An elegant horror film that takes pleasure in its own theatricality, gives pleasure with caustic wit, trusts the power of Stephen Sondheim's score and exults in flights of fancy that only a movie can provide.
Sweeney Todd: The Demon Barber of Fleet Street (2007)
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Reviews Counted:212
Fresh:181
Rotten:31
Average Rating:7.6/10
Consensus: Full of pith and Grand Guignol grossness, this macabre musical is perfectly helmed and highly entertaining. Tim Burton masterfully stages the musical in a way that will make you think he has done this many times before.
Rated: 18 [See Full Rating] for graphic bloody violence.
Runtime: 1 hr 57 mins
Genre: Musical & Performing Arts
Theatrical Release:25-01-2008
Synopsis: With its rivers of blood, this adaptation of the Stephen Sondheim musical isn't for the faint of heart--or stomach. But thanks to the black humor, impeccable production design, and gorgeous music,... With its rivers of blood, this adaptation of the Stephen Sondheim musical isn't for the faint of heart--or stomach. But thanks to the black humor, impeccable production design, and gorgeous music, Tim Burton fans will want to sing after seeing SWEENEY TODD. For his sixth collaboration with the director, Johnny Depp stars as Benjamin Barker aka Sweeney Todd, a barber falsely imprisoned by Judge Turpin (Alan Rickman). After leaving prison, he comes back to Victorian London to find his wife poisoned and his daughter held captive. As he plots his revenge, Sweeney joins forces with Mrs. Lovett (Helena Bonham Carter), and while he preys on clients asking for a shave, his new partner turns the bodies into baked goods. But the judge still lives, and the razor-wielding madman wants his vengeance. Though it's a musical, SWEENEY TODD has more in common with Italian horror films such as SUSPIRIA than it does with CHICAGO. Even the horror-musical hybrid LITTLE SHOP OF HORRORS pales in comparison to the darkness found here. Previous Burton-Depp pairings have veered toward the macabre, but this reaches a glorious new level. Though they've made excellent films apart, their partnership has produced some of their best work, including EDWARD SCISSORHANDS, ED WOOD, and now SWEENEY TODD. Depp demonstrates his rock-band roots as the antihero of the title with another amazing performance, while Bonham Carter is both hilarious and heartbreaking as the eager Mrs. Lovett. But credit also belongs to production designer Dante Ferretti, director of photography Dariusz Wolski, and, of course, Burton, for showing a sooty London that is just as dark as the film's subject matter. Source composer Sondheim should also be recognized for the haunting songs that threaten to stick in viewers' heads, but the film as a whole also deserves to be remembered for its beauty and brutality. [More]
Starring: Johnny Depp, Helena Bonham-Carter, Alan Rickman, Timothy Spall
Starring: Johnny Depp, Helena Bonham-Carter, Alan Rickman, Timothy Spall, Jamie Campbell Bower, Jayne Wisener, Sacha Baron Cohen
Director: Tim Burton
Director: Tim Burton
Screenwriter: John Logan
Producer: Richard D. Zanuck, Walter F. Parkes, Laurie MacDonald, John Logan
Composer: Stephen Sondheim
Studio: Warner Bros.
Reviews for Sweeney Todd: The Demon Barber of Fleet Street
It combines some of Tim Burton's favorite elements: The fantastic, the ghoulish, the bizarre, the unspeakable, the romantic and in Johnny Depp, he has an actor he has worked with since Edward Scissorhands and finds a perfect instrument.
This isn't a movie for lovers of Sondheim's grimly funny musical, as most of the jokes fall flat in this joyless version. It's a movie for people who'd like to hear Depp do another British accent and wear a Bride of Frankenstein wig.
A conceptual masterstroke. Sweeney always wanted to be a revenger's tragedy to make us recoil in fright. Now it is. Merry Christmas.
A warped dream of domestic bliss that leaves you horrified and inconsolable.
Poor Depp isn't up to the challenge of a musical. He may look menacing with his ivory skin and flashing eyes, but he sings like he's three drinks into a night at the local karaoke bar.
Touches on Dostoevskian notions of playing God and purging the world of its lowlife rabble, and at times Todd seems something of a proletariat hero, exacting class reparations by night and knife.
Very charming in its dark and twisted way, although not without some flaws and odd choices.
Pairing his Burton's whimsy with Stephen Sondheim's witty lyrics and lilting melodies makes for a combination as engrossing as it is unlikely.
There's no hole in the floor for an orchestra pit,there's a lot of CGI and some razor-keen wit.If you don't know the show, just roll with it
As the perfect marriage of maker and material, this dark, disturbing splatter-etta stands as the best film of 2007.
[Sweeney Todd] is a wonder to behold, but only those with Burton's acquired tastes would want to sample a pie overstuffed with such joylessness.
the perfect movie this holiday for anyone sick of jingle bells and angels getting their wings.
... easy to recommend. It's an intelligent adaptation of a brilliant piece of material, preserving most of what was good first time around and bringing to the fore all the additional aspects that film provides.
[It] works as a big screen version of one of the great achievements of the musical stage, as a dark and scary horror film, and as Tim Burton's finest film in over a decade.
Burton's work here is strong and self-assured and never allows the lavish production design to dominate the storytelling.
Sweeney Todd is exactly the musical Burton fans have wished him to make. It's a bloody mess of vengeance and lost love, full of throat-slitting mayhem.
It's as if Stephen Sondheim's musical was meant to be a Tim Burton movie all along.
Delightfully gruesome, it is laced with morbid humor, and yet a sense of tragedy and loss weighs heavily upon it.
A consistently great experience, and I'd love to go back and see it again in three weeks when the Hot Topic generation has latched on to it and will be singing along in the theater.
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