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The Unknown Woman

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The Unknown Woman (2006)

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Reviews Counted:39

Fresh:25

Rotten:14

Average Rating:6.1/10

Consensus: If it's occasionally manipulative, this Italian melodrama mixes thriller conventions with a poignant love story and keeps the tension rolling from start to finish.

Runtime: 2 hrs

Genre: Foreign Films

Synopsis: Russian actress Xenia Rappoport gives a rich, complex lead performance in Giuseppe Tornatore's Italian thriller, THE UNKNOWN WOMAN (LA SCONOSCIUTA). Rappoport stars as Irena, a deeply troubled... Russian actress Xenia Rappoport gives a rich, complex lead performance in Giuseppe Tornatore's Italian thriller, THE UNKNOWN WOMAN (LA SCONOSCIUTA). Rappoport stars as Irena, a deeply troubled Ukrainian woman who has just arrived in Italy. She is desperate to get a job working in a specific building, mopping floors and doing whatever is necessary, even giving significant parts of her payment to the super (Alessandro Haber) she convinces to hire her. After causing Gina (Piera Degli Esposti) to have a terrible accident, Irena takes over Gina's job, working as a nanny for Thea (Clara Dossena) and her parents, Valeria (Claudia Gerini) and Donato (Pierfrancesco Favino). While growing very close with the young child, Irena suffers from horrible flashbacks and bad memories in which she is a blonde involved in some kind of mysterious sex trade headed by a man called Mold (Michele Placido). Irena brutally teaches Thea how to fight back when she's picked on at school, the way Irena was unable to fight back for so long against Mold, but things threaten to implode when Valeria starts becoming suspicious of Irena's motives. THE UNKNOWN WOMAN is a modern-day film noir, with clues slowly being revealed until it all comes together in the end, with plenty of surprises. Tornatore, who has made such international hits as MALENA, THE LEGEND OF 1900, and CINEMA PARADISO--which won the Oscar for Best Foreign Language Film--keeps things moving at a steady pace, allowing the characters to grow in depth and emotion. THE UNKNOWN WOMAN captured five prestigious David di Donatello Awards in Italy, including Best Film, Best Director (Tornatore), Best Actress (Rappoport), Best Cinematography (Fabio Zamarion), and Best Composer (Ennio Morricone). [More]

Starring: Ksenia Rappoport, Clara Dossena, Michele Placido, Claudia Gerini

Starring: Ksenia Rappoport, Clara Dossena, Michele Placido, Claudia Gerini, Pierfrancesco Favino, Margherita Buy, Alessandro Haber, Piera Degli Esposti, Angela Molina

Director: Giuseppe Tornatore

Director: Giuseppe Tornatore
Screenwriter: Giuseppe Tornatore
Composer: Ennio Morricone
Studio: Outsider Pictures

[See More Credits]

Reviews for The Unknown Woman

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1 - 20 (sorted by date; UK critics are listed first)
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a movie that's almost impossible to get out of your head.

Full Review Source: Filmcritic.com | comment Comment
05/06/09
Christopher Null
Christopher Null
Filmcritic.com
N/R

Click to read the article

Full Review Source: Boston Phoenix | comment Comment
04/23/09
Peter Keough
Peter Keough
Boston Phoenix

Un intenso y atrapante thriller con algo de melodrama que bien podría haber dirigido Brian de Palma.

Full Review Source: Uruguay Total | comment Comment
11/26/08
Enrique Buchichio
Enrique Buchichio
Uruguay Total

Tornatore, best known for Cinema Paradiso, has meticulously crafted a story that's at times so raw it hurts to watch. Its action blends piercingly lit flashbacks and dream sequences with a gray, prosaic present in an unnamed Italian city.

Full Review Source: Seattle Times | comment Comment
10/24/08
Moira MacDonald
Moira MacDonald
Seattle Times

Tornatore's instincts for crafting a stylish, nonlinear thriller are indisputable. But he's not yet a master, and at times you'll feel cheated even as you anticipate the next disquieting scene.

Full Review Source: Washington City Paper | comment Comment
10/23/08
Tricia Olszewski
Tricia Olszewski
Washington City Paper

The Unknown Woman falters when it falls into exploitation and fatal contrivance.

