Fernando Meirelles' Blindness is film as punishment; a literate and thoughtful work that's nonetheless so relentless in its bleached-out misery that you want to look away.
Blindness (2008)
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Reviews Counted:147
Fresh:61
Rotten:86
Average Rating:5.2/10
Consensus: This allegorical disaster film about society's reaction to mass blindness is mottled and self-satisfied; provocative but not as interesting as its premise implies.
Rated: 18 [See Full Rating] for violence including sexual assaults, language and sexuality/nudity.
Runtime: 2 hrs
Genre: Dramas
Theatrical Release:21-11-2008
Synopsis: Brazilian director Fernando Meirelles (CITY OF GOD) brings Jose Saramago's much-loved novel BLINDNESS to the screen with this ambitious adaptation. Like Saramago's book, Meirelles chooses to... Brazilian director Fernando Meirelles (CITY OF GOD) brings Jose Saramago's much-loved novel BLINDNESS to the screen with this ambitious adaptation. Like Saramago's book, Meirelles chooses to forfeit names for his characters, instead spinning BLINDNESS around the plight of a doctor and his wife (respectively played by Mark Ruffalo and Julianne Moore). A blindness epidemic strikes an unnamed city, forcing the government to put many citizens in quarantine, including Ruffalo's doctor. Unable to conceive of life without him, Moore's character feigns blindness and joins him in the grimy high-security institution where visually impaired citizens are kept. Their attempt to survive in the rotting facility, which quickly falls into disrepair and chaos, forms the backbone of Meirelles's movie. There's a twist in the tale as Ruffalo and Moore's characters struggle to lead the blind to a place where they can come to terms with their condition, and Meirelles makes the journey deeply unsettling. An impressive cast ably backs Ruffalo and Moore, including Danny Glover, Gael Garcia Bernal, and Alice Braga. Their performances give a palpable feeling of what it's like to be blind, and even provide a few moments of dark comedy as they stumble through the institution in which they're imprisoned. Meirelles's movie, which essentially functions as an allegory for societal collapse, is an alarming and often distressing look at the dark side of human nature. The director often saturates the film with milky white color, reflecting the bright light the blind see when the condition besets them. This glare often makes it difficult to look at the screen, inflicting Meirelles's audience with a feeling of momentary blindness. An atmosphere of tangible dread manifests itself as BLINDNESS progresses, and the ugly scenes of rape and brawling, largely caused by the meager food rationing among the blind, makes for emotional viewing. [More]
Starring: Julianne Moore, Mark Ruffalo, Danny Glover, Gael Garcia Bernal
Starring: Julianne Moore, Mark Ruffalo, Danny Glover, Gael Garcia Bernal, Alice Braga, Sandra Oh
Director: Fernando Meirelles
Director: Fernando Meirelles
Screenwriter: Don McKellar
Producer: Andrea Barata Ribeiro, Niv Fichman, Sonoko Sakai
Composer: Marco Antonio Guimaraes, Uakti
Studio: Miramax Films
Reviews for Blindness
Too many scenes strike the same note, and, at times, Blindness seems like a premise in search of a story, and an allegory in search of a meaning. But in its methodical and uncompromising way, it gets where it needs to go.
Visually nervy, beautifully acted, intense and philosophically compelling, it struggles to connect emotionally as it wrestles with the challenging source material.
Dully written, ponderously paced and full of one-note characters acting exactly as we'd expect.
I kept hoping the meaning would click into place, but it never quite did. The story seems designed to apply to whatever fear is nibbling around your subconscious.
Meirelles has crafted a lurid, even hysterically visual, but dramatically trite and obvious approximation of whatever was intended by Saramago.
For all its pretension and artiness, Blindness is more like M. Night Shyamalan's The Happening (which at least had the decency to be fast-paced and short), right down to its upbeat and inane conclusion.
The symbolism of author Jose Saramago's parable eludes Meirelles, and the film eventually breaks down into a series of self-conscious, stylized tics and narrative nonsense.
Blindness is a mature, thoughtful film for adult audiences who believe cinema should address the human condition, no matter how bleak, and not just provide escapism.
Fernando Meirelles' awkward, repulsive yet richly imagined film uses sightlessness as a trigger for the breakdown of society.
Blindness looks and feels uncomfortably real; what redeems it is its fumbling, groping quest for mercies that may not be coming.
Blindness leaves indelible images and unnerving feelings about physical and social disintegration. It is not easy to stomach.
A perversely enjoyable, occasionally harrowing adaptation of José Saramago's 1995 disaster allegory.
[A] belabored allegory that fails to even set up any rules, much less abide by them.
[Fernando] Meirelles' appalling images hit the screen with a gigantic splat.
The figures in Blindness have no names; that's how deep into the Valley of Allegory we are.
[a] literal-minded realization of an allegorical fable -- some stories are not improved by the filling in of details...
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February 08, 2009:
A stunning masterpiece, enriched by the enormously talented Moore who conveys with startling assurance, the excruciating pain of human awareness and consciousness, that sight can ironically bring. ![]()
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February 08, 2009:
A stunning masterpiece, enriched by the enormously talented Moore who conveys with startling assurance, the excruciating pain of human awareness and consciousness, that sight can ironically bring. ![]()
More...
December 07, 2008:
Iconoclast.com: A stunning masterpiece, enriched by the enormously talented Moore who conveys with startling assurance, the excruciating pain of human awareness and consciousness, that sight can ironically bring. ![]()
More...
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