Kevin Bacon has been within zero degrees of separation from so many great filmmakers that it's remarkable how virtually every decision he makes as director of Loverboy is completely misguided.
Loverboy (2006)
Tomatometer
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Reviews Counted:34
Fresh:6
Rotten:28
Average Rating:4.1/10
Consensus: The transition from novel to film is awkwardly executed, and Sedgwick's character, despite the attempts to make her sympathetic, merely comes across as creepy and crazy.
Runtime: 1 hr 37 mins
Genre: Dramas
Synopsis: Emily Stoll (Kyra Sedgwick) is a brilliant, beautiful and financially secure woman who never wanted a husband or a house with a picket fence. She knew she needed just one thing to make her truly... Emily Stoll (Kyra Sedgwick) is a brilliant, beautiful and financially secure woman who never wanted a husband or a house with a picket fence. She knew she needed just one thing to make her truly happy: a child with whom she could share life's wonders. The only child of lovebirds Marty and Sybil Stoll (Kevin Bacon and Marisa Tomei), Emily always felt like a third wheel, a by-product of her parents' intense romance. By the time she reaches her late 20s, Emily decides to forego marriage entirely and conceive a child on her own. An anonymous sexual encounter with an amiable businessman named Paul (Campbell Scott), results in the birth of her son, whom she names Paul (Dominic Scott Kay). Emily is astonished to find that her child is even more precious to her than she had imagined. The intense intimacy of motherhood finally gives her life passion and meaning Emily and her "Loverboy" settle down in a cozy home where she introduces him to the world as she sees it: a world of imagination, humor, literature and magic, but most importantly, a world meant for just the two of them. Creative and iconoclastic, Emily has no interest in polite social interaction. She shuns neighbors, school, potential lovers – any distractions that might take her away from Paul, or Paul away from her. Her single overriding passion is to help her precocious child reach his fullest potential and to protect him from what she sees as the stifling conformity purveyed by mediocre teachers and ordinary playmates. For six years, Emily manages to fend off attempts by well-meaning outsiders to penetrate the exclusive bond she shares with Paul. But, when Paul reaches school age and his natural curiosity begins to draw him to the outside world, Emily knows she has to find a way to hold on to him. No matter what, her "Loverboy" must always remain by her side. Critically-acclaimed actor Kevin Bacon has lent his talent to some of the most memorable filmmaking spanning four decades, from "Animal House" to "Diner" to "Apollo 13" to last year's Best Picture Oscar® nominee, "Mystic River" and most recently, "The Woodsman." Now Bacon steps behind the camera for a second time (directorial debut was Showtime's "Losing Chase") to helm "Loverboy," the chilling story of a woman whose desire to right the wrongs of her own desolate childhood leads to a heart-wrenching decision. --© THINKFilm [More]
Starring: Kyra Sedgwick, Kevin Bacon, Matt Dillon, Marisa Tomei
Starring: Kyra Sedgwick, Kevin Bacon, Matt Dillon, Marisa Tomei, Oliver Platt, Campbell Scott, Melissa Errico, Sandra Bullock
Director: Kevin Bacon
Director: Kevin Bacon
Screenwriter: Victoria Redel, Hannah Shakespeare
Producer: Kevin Bacon, Daniel Bigel, Michael Mailer
Composer: Michael Bacon
Studio: ThinkFilm
Reviews for Loverboy
Kevin Bacon (Sedgwick’s husband) can’t seem to decide if he’s making a film about a loving eccentric or a sociopath.
Loverboy may have been better suited to the page where it could have the subtlety and resonance missing on screen. As a film it works on only one level -- crazy love.
I never really bought Loverboy, and unconvincing delusional cruelty is not what you would call a memorable night out.
Ugh! Another Hollywood vanity project from new poster children for actors who shouldn't produce or direct.
This film couple's vanity productions may keep them working but their fine talents are best realized under the direction of far better storytellers.
What's lacking here is the cold-eyed structure of a storyteller and filmmaker, both in the writing and the direction.
Director Bacon gilds the inherent domestic horror of the script (by Hannah Shakespeare, from Victoria Redel's novel) with farcically stylized flashbacks.
Sedgwick faz um ótimo trabalho com uma personagem detestável, mas a direção excessiva e sem foco de seu marido (Bacon) torna o filme irritante.
Too many visual gimmicks and a cast overburdened with big names in small roles soften Victoria Redel's acclaimed debut novel.
Latest News for Loverboy
June 15, 2006:
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