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Movies / On DVD / Lou Reed's Berlin
Lou Reed's Berlin

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Lou Reed's Berlin (2008)

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Reviews Counted:31

Fresh:24

Rotten:7

Average Rating:6.4/10

Consensus: Julian Schnabel expertly captures the dark melancholy of Lou Reed's misunderstood concept album in this moving concert documentary.

Rated: 12A

Runtime: 85 mins

Genre: Musical & Performing Arts

Theatrical Release:25-07-2008

Synopsis: The curious tale of Lou Reed's 1973 album, BERLIN, is worthy of a documentary in itself. Its trajectory from critical and commercial failure to one of the most highly regarded records in his canon... The curious tale of Lou Reed's 1973 album, BERLIN, is worthy of a documentary in itself. Its trajectory from critical and commercial failure to one of the most highly regarded records in his canon has vindicated Reed's vision for the album. This concert film was shot 33 years after the former Velvet Underground frontman unleashed BERLIN on the world. A remarkable critical volte-face has occurred in the intervening years, although Reed has rarely performed material from the album. Director Julian Schnabel (THE DIVING BELL AND THE BUTTERFLY) headed to St. Ann's Warehouse in Brooklyn, New York, at the tail end of 2006 to shoot this document of BERLIN's live resurrection. The film is culled from a five-night stint at the venue in which Reed, and a host of guest performers, brought the album back to life. Schnabel's movie is no ordinary concert film. The director designed the sets Reed and his band perform on, and his daughter, Lola, shot footage that brings to life the album's central character, Caroline. Schnabel has talked openly about the huge influence BERLIN has had on his work, and he clearly has a great deal of reverence for Reed as an artist. The film is shot mostly with shaky handheld cameras that provide a satisfying replication of the concert-going experience. Cinematographer Ellen Kuras (ETERNAL SUNSHINE OF THE SPOTLESS MIND) deserves credit for turning a relatively straightforward concert film into a visually stimulating affair, and actor Emmanuelle Seigner, who plays Caroline, perfectly captures the character. But it's the combination of Reed's music and Schnabel's vision that makes LOU REED'S BERLIN such a gratifying audiovisual experience. [More]

Starring: Lou Reed, Antony, Sharon Jones, Emmanuelle Seigner

Starring: Lou Reed, Antony, Sharon Jones, Emmanuelle Seigner

Director: Julian Schnabel

Director: Julian Schnabel
Producer: Jon Kilik, Tom Sarig
Composer: Lou Reed
Studio: Third Rail

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Reviews for Lou Reed's Berlin

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1 - 20 (sorted by date; UK critics are listed first)
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Those who admire Reed will find that Schnabel's film allows the music to speak for itself against its rather messy background.

Full Review Source: This is London | comment Comment
07/25/08
Derek Malcolm
Derek Malcolm
This is London

It's Reed's gruff and tuneless delivery that challenges one's enjoyment.

Full Review Source: Independent | comment Comment
07/25/08
Anthony Quinn
Anthony Quinn
Independent

Reed, who's looking more and more like a Bond villain, comes close to smiling at one point, although the chances are you won't.

Full Review Source: Daily Mirror [UK] | comment Comment
07/25/08
Daily Mirror [UK]

For devotees only, I'm guessing.

Full Review Source: Daily Telegraph | comment Comment
07/25/08
Mike McCahill
Mike McCahill
Daily Telegraph
Top Critic Icon Top Critic

Reed's unmistakable lilting groan has real pain in it, hinting at a real but undisclosed personal story behind the music.

Full Review Source: Guardian [UK] | comment Comment
07/25/08
Peter Bradshaw
Peter Bradshaw
Guardian [UK]
Top Critic Icon Top Critic

An entirely watchable concert movie, providing depressing songs are your thing.

Full Review Source: ViewLondon | comment Comment
07/25/08
Matthew Turner
Matthew Turner
ViewLondon

If you don't like the music, there's nothing to see here.

Full Review Source: Total Film | comment Comment
07/22/08
Total Film

One of the nice things about Schnabel's film is the way it transmits the energy of one of those concerts where everything comes together. Even impassive, stern Lou himself is wearing a huge smile on his face by the end.

Full Review Source: Screen International | comment Comment
09/29/07
Lee Marshall
Lee Marshall
Screen International

Schnabel's set design, onstage projections, and postproduction add a good deal of visual noise to Reed & company's aural variety, which reproduces the album with a mixture of professional exactitude and unpredictable cacophony.

Full Review Source: Reverse Shot | comment Comment
08/08/09
Leo Goldsmith
Leo Goldsmith
Reverse Shot

If you love Lou Reed or even like Lou Reed a little, musically this film is worth your time and, unless you've got an amazing audio system at home, it should be experienced in a theatrical setting.

Full Review Source: Film Threat | comment Comment
07/22/08
Mark Bell
Mark Bell
Film Threat

Performed live, the haunting material finds new life ... Schnabel has created an incredibly artistic experience out of the concert with many moments that will give you goosebumps.

Full Review Source: ComingSoon.net | comment Comment
07/20/08
Edward Douglas
Edward Douglas
ComingSoon.net

A well made concert film that will, nevertheless, fail to satisfy Reed's many dedicated fans.

Full Review Source: Boxoffice Magazine | comment Comment
07/18/08
Shlomo Schwartzberg
Shlomo Schwartzberg
Boxoffice Magazine

Once again a concert documentary allows those of us unable to have witnessed a monumental event to see it seemingly exactly as it took place.

Full Review Source: Cinematical | comment Comment
07/18/08
Christopher Campbell
Christopher Campbell
Cinematical

It's direly beautiful, sometimes spine-tingling and, yes, gloomy as purgatory.

Full Review Source: Los Angeles Daily News | comment Comment
07/18/08
Bob Strauss
Bob Strauss
Los Angeles Daily News

Reed's dour, bombastic song-suite about the lives of the drug-addicted and downtrodden steadily acquired cult cachet over the decades, peaking with its staging as a complete-album concert in 2006, which Lou Reed's Berlin documents.

Full Review Source: Los Angeles Times | comment Comment
07/18/08
Sam Adams
Sam Adams
Los Angeles Times
Top Critic Icon Top Critic

Who could have guessed that nearly 35 years after its release, Lou Reed's once-reviled concept album Berlin would inspire a sold-out concert, shot with loving awe by Julian Schnabel?

Full Review Source: New York Daily News | comment Comment
07/18/08
Elizabeth Weitzman
Elizabeth Weitzman
New York Daily News

Your enjoyment will hinge entirely on whether you think the album is a masterpiece or a bore.

Full Review Source: New York Post | comment Comment
07/18/08
Kyle Smith
Kyle Smith
New York Post

For die-hard Reed fans, it's an invaluable document.

Full Review Source: Newsday | comment Comment
07/18/08
Rafer Guzman
Rafer Guzman
Newsday

In Julian Schnabel’s grimly majestic concert film Lou Reed’s Berlin, Mr. Reed wears the deadpan smirk of a Zen master who has endured punishing Buddhist training.

comment Comment
07/18/08
Stephen Holden
Stephen Holden
New York Times
Top Critic Icon Top Critic

Schnabel and Kuras know their subject enough to know how to frame him: with space, darkness, and unyielding cool.

Full Review Source: Filmcritic.com | comment Comment
07/17/08
Chris Cabin
Chris Cabin
Filmcritic.com
 
 
1 - 20 (sorted by date; UK critics are listed first)
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