Richard Gere is less charismatic than Irving and Alfred Molina turns Irving's assistant into a buffoon, but the secondary cast is fun to watch.
The Hoax (2007)
Tomatometer
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Reviews Counted:148
Fresh:126
Rotten:22
Average Rating:7.2/10
Consensus: The Hoax is an enormously appealing film, thanks to the uniformly excellent performances and Lasse Hallström's zippy direction.
Theatrical Release:03-08-2007
Synopsis: In 1971, Clifford Irving achieved the very heights of American journalism, nabbing a series of unprecedented interviews with the most famous man in the world – ultra-reclusive, immensely powerful,... In 1971, Clifford Irving achieved the very heights of American journalism, nabbing a series of unprecedented interviews with the most famous man in the world – ultra-reclusive, immensely powerful, superstar billionaire Howard Hughes – revealing his most intimate memories and controversial secrets. Actually, that's a lie. In 1971, writer Clifford Irving told an incredible whopper – one that became one of the most audacious and outrageous hoaxes ever perpetrated on the media and American public. Claiming to have obtained Howard Hughes' long sought-after memoirs, Irving pulled the wool over the entire publishing industry's eyes, and nearly made off with major cash and worldwide fame, until his clever yarn unraveled into a serious crime. Now from Academy Award®-nominated director Lasse Hallström (CIDER HOUSE RULES, CHOCOLAT) comes THE HOAX, a riveting caper inspired by Irving's untrue story. Jumping off from the still controversial facts surrounding Irving's ruse into a fictional reverie, the film mischievously and imaginatively explores how a man, an industry and an entire nation could become intoxicated by a good story . . . in sheer defiance of the fact that it never really happened. Golden Globe winner Richard Gere takes on the roguish role of Clifford Irving, an ambitious yet struggling writer who's been looking for that one big story for so long, he brazenly decides to make one up. At first the idea is just a savvy artistic prank, but if that's what the world wants, Irving believes he can take it further. Shrouding himself in a clever cloud of secrecy, he drops the news to a major publisher that he has been approached by the one man the entire world most wants to know about – aviator, movie mogul, ladies man and eccentric billionaire Howard Hughes – to ink his priceless biography. There's just one little problem: not a word of what Clifford is saying has an ounce of truth to it. He's never so much as seen a glimpse of the real Howard Hughes. But Irving banks on the idea that Hughes' seclusion and notoriously thin hold on reality will allow the con to succeed. Hughes has not been seen or heard from in public for over a decade. He is a total recluse. Irving relies on this fact to protect his bogus story – as Hughes refuses to confirm or deny anything so prevalent is his fear of appearing in public. Recruiting his anxiety-prone but loyal best friend Dick Suskind (ALFRED MOLINA) and European artist wife (Academy Award® winner MARCIA GAY HARDEN) into the scheme, Clifford soon finds himself in a wild maze of treachery, as he is forced to dodge the fallout of his falsehoods at every turn. What started as an adventurous lark soon turns into a seemingly inescapable maze of forgeries, thefts, tall tales, deceptions and impersonations. Yet Clifford's plan works like magic as his publishers, hungry for a bestseller at any cost, are hoodwinked by the thrill of it all. When Clifford stumbles upon possible links between Hughes and a corrupt Nixon administration, the stakes for his book grow even higher. Clifford is on top of the world . . . until the real Howard Hughes shockingly emerges to pull the rug out from under him. Only now, Clifford is so caught up in the tale he created that he may no longer know where his incredible story ends and reality begins. --© Miramax Films [More]
Starring: Richard Gere, Michael J. Burg, Julie Delpy, Hope Davis
Starring: Richard Gere, Michael J. Burg, Julie Delpy, Hope Davis, Eli Wallach, Marcia Gay Harden, Alfred Molina, Stanley Tucci, Stuart Margolin
Director: Lasse Hallström
Director: Lasse Hallström
Screenwriter: William Wheeler
Producer: Betsy Beers, Mark Gordon, Leslie Holleran, Joseph Maurer, Bob Yari
Composer: Carter Burwell
Studio: Miramax Films
Reviews for The Hoax
Lasse Hallström isn't the first filmmaker I'd think of to exhibit such adult zing, but this is the best thing the director has done since What's Eating Gilbert Grape.
I kept hankering for the antic joie de vivre of Catch Me if You Can, which wholly gave itself over to what we love about the con men who dare to slough off the daily grind and do it their way. They have style to burn, and they don't give a damn.
An entertaining blend of drama and comedy, and a powerhouse performance by Richard Gere as a man running a mile a minute on charm and hokum.
Explores the irresistible thrill that liars enjoy when they adjust reality to their liking--the truth is a puppet, and they hold the strings.
A fast-moving and highly dramatic depiction of Clifford Irving's media hoax of 1971 as a sign of the moral rot at the heart of American culture.
A stranger-than-fiction story about one of the biggest scams in publishing history, Lasse Hallstrom's "The Hoax" intelligently sheds the complex psychological layers of a chronic liar through a sharp and entertaining script.
The Hoax pulls off the delicate trick of dutifully damning its protagonist's conduct.
This lie-streaked retelling of a fraud aims not for the meta, but for history-repeating object lesson, explicitly drawing parallels between Irving and Nixon's cons and our current hoax-based regime. But it all rings hollow.
Richard Gere takes on the seemingly unpleasant task of playing this exceedingly unlikeable egghead trickster.
Richard Gere, nearly unrecognizable with blackened hair and a fake nose, gives one of his very best performances as Clifford Irving.
The film is a timely reminder that even the savviest and most skeptical audience can get snookered by the natural desire for a great story.
Gere plays Irving as if he's some sort of hero, and indeed his exploits are easier to cheer for than Tobey Maguire's mopey Spider-Man.
A provocative and blackly comic portrait of a con artist who is ultimately a pawn in a much larger and more intricate conspiracy than even he can fabricate.
As a movie, The Hoax isn't a fraud but it's not the real deal, either.
So sure is Hallström’s pacing that you barely notice the withering moral of the tale: when the money is big enough, everyone is a mug.
It’s bracing to see a grand con-man comedy like The Hoax, in which our moral universe is affirmed, and yet the fabled trickster Clifford Irving -- who wrote a fraudulent autobiography of Howard Hughes -- is so darn likable.
Itself a cinematic sleight of hand...but it pulls off the trick with surprising deftness and amusement.
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October 14, 2007:
Clifford Irving gets the last laugh, while Howard Hughes must be spinning in his grave, given this revisionist tale which turns the truth on its head. ![]()
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April 28, 2007:
Trailer & Poster review ![]()
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