The Hoax doesn't tell its stories as well as Irving does, but it's an enjoyable immersion into a master storyteller's frantically made-up world.
The Hoax (2007)
Tomatometer
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Reviews Counted:148
Fresh:126
Rotten:22
Average Rating:7.2/10
Consensus: The Hoax is an enormously appealing film, thanks to the uniformly excellent performances and Lasse Hallström's zippy direction.
Theatrical Release:03-08-2007
Synopsis: In 1971, Clifford Irving achieved the very heights of American journalism, nabbing a series of unprecedented interviews with the most famous man in the world – ultra-reclusive, immensely powerful,... In 1971, Clifford Irving achieved the very heights of American journalism, nabbing a series of unprecedented interviews with the most famous man in the world – ultra-reclusive, immensely powerful, superstar billionaire Howard Hughes – revealing his most intimate memories and controversial secrets. Actually, that's a lie. In 1971, writer Clifford Irving told an incredible whopper – one that became one of the most audacious and outrageous hoaxes ever perpetrated on the media and American public. Claiming to have obtained Howard Hughes' long sought-after memoirs, Irving pulled the wool over the entire publishing industry's eyes, and nearly made off with major cash and worldwide fame, until his clever yarn unraveled into a serious crime. Now from Academy Award®-nominated director Lasse Hallström (CIDER HOUSE RULES, CHOCOLAT) comes THE HOAX, a riveting caper inspired by Irving's untrue story. Jumping off from the still controversial facts surrounding Irving's ruse into a fictional reverie, the film mischievously and imaginatively explores how a man, an industry and an entire nation could become intoxicated by a good story . . . in sheer defiance of the fact that it never really happened. Golden Globe winner Richard Gere takes on the roguish role of Clifford Irving, an ambitious yet struggling writer who's been looking for that one big story for so long, he brazenly decides to make one up. At first the idea is just a savvy artistic prank, but if that's what the world wants, Irving believes he can take it further. Shrouding himself in a clever cloud of secrecy, he drops the news to a major publisher that he has been approached by the one man the entire world most wants to know about – aviator, movie mogul, ladies man and eccentric billionaire Howard Hughes – to ink his priceless biography. There's just one little problem: not a word of what Clifford is saying has an ounce of truth to it. He's never so much as seen a glimpse of the real Howard Hughes. But Irving banks on the idea that Hughes' seclusion and notoriously thin hold on reality will allow the con to succeed. Hughes has not been seen or heard from in public for over a decade. He is a total recluse. Irving relies on this fact to protect his bogus story – as Hughes refuses to confirm or deny anything so prevalent is his fear of appearing in public. Recruiting his anxiety-prone but loyal best friend Dick Suskind (ALFRED MOLINA) and European artist wife (Academy Award® winner MARCIA GAY HARDEN) into the scheme, Clifford soon finds himself in a wild maze of treachery, as he is forced to dodge the fallout of his falsehoods at every turn. What started as an adventurous lark soon turns into a seemingly inescapable maze of forgeries, thefts, tall tales, deceptions and impersonations. Yet Clifford's plan works like magic as his publishers, hungry for a bestseller at any cost, are hoodwinked by the thrill of it all. When Clifford stumbles upon possible links between Hughes and a corrupt Nixon administration, the stakes for his book grow even higher. Clifford is on top of the world . . . until the real Howard Hughes shockingly emerges to pull the rug out from under him. Only now, Clifford is so caught up in the tale he created that he may no longer know where his incredible story ends and reality begins. --© Miramax Films [More]
Starring: Richard Gere, Michael J. Burg, Julie Delpy, Hope Davis
Starring: Richard Gere, Michael J. Burg, Julie Delpy, Hope Davis, Eli Wallach, Marcia Gay Harden, Alfred Molina, Stanley Tucci, Stuart Margolin
Director: Lasse Hallström
Director: Lasse Hallström
Screenwriter: William Wheeler
Producer: Betsy Beers, Mark Gordon, Leslie Holleran, Joseph Maurer, Bob Yari
Composer: Carter Burwell
Studio: Miramax Films
Reviews for The Hoax
Even Machiavelli would have raised an eyebrow at some of the double-crossings and dealings in The Hoax.
Desperate times call for desperate measures, and Hallström and Wheeler have a great time setting up and embroidering Irving's increasingly elaborate scheme.
It's an accomplished potboiler entertainment, as calculated and clever as the stories Irving spins to stay afloat in the growing sea of his own lies.
Gere seems as born again as he did during the musical numbers in Chicago.
if the story of Clifford Irving's phony autobiography of Howard Hughes is such a good one, why was it mutated with silly fictional flourishes?
Even as The Hoax works to wring emotional consequence from its many layers of lies, you're hard-pressed to believe it.
Until it comes completely off the rails in a needlessly disappointing last act, The Hoax is a marvelously entertaining and funny film.
Sharp, smart, sophisticated and witty. Trust us. This is no fake praise!"
Fans of the riveting 2003 film Shattered Glass now have a powerful bookend to emphasize the dangers of escalating deception.
The idea of what is and isn't plausible gets a lot of chiding play in The Hoax, and it's one that could have used more consideration in the formulation of its swell-talking centerpiece.
What begins as almost a 'Fear and Loathing in Las Vegas'-style buddy pic sadly devolves into the same old-same old about the dark designs of the men behind the curtain.
The Hoax never makes up its mind what it's trying to say, leaving Gere's fast-talking charisma with nowhere to go.
What should we expect...other than being taken for a ride? Just as Irving does, Hallstrom picks out a sexy convertible for the job.
Fast paced, intriguing and fun from beginning to end with a super cast and nary a lack-luster performance---the years best scam flick so far.
The literary and journalistic frauds of the present era are small potatoes compared to the work of Clifford Irving, the subject of The Hoax.
The core brilliance of the performance lies in Gere's refusal to write Irving off as a mere sociopath.
Gere, who is always sharpest when he's playing double-edged personalities, is fun to watch, and Hallström conveys a bit of the circuslike atmosphere of the times.
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October 14, 2007:
Clifford Irving gets the last laugh, while Howard Hughes must be spinning in his grave, given this revisionist tale which turns the truth on its head. ![]()
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April 28, 2007:
Trailer & Poster review ![]()
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