Malkovich's titular mentalist is the primary focus of attention%u2014and sadly the source of many of the film's unique problems. In a career of strange performances, Malkovich turns in a true curiosity here%u2014and maybe it's because he is not, for once,
The Great Buck Howard (2009)
Tomatometer
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Reviews Counted:89
Fresh:64
Rotten:25
Average Rating:6.4/10
Consensus: By turns fluffy and biting, this show biz comedy is given girth by comic heavyweight John Malkovich and made all the more charming by Emily Blunt.
Runtime: 2 hrs 17 mins
Genre: Comedies
Synopsis: Prior to THE GREAT BUCK HOWARD, writer-director Sean McGinly helmed TWO DAYS, a film that deals with themes of show-business failure. McGinly treads similar territory here, but whereas DAYS mixed... Prior to THE GREAT BUCK HOWARD, writer-director Sean McGinly helmed TWO DAYS, a film that deals with themes of show-business failure. McGinly treads similar territory here, but whereas DAYS mixed dark comedy and tense drama in the internal struggle of a man who merely thinks he’s a failed entertainer, BUCK is a gentle charmer about a bona-fide washed-up star. When sensible but jaded law student Troy Gabel (Colin Hanks) decides that school isn’t for him, he takes off without telling his father (Tom Hanks, whose presence underscores how many mannerisms he and his real-life son have in common) and looks for the job that will get him a proverbial foot in the door of the entertainment industry. In the blink of an eye, Troy finds himself as road manager for the Great Buck Howard (John Malkovich), an aging mentalist in the tradition of the Amazing Kreskin. He may be a corny relic with an act full of piano interludes and lo-fi theatrics, but he’s also pretty entertaining and genuinely impressive, especially his signature bit in which he locates his own hidden payment. He’s prone to throwing prima-donna fits and blathering on about his 61 appearances on THE TONIGHT SHOW while he regularly performs to half-full rooms; but every time he screams "I love this town!" to the audiences of Wausau, Wisconsin, and Bakersfield, California, it becomes increasingly apparent that he means it. Buck is the best showcase for Malkovich’s hilarious eccentricities since BEING JOHN MALKOVICH. But seen through the eyes of McGinly’s semi-autobiographical Troy and a perceptive publicist named Valerie (Emily Blunt), he’s more than just a caricature: his brief, hipster-irony-propelled resurgence as a national celebrity and the movie’s lighthearted satirization of Hollywood suggest he’s the kitschy, infantile heart of every entertainer. [More]
Starring: John Malkovich, Colin Hanks, Emily Blunt, Griffin Dunne
Starring: John Malkovich, Colin Hanks, Emily Blunt, Griffin Dunne, Ricky Jay, Steve Zahn, Tom Hanks
Director: Sean McGinly
Director: Sean McGinly
Screenwriter: Sean McGinly
Producer: Tom Hanks, Gary Goetzman
Composer: Blake Neely
Studio: Magnolia Pictures
Reviews for The Great Buck Howard
The problem isn't so much in the film's clumsy, hand-holding narration, or in its forced quirkiness. Rather it's that its most interesting character -- the one they named the thing after -- isn't the main character.
By no means a great film, but it makes up in modest pleasantness what it lacks in weightiness.
Sleight of hand is among a magician's greatest assets, but even the most gullible rubes will be able to follow most of writer-director Sean McGinly's telegraphed moves in this agreeable but lightweight film...
This is not a rare movie, but it does have a warm red center. It's likable, and its appeal grows as it recovers from a shaky start and finds its footing.
Inspired by the Amazing Kreskin, it's a poignant, gently satiric portrait of the utter desperation of a fading celebrity.
This moderately entertaining film would have been a lot more entertaining had the charismatic, exceptionally talented Emily Blunt been given a much larger role.
While arguably sweet and charming, The Great Buck Howard is memorable only because of his sleight of hand.
Malkovich expertly starts the relationship between his character and the audience on several wrong feet before winning us over.
A good comedy with jokes and nostalgia for the whole family and tasteful subject matter. But it would have been as good or better without the Hanks father-son team.
Watching The Great Buck Howard is like listening to 'Chopsticks' played really well. Impressive, maybe, but who cares?
Buck Howard is Malkovich's show. When's he's off the screen, the film sputters, but while he's on-camera, it's magical.
A delightful drama about a seasoned mentalist who has seen better days and yet can still engender genuine wonder in the minds of his audiences.
The heart of the film is all about finding life's element, better yet, a way to put yourself into your life's element, despite pressures to be somewhere or something else.
Light, witty, and occasionally thoughtful, The Great Buck Howard is a good Saturday-afternoon popcorn flick for teens and adults.
Latest News for The Great Buck Howard
March 19, 2009:
Malkovich shines in character study of washed-up Kreskin-like mentalist. ![]()
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