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Billy the Kid (2007)
Runtime: 85 mins
Synopsis: Jennifer Venditti makes an astonishing directorial debut with BILLY THE KID. A New York City-based casting director, Venditti discovered the 15-year-old Billy Price while working on a short film in Maine. Misunderstood by seemingly everyone around him, Venditti decided to return to the... Jennifer Venditti makes an astonishing directorial debut with BILLY THE KID. A New York City-based casting director, Venditti discovered the 15-year-old Billy Price while working on a short film in Maine. Misunderstood by seemingly everyone around him, Venditti decided to return to the small town with a camera to follow Billy around for a week and let him tell his own story. The result is an exhilarating work of nonfiction that is both heartbreaking and hilarious. Billy has been diagnosed with Asperger's Syndrome, yet Venditti doesn't call attention to this diagnosis. Instead, she follows him in a vérité fashion and allows him to speak for himself. And speak he does. A well-read, thoughtful young man, Billy unleashes quotes and references that will leave viewers dazed and amused (his spectrum covers everything from Robert Frost to the band Kiss). Billy's mother realizes that her son is a special case, and she treats him with patience and understanding that is rare and noble. While the entire film is a revelation, it is Billy's courtship of a fellow outsider, Heather, that takes the film to another level completely. Watching these extraordinary characters experience such universal stomach-punching emotions is a wonder to behold. It is here where BILLY THE KID transcends its seemingly breezy, innocent atmosphere and becomes a profound meditation on the raucous emotional tornado that is adolescence. It is impossible to watch BILLY THE KID and not cringe with recognition. [More]
Genre: Education/General Interest
Producer: Jennifer Venditti, Chiemi Karasawa
Composer: Christian Zucconi, Guy Blakeslee
Reviews
The best documentaries take you places you don't normally have access to.
Opens as a study on a teen with some social/behavioral issues. The film makes sure never to label, then gently tangents from the study into a sweet spontaneous love story.
Watching Billy the Kid duplicates -- as much as any movie probably can -- the fascinating process of trying to figure out someone you've just met.
A raw, touching, unfiltered look at the teenage angst that Hollywood usually turns into brain-dead comedy.
Billy's resilience, though, is nothing short of amazing. Not to mention part of growing up.
What you ultimately take from the film is the awareness that this smart, self-aware, uncensored kid has been playing to a camera in his own head since well before Venditti came along.
Billy the Kid is an unforgettable, distressing, riveting snapshot of a boy and his world; a high-speed descent into pure impulse that should not be missed.
Without a hint of irony, he spouts off, I hope the next film I'm in is action. So do I.
What makes Billy the Kid extraordinary is not that it grants seeming access to private moments, but that it makes clear as well the inherently public nature of the filmmaking process.
Billy may come off as an odd duck, but he's not mean or too peculiar. Actually, he's pretty likable, which is why you'll probably find yourself rooting for him to get the girl and to be happy for a change.
... a window into the world of adolescence, where everything is immediate and intense and important.
Billy the Kid, a movie that's as interesting as it is dewy-eyed, may be the rare snapshot of an adolescent 'outcast' who is really the guy made for fame, with a built-in radar for how to present himself in front of the camera.
Nobody ever said growing up a small-town geek was easy. I know from personal experience, and so does Billy Price, the subject of director Jennifer Venditti's affecting documentary Billy the Kid.
There's something to be said for Venditti's ability to build the kind of trust with a subject necessary to get full participation.
I don't imagine any adult could watch Billy the Kid without sharp pangs of recognition; everyone who passes through the crucible of teenage-ness feels at least momentarily as awkward as Billy.
The movie marks the directorial debut of Jennifer Venditti, whose ability to convey the innocence of youth and the universal anguish of being an outsider suggests a natural ear for the emotional rhythms of growing up.
Jennifer Venditti's documentary profile of 15-year-old Kiss fan Billy is truly something special.
The documentary Billy the Kid presents the world according to a troubled teenager in Maine.
The thoughtfully sweet slightness of Venditti's film happens also to be the source of its immense charm, and in Billy she has a golden subject,
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