It's easily Burton's best since, well, ever.
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Tomatometer
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Reviews Counted:212
Fresh:181
Rotten:31
Average Rating:7.6/10
Consensus: Full of pith and Grand Guignol grossness, this macabre musical is perfectly helmed and highly entertaining. Tim Burton masterfully stages the musical in a way that will make you think he has done this many times before.
Rated: 18 [See Full Rating] for graphic bloody violence.
Runtime: 1 hr 57 mins
Genre: Musical & Performing Arts
Theatrical Release:25-01-2008
Synopsis: With its rivers of blood, this adaptation of the Stephen Sondheim musical isn't for the faint of heart--or stomach. But thanks to the black humor, impeccable production design, and gorgeous music,... With its rivers of blood, this adaptation of the Stephen Sondheim musical isn't for the faint of heart--or stomach. But thanks to the black humor, impeccable production design, and gorgeous music, Tim Burton fans will want to sing after seeing SWEENEY TODD. For his sixth collaboration with the director, Johnny Depp stars as Benjamin Barker aka Sweeney Todd, a barber falsely imprisoned by Judge Turpin (Alan Rickman). After leaving prison, he comes back to Victorian London to find his wife poisoned and his daughter held captive. As he plots his revenge, Sweeney joins forces with Mrs. Lovett (Helena Bonham Carter), and while he preys on clients asking for a shave, his new partner turns the bodies into baked goods. But the judge still lives, and the razor-wielding madman wants his vengeance. Though it's a musical, SWEENEY TODD has more in common with Italian horror films such as SUSPIRIA than it does with CHICAGO. Even the horror-musical hybrid LITTLE SHOP OF HORRORS pales in comparison to the darkness found here. Previous Burton-Depp pairings have veered toward the macabre, but this reaches a glorious new level. Though they've made excellent films apart, their partnership has produced some of their best work, including EDWARD SCISSORHANDS, ED WOOD, and now SWEENEY TODD. Depp demonstrates his rock-band roots as the antihero of the title with another amazing performance, while Bonham Carter is both hilarious and heartbreaking as the eager Mrs. Lovett. But credit also belongs to production designer Dante Ferretti, director of photography Dariusz Wolski, and, of course, Burton, for showing a sooty London that is just as dark as the film's subject matter. Source composer Sondheim should also be recognized for the haunting songs that threaten to stick in viewers' heads, but the film as a whole also deserves to be remembered for its beauty and brutality. [More]
Starring: Johnny Depp, Helena Bonham-Carter, Alan Rickman, Timothy Spall
Starring: Johnny Depp, Helena Bonham-Carter, Alan Rickman, Timothy Spall, Jamie Campbell Bower, Jayne Wisener, Sacha Baron Cohen
Director: Tim Burton
Director: Tim Burton
Screenwriter: John Logan
Producer: Richard D. Zanuck, Walter F. Parkes, Laurie MacDonald, John Logan
Composer: Stephen Sondheim
Studio: Warner Bros.
Reviews for Sweeney Todd: The Demon Barber of Fleet Street
I'm a tough audience for Sweeney Todd, since I've probably played the original cast album a thousand times, but even I think it's worth your time.
Burton's overall restraint is a welcome surprise. Shorn of his usual camp trappings, the director evokes a sadness beneath every uneasy smile he draws from the audience.
Sometimes jaunty, often dark, and very stylized. In other words, it's a perfect fit for director Tim Burton.
Stylized but spasmodic, this Sweeney seems more interested in distancing than captivating an audience.
It's Sondheim's gorgeously dissonate score that makes the greatest impact. The lush strings and emphatic horns can't help but lift the spirit even as they chill the bones.
Burton is one of the truest of originals in the business of big-budget filmmaking, with a baroque imagination, a fetishistic love of detail, a perverse sense of humor and the courage to see his inspirations through to their most outlandish extremes.
While certainly not for all viewers, and even if it takes a bit to gain viewer engagement and traction, the film turns out to be, pardon the obligatory pun, fairly bloody fun.
Depp may not be a trained singer, but his voice is more than passable, and his presence -- his Sweeney is Edward Scissorhands gone bad -- is perfect.
By all means go, and be prepared for a holiday musical like no other.
A great film, a landmark in musical cinema and the best movie of 2007.
The most faithful and effective transfer of a musical to screen I've seen. And bloody good fun besides.
Sondheim's original musical was already a mad synthesis of Jacobean shock, Brechtian irony and Dickensian pathos -- to which Burton's lush visuals add another layer of aesthetic distance. The overall effect is somewhere between melodrama and camp.
The film benefits from Burton's consistency of vision. Swooping camera work and a sense of really discomfiting fantasy do the groundwork. When characters break into song, it fits in the world Burton has built.
No sentiment goes unbloodied in [Burton's] exuberantly dark Sweeney Todd.
The whole experience is underwhelming, except for the violence, which is entirely overwhelming.
There's something about the 1979 Stephen Sondheim musical that awakened something audacious and inspired in Burton, sparking him to make his best film since "Ed Wood."
Sweeney Todd left me torn. There were so many elements that I loved but then there were those constant, annoying songs.
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