Handicapped by pretensions to making big statements, Blindness is still gripping, disturbing and intermittently powerful.
Blindness (2008)
Tomatometer
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Reviews Counted:147
Fresh:61
Rotten:86
Average Rating:5.2/10
Consensus: This allegorical disaster film about society's reaction to mass blindness is mottled and self-satisfied; provocative but not as interesting as its premise implies.
Rated: 18 [See Full Rating] for violence including sexual assaults, language and sexuality/nudity.
Runtime: 2 hrs
Genre: Dramas
Theatrical Release:21-11-2008
Synopsis: Brazilian director Fernando Meirelles (CITY OF GOD) brings Jose Saramago's much-loved novel BLINDNESS to the screen with this ambitious adaptation. Like Saramago's book, Meirelles chooses to... Brazilian director Fernando Meirelles (CITY OF GOD) brings Jose Saramago's much-loved novel BLINDNESS to the screen with this ambitious adaptation. Like Saramago's book, Meirelles chooses to forfeit names for his characters, instead spinning BLINDNESS around the plight of a doctor and his wife (respectively played by Mark Ruffalo and Julianne Moore). A blindness epidemic strikes an unnamed city, forcing the government to put many citizens in quarantine, including Ruffalo's doctor. Unable to conceive of life without him, Moore's character feigns blindness and joins him in the grimy high-security institution where visually impaired citizens are kept. Their attempt to survive in the rotting facility, which quickly falls into disrepair and chaos, forms the backbone of Meirelles's movie. There's a twist in the tale as Ruffalo and Moore's characters struggle to lead the blind to a place where they can come to terms with their condition, and Meirelles makes the journey deeply unsettling. An impressive cast ably backs Ruffalo and Moore, including Danny Glover, Gael Garcia Bernal, and Alice Braga. Their performances give a palpable feeling of what it's like to be blind, and even provide a few moments of dark comedy as they stumble through the institution in which they're imprisoned. Meirelles's movie, which essentially functions as an allegory for societal collapse, is an alarming and often distressing look at the dark side of human nature. The director often saturates the film with milky white color, reflecting the bright light the blind see when the condition besets them. This glare often makes it difficult to look at the screen, inflicting Meirelles's audience with a feeling of momentary blindness. An atmosphere of tangible dread manifests itself as BLINDNESS progresses, and the ugly scenes of rape and brawling, largely caused by the meager food rationing among the blind, makes for emotional viewing. [More]
Starring: Julianne Moore, Mark Ruffalo, Danny Glover, Gael Garcia Bernal
Starring: Julianne Moore, Mark Ruffalo, Danny Glover, Gael Garcia Bernal, Alice Braga, Sandra Oh
Director: Fernando Meirelles
Director: Fernando Meirelles
Screenwriter: Don McKellar
Producer: Andrea Barata Ribeiro, Niv Fichman, Sonoko Sakai
Composer: Marco Antonio Guimaraes, Uakti
Studio: Miramax Films
Reviews for Blindness
Sadly, ‘Blindness’ may realise its director’s worst fear: to produce not only an exploitation B-movie but one, paradoxically, spoiled by its own integrity and misplaced ‘artistic’ mise-en-scène and intentions.
Veering between intelligent and unpleasant, this apocalyptic drama isn't without its strong moments, but is ultimately too grim and pretentious for its own good.
His actors do their best, and Moore certainly remains a powerhouse presence whenever she’s on camera. But mostly they struggle to be seen beneath the leaden messages.
Meirelles, along with screenwriter Don McKellar and cinematographer Cesar Charlone, have created an elegant, gripping and visually outstanding film.
There is much to admire about Blindness, but this striking work is all too often undermined by its sense of its own importance.
It's a sharply realistic allegory yet its symbolic thrust - moral blindness is worse than losing your sight - is diluted by an arbitrary story that runs out of places to go.
The picture ends on a note of hope, but most of it is extremely ugly, pictorially and spiritually. It's full of symbols and metaphors instead of believable people - but I have no idea what, if anything, it is trying to say.
Boy, this is bad. And I mean walk-out-of-the-cinema bad. So awful, in fact, that its dullness, pomposity and sheer gloominess are among the film’s better points.
Only after the audience has experienced the darkness of humankind’s soul do we start to see the light. Or at least that seems to be the message. The problem is that by the time hope arrived, The Sneak’s heart was too heavy to be lifted.
Stylishly directed and superbly acted, this is a dark, disturbing and provocative sci-fi flick that is genuinely chilling.
Terrible things occur in the hospital, a gang rape in particular leaves a scarring imprint, but the film is undermined by an awful score, Danny Glover's exposition and sentimentalism.
A harrowing apocalyptic fable made with skill and invention, this film is so packed with ideas that it's nearly overpowering. And this depth and relevance makes up for the somewhat over-egged filmmaking.
The result makes for a traumatic viewing experience, but never does Mereilles convincingly illuminate the wrenching fear of his source material.
Like the film's thematic elements, the camera trickery comes off as unnecessarily pretentious, the sort of thing film students applaud while mainstream audiences yawn.
Latest News for Blindness
February 09, 2009:
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What better way to celebrate the inauguration of President Barack Obama by watching Oliver Stone's W. this week on DVD? While a handful of middling studio releases hit home... More...
February 08, 2009:
A stunning masterpiece, enriched by the enormously talented Moore who conveys with startling assurance, the excruciating pain of human awareness and consciousness, that sight can ironically bring. ![]()
More...
February 08, 2009:
A stunning masterpiece, enriched by the enormously talented Moore who conveys with startling assurance, the excruciating pain of human awareness and consciousness, that sight can ironically bring. ![]()
More...
December 07, 2008:
Iconoclast.com: A stunning masterpiece, enriched by the enormously talented Moore who conveys with startling assurance, the excruciating pain of human awareness and consciousness, that sight can ironically bring. ![]()
More...
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