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The Go-Getter (2008)
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Reviews Counted:23
Fresh:10
Rotten:13
Average Rating:5.5/10
Consensus: A hipster take on the well-traveled road movie, The Go-Getter features nice performances, but ultimately fails to carve its own path.
Runtime: 1 hr 33 mins
Genre: Comedies
Synopsis:
Ward, The Go-Getter is the story of Mercer White (Lou Taylor Pucci), a straight-arrow 19 year-old who, eight months after the death of his mother, steals a car and sets out to find his older...
Ward, The Go-Getter is the story of Mercer White (Lou Taylor Pucci), a straight-arrow 19 year-old who, eight months after the death of his mother, steals a car and sets out to find his older half-brother he hasn't seen in fourteen years.
It’s quite the trip.
He's barely out of town when a cell phone left behind in the stolen car begins to ring. Mercer immediately finds himself talking to the car's owner, Kate (Zooey Deschanel). Surprisingly open to Mercer’s journey, she does not threaten to call the police, but instead offers him the most curious deal: Mercer can use her car until he’s done with it on one condition: that he call her and tell her about his trip all along the way.
Despite this stroke of good fortune, almost nothing proceeds as expected for Mercer from there. In seemingly rapid succession, he is punched by a lapsed-Buddhist, taken in by bohemian potters, seduced by Joely (a mysterious and sexy girl he's had a thing for since he was 11, played by Jena Malone) and has a slew of dangerous, humorous and eye-opening encounters that confound expectations: with a white cowboy hat, a philosopher-pornographer, a gun-and-hunting-knife-toting traveling liquor salesman, a very unusual pet store, and a bilingual hotel clerk with a vivid vocabulary and a one-track mind.
Through it all, Mercer turns out to be close on the trail of his half-brother, Arlen, who has left nothing but bruised feelings and suspicions behind him at every stop. The mere mention of Arlen's name provokes fury, panic and -- at least once -- the announcement that the injured party has generously chosen not to press charges.
Mercer's solace, his touchstone, through this life changing journey, proves to be Kate, who he continues to talk to as his adventure takes him across postcard-worthy landscapes of the American West: from Oregon to Nevada, through all of California and ultimately into Ensenada, Mexico.
In the end, Mercer finds and confronts his brother Arlen, the original object of his pursuit. But it is the wildness of the ride, the thrill of the pursuit and the discovery of a love he never saw coming that set this journey apart. A lot like life, it’s the chase, the search, the chaos that makes experiences worthwhile and for Mercer, stealing a car turned out to be just about the best choice he’s ever made.
With a soundtrack boasting some of the biggest names in the indie music scene, a score by M. Ward and shot in the beautiful plains of the Mid-West, THE GO-GETTER is a road trip worth taking. --© Peace Arch Entertainment
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Starring: Lou Taylor Pucci, Zooey Deschanel, Jena Malone
Starring: Lou Taylor Pucci, Zooey Deschanel, Jena Malone
Director: Martin Hynes
Director: Martin Hynes
Screenwriter: Martin Hynes
Producer: Lucy Barzun, Lori Christopher, Larry Furlong
Composer: M. Ward
Studio: Peace Arch Entertainment
Reviews for The Go-Getter
The transition from the slopes of Sundance to the hard streets of everywhere else is the artistic equivalent of the bends.
Even when relegated to an audio-only part, Deschanel has a flattering whimsy that etches her hurt and sensuality in equal measures.
The first road movie that could fit into the mumblecore genre of dithering youth angst: The Go-Getter travels, but it doesn't go anywhere.
Director-writer Martin Hynes shapes his first movie into something emotionally truthful, painfully funny and vibrantly alive.
Strives for hipness but ultimately just feels contrived and derivative.
There are moments of beauty here, but not enough to make up for the mannered dialogue and hamstrung performances.
It's a great premise, and the movie rarely disappoints. (OK, we didn't need the song-and-dance number, but still ...) Hynes has style to spare and storytelling chops. The low-key Go-Getter is well worth discovering.
Seems to have sprung from a how-to-get-to-Sundance template, with a framework plot that serves as a mere Christmas tree on which to hang baubles of quirk.
Given proper promotion, however, one can see Merce--and The Go-Getter--getting chased down by appreciative arthouse audiences.
A fairly well-made picture that's just been fairly well-made too many times before, a knock-off of a thousand other knock-offs.
Much of the dialogue is so quirky it sounds overheard instead of scripted. The performances are correspondingly spontaneous.
Hopefully, future film classes will use this picture as template for how not to make a movie.
More than a movie about becoming an adult, The Go-Getter is a feature-length audition reel for Deschanel to finally get the roles she deserves.
If you can look past writer-director Martin Hynes's familiar fest formula, his film modestly rewards with gorgeous sun-spotted cinematography, tender digressions in rather brave quantities, and believably charming dialogue.
Another dull indie road movie that doesn't really go anywhere ... little more than a vanity project that wastes most of its better-than-average cast.
Martin Hynes’s first film, The Go-Getter, is an especially wonderful addition to the [road movie] genre, with the right -- flickering -- mixture of loneliness and enchantment, and with jokes that come at you from just around the bend.
Behold, indie-rock hipsters: The Go-Getter, the cinematic navel lint from which She & Him crawled out to produce the almost cruel monotony of Volume One.
Latest News for The Go-Getter
May 25, 2008:
Trailer & Poster review ![]()
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January 30, 2007:
Sundance Reviews: Short and Sweet, A Review Roundup
We know some of you hate reading those cumbersome long reviews, so here's a gaggle of Sundance screening write-ups in three sentences or less. See if you can look forward to... More...
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