You need a sweet tooth for this kind of thing and Garrel really is turning into the most irritating actor in the world, hyperactively clowning around and generally behaving like the Big Brother contestant from hell.
Love Songs (2008)
Tomatometer
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Reviews Counted:43
Fresh:27
Rotten:16
Average Rating:6.1/10
Consensus: Love Songs is hampered by a lack of focus, but held together by Honore's deft direction and an engaging cast.
Runtime: 1 hr 35 mins
Genre: Foreign Films
Synopsis: Director Christophe Honoré pays homage to French cinema of the 1960s with LOVE SONGS (LES CHANSONS D'AMOUR). Though it borrows its structure from Jacques Demy's classic THE UMBRELLAS OF CHERBOURG,... Director Christophe Honoré pays homage to French cinema of the 1960s with LOVE SONGS (LES CHANSONS D'AMOUR). Though it borrows its structure from Jacques Demy's classic THE UMBRELLAS OF CHERBOURG, this modern musical paints its sad story in much darker colors than its predecessor. LOVE SONGS begins with Parisian lovers Ismaël (Louis Garrel, THE DREAMERS) and Julie (Ludivine Sagnier, SWIMMING POOL) adding a third person to their relationship to add spice to their dying romance. Alice (Clotilde Hesme, REGULAR LOVERS) works with Ismaël in his job at a newspaper, and she shows instant chemistry with both partners. But tragedy soon divides the lovers, and Ismaël is left to cope in the best way he can: through love. While LOVE SONGS echoes the three-act format of THE UMBRELLAS OF CHERBOURG--"the departure," "the absence," and "the return"--Honoré's film is a much bleaker, more realistic offering. The candy colors of Cherbourg are gone, replaced by a dreary looking Paris, where it constantly rains and the characters are forever lacking umbrellas. Even though Garrel, Saigner, Hesme, and the rest of the cast burst into song, the film has far more in common with Honoré's other dramas than with typical musicals. In his third collaboration with the director after DANS PARIS and MA MERE, Garrel is a fascinating physical and emotional presence. He ably leaps between Ismaël's sadness and the lightness of physical comedy. Fans of French cinema may recognize costar Chiara Mastroianni, who is the daughter of legend Catherine Deneuve, the luminous star of THE UMBRELLAS OF CHERBOURG. [More]
Starring: Louis Garrel, Ludivine Sagnier, Chiara Mastroianni, Clotilde Hesme
Starring: Louis Garrel, Ludivine Sagnier, Chiara Mastroianni, Clotilde Hesme, Gregoire Leprince-Ringuet, Brigitte Rouan, Alice Butaud, Jean-Marie Winling, Yannick Renier
Director: Christophe Honoré
Director: Christophe Honoré
Screenwriter: Christophe Honoré
Producer: Paulo Branco
Composer: Alex Beaupain
Studio: IFC Films
Reviews for Love Songs
Starts well but loses its way in the middle section and never quite recovers, despite some catchy songs and decent performances.
It’s a story which Honoré describes as personal, so we must assume that there is some truth at least in the premise. But the decision to set the story to music undermines the emotional honesty that the piece might otherwise have had.
Sensitively using song to express grief, passion and ennui, this is a cineaste’s delight.
Probably not to everyone's taste ... but the lyrical filmmaking beautifully captures the elusive complexity of love.
Sweetly plays on stereotypes of the French as obsessed with romance, or at least movie musicals, so regardless of any consistency or logic, love and singing conquer all.
Conceived by Honore as a tribute to a dead friend, the helmer is perhaps too close to his subject, never quite able to bring himself to linger on the grief that should be at pic's core.
This inexpressibly tender and lovely picture suggests that [Honoré's] developing into a major talent, one who can make the spirit of classic French movies come alive in a new world.
As dark as these themes seem, in Honoré's capable hands, they become almost frothy and the perfect elements for a surprisingly joyous musical.
Yes, it's weird. But it's wild card weird, with that thrill of never knowing what's coming next or when these Parisians are going to get musical on us.
There's little doubt that Love Songs' reliance on mind-bogglingly ineffective musical numbers inevitably triggers its downfall...
It's one thing to emote through singing, but competing with the memory of a beloved classic is more than his gorgeous and talented cast can overcome.
...an interesting exercise by writer/director Christophe Honore but it plays too unevenly.
[Christophe] Honore drops the brightness and joy of the form into the chilly, gray winter of Paris to explore love and loss and intimacy.
Love Songs finds the magic that the great screen musicals have -- the way a sad song can nonetheless leave an audience happy, or the way two voices blending seems to create something so much bigger.
If you love really French films, you'll likely adore Christophe Honore's pop-musical follow-up to Dans Paris.
Whereas Umbrellas of Cherbourg has become timeless in its depiction of romance, Love Songs strikes a strongly contemporary note in its calm acceptance of the fluidity of desire and emotion.
Latest News for Love Songs
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