Alexandre Aja is the French horror prodigy, inducted into Alan Jones' splat pack, whose first film High Tension (Switchblade Romance in the UK) led to the high profile Hollywood remake of The Hills Have Eyes and now to Mirrors, a new take on a Korean original.

Kiefer Sutherland stars as a beleaguered ex-Cop who takes a nightwatchman job in an abandoned department store with a murky past. The silver-backed glass of the title is concealing a dark secret.

We caught up with Aja for his only UK interview to learn more about the movie as well as his latest project, a 3D remake of Joe Dante's classic Piranha.

I saw the movie recently at Frightfest.

Which cut of the movie did you see? Did you know there's a cut for the UK which is different from the cut that's being used in the rest of the world. The movie was rated 18 and they butchered the movie to get it rated under 15. They might have shown you the good one because they only did the cuts very recently. The first cut has been released in the States and the rest of the world. Fox decided to cut it here. I really don't know why they took that decision.

It's strange because usually in the UK it's good. High Tension was released uncut, and The Hills Have Eyes was as well.



This has been around for a while.

Yeah, it was right after The Hills Have Eyes that I received the script from Fox not knowing it was based on the Korean movie. I didn't really connect with the story or the characters. But in the movie itself something really strong stuck with me after reading the script and that was the idea of using the mirrors not only as an object but as a killing device. I thought it was something that hadn't been done before but it tapped into this universal fear we all have inside of us. It had been waiting to be tapped.

The idea of an alternate reality behind the mirrors is something we all thought about as kids.

Of course, there is something about looking on this side of the mirror to see if we can look through to the other side.

Did you see the Korean film in the end?

Of course, after we read the script I went to see the movie and the movie itself confirmed everything I thought about the script and the idea that you could control the reflection and to make you do stuff you're not supposed to do.

Who wrote that English script then?

I don't remember, but it was basically word-for-word the Korean movie. Scene by scene. We completely rewrote it, and that was the deal with Fox. Let us, Greg Levasseur and I, take the script and write a completely new one with it. I wanted to keep the idea that we have mirrors everywhere around us and I wanted to not only have them in the department store but to have them all around. I wanted to find a way to get out of the department store and bring the threat into the world. And, of course, I realised I could take it beyond just the mirrors and into every reflecting surface like the water.



What was it about Keifer that made him the right choice?

When I was writing the script I realised the fact that making this movie would be more expensive than The Hills Have Eyes and I knew I would need a strong leading actor - a big star. I started thinking about all the classic movie-star men and Keifer was one of the first men that came to my mind because I was thinking about who could play that ex-cop character who'd lost everything, turned to alcohol and was really trying to put his life back together by taking a job as a night watchman. I was thinking of Keifer in Flatliners. I was twelve or fourteen when I saw Flatliners and it was such an amzing movie. It was really scary and his character was so cool and romantic, and dark at the same time. It was exactly the character we were thinking so for me Keifer was an obvious choice.