Two aspiring novelists in hip young Oslo scribble their way through success, failure, love and friendship in this crafty little gem directed by Lars Von Trier's nephew, Joachim Trier.
Reprise (2008)
Tomatometer
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Reviews Counted:74
Fresh:64
Rotten:10
Average Rating:7.4/10
Consensus: With Reprise, first-time director Joachim Trier effectively captures the spirit of young adulthood, and announces his arrival as a filmmaker to be watched.
Theatrical Release:07-09-2007
Synopsis:
As Erik and Phillip, lifelong friends and aspiring novelists, stand in front of a mailbox clutching their manuscripts, our narrator takes a moment to speculate upon their futures. Surely both books...
As Erik and Phillip, lifelong friends and aspiring novelists, stand in front of a mailbox clutching their manuscripts, our narrator takes a moment to speculate upon their futures. Surely both books will garner wild acclaim, lead to prolific careers, and inspire revolutions. In actuality, Phillip's is published and Erik's rejected. But it's Phillip who suffers the harsher fate. Overnight success and a budding, but obsessive, romance prove overwhelming, and he suffers a breakdown. Six months later, when he returns from a psychiatric hospital, Phillip tries to put his life back together, and Erik, having adopted a more measured approach to writing, attempts a literary rebound.
Joachim Trier's debut feature is a whimsical, intelligent reflection on friendship and youthful exuberance. His portrait of two young men for whom life and art occupy the same blurry space is full of honesty and carefully observed moments. And while its preoccupations are weighty (love, disappointment, self-doubt), Reprise is buoyed by visual flourish and an infectious energy. Its splashy, self-conscious style--a throwback to the French New Wave--mixes film stocks, delights in cinematic references, and employs flashbacks, flash-forwards, an unidentified narrator, and frequent detours to Paris (surely with a wink). And with a stellar young cast to boot, Reprise hits every mark, ushering in an exciting young filmmaker.
--© Sundance Film Festival
Starring: Espen Klouman Høiner, Anders Danielsen Lie, Viktoria Winge, Magnus Williamson
Starring: Espen Klouman Høiner, Anders Danielsen Lie, Viktoria Winge, Magnus Williamson, Pål Stokka, Christian Rubeck, Henrik Elvestad
Director: Joachim Trier
Director: Joachim Trier
Screenwriter: Eskil Vogt, Joachim Trier
Producer: Karin Julsrud
Composer: Ola Flottum
Studio: Miramax Films
Reviews for Reprise
The film has the elegant exuberance of a display of indoor fireworks.
Trier justifies the boys' hardships with a bright and breezy detour through would-be glories. Altogether he crafts a striking portrait of the artist as a young brat, with the leads showing enough sensitivity to carry it off.
Style is mirrored by content, Trier’s non-linear storytelling (unnamed narrator, imagined versions of events) credibly reflecting the characters’ turbulent inner worlds.
It’s a by-turns flip and searching cineaste’s rites-of-passage drama -- both for the characters and the director -- that deals entertainingly with the rivalries, doubts, fears and sexual entanglements of its twentysomething milieu.
This quick-witted film is likely to be a fleeting presence on our overcrowded screens. Catch it while you can.
...both showy and precious.... On top of that, it feels like self-consciously warmed over Godard, with traces of Run, Lola, Run tossed in.
Reprise is an ordinary tale of post-adolescent angst that would benefit from a cleaner plot line, clearer characterizations and more intriguing situations.
Norwegian auteur Joachim Trier isn't a close relative of Lars von Trier, but his debut feature film bares the characteristics of an ambitious if overreaching young filmmaker taunting his elders to scold him for his audacity.
The movie is enjoyable for its flashy surfaces--the witty editing, the narrative forecasting, the droll omniscient voice-over--but as drama it seems superficial.
I realized the movie had lost me when it occurred to me that after spending many minutes with Phillip and Erik, I had no interest in reading any novel that either of them might have written.
Trier is having more fun in the editing room than his story requires and he'd be well advised to spend more time in the deeper development and dramatic elements of his characters.
The cinema is an ideal medium for considering characters like those in "Reprise," but you'd have to see Jules and Jim to find out why.
[Trier] sometimes lapses into the literary clichés he aims to ridicule.
The jagged energy of this film's opening and closing moments leave you wondering where it might have gone and what it might have been.
Told in the subjunctive, this psuedo-existential hogwash, with two protagonists I didn't give a fig about, gives a new meaning to the word 'slow'.
This likeable, smart Danish drama about two aspiring writers has some of the arch, extra-dry-martini quality of a Whit Stillman film, including jumping locations and a dry, ironic voice-over.
Latest News for Reprise
May 18, 2008:
Trailer & Poster review ![]()
More...
May 04, 2007:
SFIFF Report: Red Carpet, Parker Posey, Capsule Reviews!
It's been half a century since the San Francisco International Film Festival began (making it the longest-running domestic fest of its kind) and its lineup reflects that history... More...
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