Full Review Source: Washington Post | comment Comment
10/23/08
Ann Hornaday
Ann Hornaday
Washington Post

The film has major problems blending the strong social theme of exploitation and white slavery with Tornatore's noirish screenplay, full of holes and improbabilities.

Full Review Source: Variety | comment Comment
10/18/08
Deborah Young
Deborah Young
Variety
Top Critic Icon Top Critic

[An] exquisite mystery thriller.

Full Review Source: Cinema Signals | comment Comment
10/18/08
Jules Brenner
Jules Brenner
Cinema Signals

It’s the toast of the continent and once you’ve watched it, the reason why it is will be anything but a mystery.

Full Review Source: Film Threat | comment Comment
10/18/08
Rick Kisonak
Rick Kisonak
Film Threat

Plays like a cross between Hitchcock and tabloid feminism, a mix that shouldn't work and doesn't.

Full Review Source: Boston Globe | comment Comment
09/19/08
Ty Burr
Ty Burr
Boston Globe

Writer/director Giuseppe Tornatore ("Cinema Paradiso," "Malèna") reveals a hitherto unknown side of his own with this dark jigsaw puzzle of a mystery.

Full Review Source: Reeling Reviews | comment Comment
09/11/08
Laura Clifford
Laura Clifford
Reeling Reviews

A spellbinder with a lot of Hitchcock touches and an Ennio Morricone score to match.

Full Review Source: Chicago Sun-Times | comment Comment
08/15/08
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

Giuseppe Tornatore has crafted a film for the ages. With some script assistance from Massimo de Rita, the writer/director is at the top of his game, bringing together a truly mysterious tale of love for family and unbridled revenge in a manner that could

Full Review Source: JWR | comment Comment
08/07/08
S. James Wegg
S. James Wegg
JWR

The whole movie hangs on the gradual unraveling of the central mystery and is made with the expectation that the audience is fascinated and hanging on every tidbit. But Tornatore overplays his hand.

Full Review Source: San Francisco Chronicle | comment Comment
07/25/08
Mick LaSalle
Mick LaSalle
San Francisco Chronicle

Everyday incidents trigger in Irena alternately sweet and horrific memories, and these become like pieces in a jigsaw puzzle that is completed only when the film concludes, at last revealing its full meaning.

Full Review Source: Los Angeles Times | comment Comment
06/27/08
Kevin Thomas
Kevin Thomas
Los Angeles Times
Top Critic Icon Top Critic

It manages to be brutal, deranged, ridiculous and heart-rending, all at once.

Full Review Source: Los Angeles Daily News | comment Comment
06/27/08
Glenn Whipp
Glenn Whipp
Los Angeles Daily News

Postures as empathetic while getting its leading lady out of her skivvies -- there's nothing bold about taking a stance against human trafficking

Full Review Source: Boxoffice Magazine | comment Comment
06/27/08
Amy Nicholson
Amy Nicholson
Boxoffice Magazine

Meet the filmmaker that [Tornatore] is today -- sadomasochistic fantasist, exploiter of women and cheesy Hitchcock imitator.

Full Review Source: L.A. Weekly | comment Comment
06/26/08
Ella Taylor
Ella Taylor
L.A. Weekly

The Unknown Woman gets by on sheer guts and style.

Full Review Source: Cinematical | comment Comment
06/05/08
Jeffrey M. Anderson
Jeffrey M. Anderson
Cinematical

An exceptionally well-made example of the kind of delirious, semi-Gothic, overcooked melodrama filmmakers from the Boot have long specialized in.

Full Review Source: Salon.com | comment Comment
05/30/08
Andrew O'Hehir
Andrew O'Hehir
Salon.com
 
 
1 - 20 (sorted by date; UK critics are listed first)
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Latest News for The Unknown Woman

September 19, 2008: OtherCool.com: Wanting it both ways, Tornatore presents the tragedy of sex slavery, while lavishly eroticizing it. And without a clue about female desires or dreams, whether sex slaves, servants or hysterical psychos, beyond their sexual apparatus. Opens in new window
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May 29, 2008: Critical Consensus: Sex and the City Will Please Fans
This week at the movies, we've got love and commerce (Sex and the City: The Movie, starring Sarah Jessica Parker and Kim Cattrall) and romantic getaways gone wrong (The... More...

May 18, 2008: Trailer & Poster review Opens in new window
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