Spanish director Isabel Coixet displays what is almost reverence for the material. You can imagine her whispering on the set. She brings out the absolute best in her top-notch cast.
Elegy (2008)
Tomatometer
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Reviews Counted:112
Fresh:83
Rotten:29
Average Rating:6.7/10
Consensus: An intelligent, adult, and provocative Philip Roth adaptation that features classy performances, Elegy is never quite the sum of its parts.
Theatrical Release:08-08-2008
Synopsis: Like director Isabel Coixet's previous film MY LIFE WITHOUT ME, ELEGY is consumed by the ideas of love and mortality. But while that film focused on a young protagonist, the hero of this drama is... Like director Isabel Coixet's previous film MY LIFE WITHOUT ME, ELEGY is consumed by the ideas of love and mortality. But while that film focused on a young protagonist, the hero of this drama is an aging writer and professor played by Ben Kingsley. David Kepesh (Kingsley) is a minor literary celebrity in New York City who shies away from commitment, happy with his casual relationship with a businesswoman (Patricia Clarkson) who is rarely in town. But a date with a stunning grad student named Consuela (Penelope Cruz) surprisingly turns into a long-term romance, changing David from a confident Lothario into a jealous boyfriend. His age and her beauty haunt their romance until David begins to push her away. As its title suggests, ELEGY achieves a perfectly somber tone. Adapted from the Philip Roth novel THE DYING ANIMAL, the script from Nicholas Meyer (THE HUMAN STAIN) doesn't try too hard for the audience's tears. But much of the credit goes to the cast: Kingsley and Cruz make for a sexy, affectionate couple with their layered performances, and Clarkson (THE STATION AGENT) is wonderful as always. Dennis Hopper is nicely cast as David's philandering friend George, and Blondie frontwoman Deborah Harry is very non-rock-and-roll (but incredibly genuine) in a small appearance as George's longsuffering wife. The largely classical soundtrack further adds to the film's contemplative mood. [More]
Starring: Ben Kingsley, Penélope Cruz, Peter Sarsgaard, Patricia Clarkson
Starring: Ben Kingsley, Penélope Cruz, Peter Sarsgaard, Patricia Clarkson, Dennis Hopper, Deborah Harry
Director: Isabel Coixet
Director: Isabel Coixet
Screenwriter: Nicholas Meyer
Producer: Tom Rosenberg, Gary Lucchesi, Andre Lamal
Studio: Samuel Goldwyn Films
Reviews for Elegy
A nicely shot, slow-moving drama that takes its time to really let the audience get to know its characters.
As an acting showcase that builds to some unexpectedly moving moments, Elegy has much to recommend it.
The movie dog days of August can include dramas, as this abashed adaptation of a Philip Roth novel shows.
Elegy seems to mourn for the wrong things, making its self-examining characters seem merely narcissistic and more than a little pathetic.
Ben Kingsley and Penelope Cruz continue to do their best to offset the summer's more infantile impulses in this fine adaptation of Philip Roth's novel.
While this may seem like an apologia for randy older men, it doesn't come off that way, and Cruz gives her best performance to date.
In the early scenes of the two lovers discovering each other's bodies and personal quirks, Coixet coaxes work from Kingsley and Cruz that is remarkably intimate.
It may be ironic that it took a female director (and a foreign one) to turn Philip Roth's novella into a melancholy probing of the sexual anxieties of an aging professor, splendidly interpreted by Ben Kingsley in a sharp, fearless performance.
A slow, uninteresting depiction of a selfish fool who possibly too-late realizes that he's grown old before he's actually grown up.
Touching, wonderfully acted examination of the corrosive effects of doubt on love.
Elegy is such a serious, oftentimes grave exploration of desire and the ways of aging that it's a miracle the two central characters have as much sex as they do.
Not even the nude love scenes can distract from the fact that Cruz has finally cracked the English-language barrier.
If I recommend Elegy to my readers, it is not as a licentiously escapist entertainment, but, rather, as a soberingly eloquent expression of what our lives are all about, whether we want to think about them or not.
A well-acted screen adaptation of a short Philip Roth novel about the multiple splendors of beauty in a chilly world of intellect, sex, and selfishness.
Elegy sneaks up on you anyway -- even overacted, Roth's intelligence shines through.
...a haunting testament to the sentiment that we should take love wherever we find it.
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