Occasionally touching, always interesting.
Elegy (2008)
Tomatometer
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Reviews Counted:112
Fresh:83
Rotten:29
Average Rating:6.7/10
Consensus: An intelligent, adult, and provocative Philip Roth adaptation that features classy performances, Elegy is never quite the sum of its parts.
Theatrical Release:08-08-2008
Synopsis: Like director Isabel Coixet's previous film MY LIFE WITHOUT ME, ELEGY is consumed by the ideas of love and mortality. But while that film focused on a young protagonist, the hero of this drama is... Like director Isabel Coixet's previous film MY LIFE WITHOUT ME, ELEGY is consumed by the ideas of love and mortality. But while that film focused on a young protagonist, the hero of this drama is an aging writer and professor played by Ben Kingsley. David Kepesh (Kingsley) is a minor literary celebrity in New York City who shies away from commitment, happy with his casual relationship with a businesswoman (Patricia Clarkson) who is rarely in town. But a date with a stunning grad student named Consuela (Penelope Cruz) surprisingly turns into a long-term romance, changing David from a confident Lothario into a jealous boyfriend. His age and her beauty haunt their romance until David begins to push her away. As its title suggests, ELEGY achieves a perfectly somber tone. Adapted from the Philip Roth novel THE DYING ANIMAL, the script from Nicholas Meyer (THE HUMAN STAIN) doesn't try too hard for the audience's tears. But much of the credit goes to the cast: Kingsley and Cruz make for a sexy, affectionate couple with their layered performances, and Clarkson (THE STATION AGENT) is wonderful as always. Dennis Hopper is nicely cast as David's philandering friend George, and Blondie frontwoman Deborah Harry is very non-rock-and-roll (but incredibly genuine) in a small appearance as George's longsuffering wife. The largely classical soundtrack further adds to the film's contemplative mood. [More]
Starring: Ben Kingsley, Penélope Cruz, Peter Sarsgaard, Patricia Clarkson
Starring: Ben Kingsley, Penélope Cruz, Peter Sarsgaard, Patricia Clarkson, Dennis Hopper, Deborah Harry
Director: Isabel Coixet
Director: Isabel Coixet
Screenwriter: Nicholas Meyer
Producer: Tom Rosenberg, Gary Lucchesi, Andre Lamal
Studio: Samuel Goldwyn Films
Reviews for Elegy
Elegy is a well-made movie, with several revelatory performances (including Deborah Harry's quiet work as Hopper's wife), but the main character is so unappealing, that's what I was left with: Who cares?
The difference this time is the overall quality of the performances. Kingsley and Cruz make the most credible lovers [director Isabel] Coixet has ever paired.
By failing to properly transform Roth's unique voice from the page to the screen, all that remains is a fairly embarrassing and horribly mawkish soap opera that, save for one key element, is pretty much a wash from beginning to end.
Kingsley perfectly tunes his performance to these psychological nuances, the strong features in his face undone by an anxious flicker of his eyes.
Elegy excels when it focuses solely on Kingsley and Cruz, two actors who inhabit these roles so completely that they're more interesting than the plot twists that surround them.
The delicious conflict of a thinker poleaxed by his feelings inflames Isabel Coixet's smoldering Elegy, based on Roth's novella The Dying Animal.
It's one of the most truthful films about relationships I have ever seen, and boasts an outstanding performance by Sir Ben Kingsley.
Elegy is a curious example of misplaced good taste. Spanish-born director Isabel Coixet's film, adapted by Nicholas Meyer, recasts into softer, more palatable material the...third in Philip Roth's stories driven by the sensual obsessions of Roth al
I began to wriggle in my seat with an uneasy feeling of voyeurism... there was so much time spent in someone else's bedroom.
Director Isabel Coixet sees David's tragedy, but also his life force, and she draws brilliant work out of Cruz.
Wonderful writing, good performances, beautiful photography, and a lot of food for thought.
Strong performances mark this movie, with Penelope Cruz, in particular, rarely quite so good.
It's beautiful, but nobody involved was ever sure what the movie was actually about, or why they were making it.
This melancholy mediation on aging and desire hangs on an exquisite performance from Penelope Cruz as a young woman who becomes the love object of a man twice her age. It's easily her finest English-language performance to date.
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July 02, 2008:
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