There's bracing stuff here about male insecurity and cowardice when it comes to the crunch, but for all Kepesh's worldliness, his character is nothing else but a walking cliché.
Elegy (2008)
Tomatometer
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Reviews Counted:112
Fresh:83
Rotten:29
Average Rating:6.7/10
Consensus: An intelligent, adult, and provocative Philip Roth adaptation that features classy performances, Elegy is never quite the sum of its parts.
Theatrical Release:08-08-2008
Synopsis: Like director Isabel Coixet's previous film MY LIFE WITHOUT ME, ELEGY is consumed by the ideas of love and mortality. But while that film focused on a young protagonist, the hero of this drama is... Like director Isabel Coixet's previous film MY LIFE WITHOUT ME, ELEGY is consumed by the ideas of love and mortality. But while that film focused on a young protagonist, the hero of this drama is an aging writer and professor played by Ben Kingsley. David Kepesh (Kingsley) is a minor literary celebrity in New York City who shies away from commitment, happy with his casual relationship with a businesswoman (Patricia Clarkson) who is rarely in town. But a date with a stunning grad student named Consuela (Penelope Cruz) surprisingly turns into a long-term romance, changing David from a confident Lothario into a jealous boyfriend. His age and her beauty haunt their romance until David begins to push her away. As its title suggests, ELEGY achieves a perfectly somber tone. Adapted from the Philip Roth novel THE DYING ANIMAL, the script from Nicholas Meyer (THE HUMAN STAIN) doesn't try too hard for the audience's tears. But much of the credit goes to the cast: Kingsley and Cruz make for a sexy, affectionate couple with their layered performances, and Clarkson (THE STATION AGENT) is wonderful as always. Dennis Hopper is nicely cast as David's philandering friend George, and Blondie frontwoman Deborah Harry is very non-rock-and-roll (but incredibly genuine) in a small appearance as George's longsuffering wife. The largely classical soundtrack further adds to the film's contemplative mood. [More]
Starring: Ben Kingsley, Penélope Cruz, Peter Sarsgaard, Patricia Clarkson
Starring: Ben Kingsley, Penélope Cruz, Peter Sarsgaard, Patricia Clarkson, Dennis Hopper, Deborah Harry
Director: Isabel Coixet
Director: Isabel Coixet
Screenwriter: Nicholas Meyer
Producer: Tom Rosenberg, Gary Lucchesi, Andre Lamal
Studio: Samuel Goldwyn Films
Reviews for Elegy
To this thirtysomething critic, though, it seems to be short on wisdom.
While the supporting actors are engaging, the turgid screenplay lets the whole thing down.
I can't help feeling this kind of slow, introspective, angst-ridden fare is better suited to the novel than to the big screen.
Elegy makes us question again the cinema’s ability, without loss of heat and light, to translate Roth’s subtle, high-voltage prose from page to screen.
This beautifully directed film is packed with serious, provocative themes. But a mopey tone and some wobbly casting undermines the otherwise terrific acting.
The big flaw with director Isabel Coixet's adaptation of Philip Roth's short novel The Dying Animal is the sheer unlikelihood of Cruz's Consuela falling for a randy old goat like Kingsley's Kepesh.
An often stodgy film with an unsympathetic central character and far too many tinkling pianos on the soundtrack, it’s also an enjoyable, contemplative movie that you don’t have to be male and over the hill to enjoy. Although it will help.
Coixet has done more than honour it; she has found a tenderness and vulnerability that were so deeply buried as to be almost undetectable.
Whether in trying to reach out for a wider audience here she has diluted her talent in favour of a richer, more stylish surface is a matter for argument. The smoother this kind of film gets, the easier it is to think it.
Elegy is a gorgeously shot, classy drama with a terrific supporting cast, but Kingsley's curiously hollow performance means it doesn't quite deliver the required emotional punch.
Adult and provocative, Elegy doesn't entirely pull off its complex philosophical juggling act, but it's an interesting and atmospheric piece of cinema, aided by some truly excellent performances.
Overall, though, the film falls just short, due in no small part to unimaginative music selections, which drain its individuality in favour of mere generic arthouse melancholia.
This is adult story-telling, elegantly restrained and unmistakably classy, which casts a dispassionate eye on a man who loses heart at the same time as he loses his youth, potency and relevancy.
The difference this time is the overall quality of the performances. Kingsley and Cruz make the most credible lovers [director Isabel] Coixet has ever paired.
It's beautiful, but nobody involved was ever sure what the movie was actually about, or why they were making it.
... another Hollywood-delivered message declaring the ultimate rightness of romantic love between a 65-year-old man and a woman who is decades younger.
Elegy is a well-made movie, with several revelatory performances (including Deborah Harry's quiet work as Hopper's wife), but the main character is so unappealing, that's what I was left with: Who cares?
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