--there can't be many opportunities to play a woman who becomes addicted to vibrators. De Vito's character is ushered in towards the end of the film, adding welcome respite for Priscilla and a palpable sense of release for the viewer as all her sexual desires are finally and gloriously quenched. So, what happens to the couple who can't satisfy each other? THE OH IN OHIO doesn't really offer any answers, instead leaving its audience teased, frustrated, and tantalizingly close to finding out--much like its central character--for the bulk of the movie. [More]
Starring: Keith David, Parker Posey, Paul Rudd, Mischa Barton
Starring: Keith David, Parker Posey, Paul Rudd, Mischa Barton, Danny DeVito, Liza Minnelli
Director: Billy Kent
Screenwriter: Adam Wierzbianski
Story: Sarah Bird, Billy Kent
Producer: Miranda Bailey, Francey Grace, Amy Salko Robertson
Director: Billy Kent
Studio: Cyan Pictures
Reviews for The Oh in Ohio
The OH In Ohio deserves credit for bringing up some sexual-experimentation taboos, but since the film never does more than nimbly skirt them rather than challenge them head-on, the proceedings are ho-hum.
Are you asking me to believe that a one-time stoner would be so inspired by a science class that she’d become a National Merit Scholar and get into Harvard?
At the end of the day, Kent and screenwriter Adam Wierzbianski have given us a mildly amusing premise, but fail to turn it into a story that takes us anywhere pleasurable.
I felt some of its heroine's pain. She's spent her life waiting for an orgasm. I spent the movie waiting for a plot.
Parker Posey is not the only one who isn't getting satisfaction here.
there simply isn't enough material here to carry a short, much less an hour-and-a-half-long feature
A farce executed by characters who feel more like pawns than fully realized people.
It’s as if the filmmakers lost their nerve when it came time to write the kind of intimate, revealing conversation that can make a sex toy unnecessary.
The sound recording is hollow and muddy, the cinematography underlit and sometimes blurred at the edges, and the whole thing has the dreary feeling of a bottom-of-the-barrel, clammy '70s sex comedy.
The sight of Posey, Minnelli, and Graham fondling sexual aids and chattering about orgasms is meant to reduce you to helpless laughter, but it will more likely leave you wondering how many bad choices it takes to destroy a career.
It's a harmless feel-good romantic comedy which offers a lot of cheap thrills and lowbrow comedy, but is too dysfunctional to stir up an orgasm.
The Oh in Ohio deserves a dubious distinction award: for turning a woman's quest to achieve her first orgasm into a lackluster comedy.
Its coarse opening sections are ill-matched for the warmly compassionate tale it ultimately matures into.
How bad does a movie have to be for Heather Graham to remove her name from the credits?
The script, which was co-written by director Billy Kent, has the forced 'raciness' of a mid-'70s dinner-theater sex comedy.
Parker Posey and Paul Rudd play a couple that is entrapped in a marriage where nothing seems to go right, in bed or otherwise--just like the movie itself.
We wind up feeling like Priscilla after sex with her husband: It was really fun at first; we just hoped it would end differently.
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