Richard Gere is superb as Irving, capturing the brio and smooth charm but also the barely subliminal anger, neediness, and desperation.
The Hoax (2007)
Tomatometer
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Reviews Counted:148
Fresh:126
Rotten:22
Average Rating:7.2/10
Consensus: The Hoax is an enormously appealing film, thanks to the uniformly excellent performances and Lasse Hallström's zippy direction.
Theatrical Release:03-08-2007
Synopsis: In 1971, Clifford Irving achieved the very heights of American journalism, nabbing a series of unprecedented interviews with the most famous man in the world – ultra-reclusive, immensely powerful,... In 1971, Clifford Irving achieved the very heights of American journalism, nabbing a series of unprecedented interviews with the most famous man in the world – ultra-reclusive, immensely powerful, superstar billionaire Howard Hughes – revealing his most intimate memories and controversial secrets. Actually, that's a lie. In 1971, writer Clifford Irving told an incredible whopper – one that became one of the most audacious and outrageous hoaxes ever perpetrated on the media and American public. Claiming to have obtained Howard Hughes' long sought-after memoirs, Irving pulled the wool over the entire publishing industry's eyes, and nearly made off with major cash and worldwide fame, until his clever yarn unraveled into a serious crime. Now from Academy Award®-nominated director Lasse Hallström (CIDER HOUSE RULES, CHOCOLAT) comes THE HOAX, a riveting caper inspired by Irving's untrue story. Jumping off from the still controversial facts surrounding Irving's ruse into a fictional reverie, the film mischievously and imaginatively explores how a man, an industry and an entire nation could become intoxicated by a good story . . . in sheer defiance of the fact that it never really happened. Golden Globe winner Richard Gere takes on the roguish role of Clifford Irving, an ambitious yet struggling writer who's been looking for that one big story for so long, he brazenly decides to make one up. At first the idea is just a savvy artistic prank, but if that's what the world wants, Irving believes he can take it further. Shrouding himself in a clever cloud of secrecy, he drops the news to a major publisher that he has been approached by the one man the entire world most wants to know about – aviator, movie mogul, ladies man and eccentric billionaire Howard Hughes – to ink his priceless biography. There's just one little problem: not a word of what Clifford is saying has an ounce of truth to it. He's never so much as seen a glimpse of the real Howard Hughes. But Irving banks on the idea that Hughes' seclusion and notoriously thin hold on reality will allow the con to succeed. Hughes has not been seen or heard from in public for over a decade. He is a total recluse. Irving relies on this fact to protect his bogus story – as Hughes refuses to confirm or deny anything so prevalent is his fear of appearing in public. Recruiting his anxiety-prone but loyal best friend Dick Suskind (ALFRED MOLINA) and European artist wife (Academy Award® winner MARCIA GAY HARDEN) into the scheme, Clifford soon finds himself in a wild maze of treachery, as he is forced to dodge the fallout of his falsehoods at every turn. What started as an adventurous lark soon turns into a seemingly inescapable maze of forgeries, thefts, tall tales, deceptions and impersonations. Yet Clifford's plan works like magic as his publishers, hungry for a bestseller at any cost, are hoodwinked by the thrill of it all. When Clifford stumbles upon possible links between Hughes and a corrupt Nixon administration, the stakes for his book grow even higher. Clifford is on top of the world . . . until the real Howard Hughes shockingly emerges to pull the rug out from under him. Only now, Clifford is so caught up in the tale he created that he may no longer know where his incredible story ends and reality begins. --© Miramax Films [More]
Starring: Richard Gere, Michael J. Burg, Julie Delpy, Hope Davis
Starring: Richard Gere, Michael J. Burg, Julie Delpy, Hope Davis, Eli Wallach, Marcia Gay Harden, Alfred Molina, Stanley Tucci, Stuart Margolin
Director: Lasse Hallström
Director: Lasse Hallström
Screenwriter: William Wheeler
Producer: Betsy Beers, Mark Gordon, Leslie Holleran, Joseph Maurer, Bob Yari
Composer: Carter Burwell
Studio: Miramax Films
Reviews for The Hoax
The Hoax isn’t Gere’s best movie (that honor will always and forever belong to Days of Heaven), but it might feature his best performance.
Drunken liars are a dime a dirty dozen. But find one with a little discipline and you've got a focused, freewheeling megalomaniac on your hands, and maybe a fake so seemingly authentic that even discerning Hooters patrons couldn't tell.
The conspiracy theory involving Hughes and then U.S. President Richard Nixon threw me ---- it lacked development as part of the storyline, which I found unnecessary.
Richard Gere puts on a dazzling exhibition of how a successful con man must have ice water in his veins.
Enjoy The Hoax for what is worth--an entertaining ride through the past.
Disguised behind a fake nose and a wig of wavy brown hair, Gere makes Irving and all his machinations strangely charismatic, sympathetic and even, in his way, heroic. It's quite a feat, and one of the best things this underrated star has ever pulled off.
The tagline, "Never let the truth get in the way of a good story," leaves viewers with a nagging suspicion that it may have also been an unintended mission statement.
It's impossible to see this as Clifford Irving. It's Richard Gere... It's fine when you're doing a Richard Gere movie but you can't be Richard Gere in a true story because Richard Gere doesn'
[Clifford] Irving's wry "it's always the details that undo us" attitude at the end makes The Hoax more mirthful than menacing...
The dance between Clifford and Dick, and the actors who play them, is a fascinating ballroom tango that dazzles, charms and captivates us.
What The Hoax really needs is a storyteller of Irving's imagination and skill to create a lie worth telling and believing.
The Hoax is wonderfully directed by Lasse Hallström, who was lucky enough to get Hope Davis, Eli Wallach, Stanley Tucci and Julie Delpy for smaller roles.
[A] fascinating, if fictionalized, real-life tale, which plays out alternately as a drama, a comedy and a thriller -- and which works as all three.
Consider it the ultimate bit of bad luck -- or an apt irony --that Gere’s comeback is stolen by the consistently excellent Alfred Molina.
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October 14, 2007:
Clifford Irving gets the last laugh, while Howard Hughes must be spinning in his grave, given this revisionist tale which turns the truth on its head. ![]()
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April 28, 2007:
Trailer & Poster review ![]()
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