...an interesting and ambitious movie that succeeds in a small way as spectacle but fails as drama
Dark Streets (2008)
Tomatometer
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Reviews Counted:34
Fresh:5
Rotten:29
Average Rating:3.8/10
Consensus: Dark Streets is a film noir musical that's too gimmicky for its own good.
Runtime: 84 mins
Genre: Musical & Performing Arts
Synopsis:
An atmospheric film noir musical fantasy, Dark Streets tells the story of Chaz Davenport (Gabriel Mann), a dashing bachelor who owns what promises to become the hottest new nightclub in town—if...
An atmospheric film noir musical fantasy, Dark Streets tells the story of Chaz Davenport (Gabriel Mann), a dashing bachelor who owns what promises to become the hottest new nightclub in town—if only the lights would stay on. Surrounded by the sumptuous blues music he adores, and with his pick of the gorgeous women who perform their sensual dance numbers onstage every night, Chaz is the envy of every man.
But with the city thrown into darkness by frequent blackouts and a menacing loan shark closing in, Chaz is in danger of losing the club—and far more. At the same time, he finds himself embroiled in a love triangle with the club’s alluring star singer, Crystal (Bijou Phillips), and a new arrival at the club—the mysterious and seductive chanteuse Madelaine (Izabella Miko).
When people close to Chaz begin turning up dead, he doesn’t know where to turn or whom to trust. And the harder he tries to uncover the truth, the further he’s drawn into the darkness of lies and betrayal—a darkness as black as the city’s streets during yet another power outage. Welcome to the Blues.
Directed by Rachel Samuels (The Suicide Club) from a screenplay by Wallace King, the film stars Gabriel Mann (The Bourne Supremacy), Bijou Phillips (Choke), Izabella Miko (Coyote Ugly), Elias Koteas (The Thin Red Line), Michael Fairman (Thirteen Days) and Toledo (Don’s Plum). The film is produced by Andrea Balen, Claus Clausen, Corina Danckwerts and Glenn M. Stewart; and executive produced
2
by Steffen Aumueller. The film’s rich blues score is composed by George Acogny (Blood Diamond), featuring BB King.
Dark Streets features 12 original songs written by James Compton, Tim Brown Tony DeMeur and Bijou Phillips. The film’s stylish and sultry dance numbers are choreographed by Keith Young (Rent) and performed by sensational underground performer Toledo and a stage full of L.A.’s most talented dancers. The Dark Streets soundtrack will be released by Atlantic Records in November 2008.
Starring: Gabriel Mann, Bijou Phillips, Izabella Miko, Elias Koteas
Starring: Gabriel Mann, Bijou Phillips, Izabella Miko, Elias Koteas
Director: Rachel Samuels
Director: Rachel Samuels
Screenwriter: Wallace King
Producer: Glenn M. Stewart, Claus Clausen, Andrea Balen, Corina Dankwerts, Steffen Aumuller
Composer: George Acogny
Studio: Samuel Goldwyn Films
Reviews for Dark Streets
A collection of 1950s B-movie mannerisms that would have made for a great parody if only it were capable of laughing at its own hard-boiled absurdity.
Rachel Samuels' thin, affected jazz-age noir Dark Streets is worse than most, grafting an indifferent series of twists and double-crosses onto a blues-nightclub backdrop that overwhelms the foreground.
The roster of R&B artists heard on the soundtrack is impressive; the movie is not.
This charmless fantasy tries to recapture the mix of hot jazz and cold cynicism that lit up Chicago, adding a dash of punk for good measure
It's a lovingly souped-up incarnation of the film-noir look, contains well-staged and performed musical numbers, and has a lot of cigarettes, tough tootsies, bad guys and shadows. What it doesn't have is a story that pulls us along.
Dark Streets lost me early, real early, like still-adjusting-my-eyes-in-a-dark-theater early: Welcome to the blues, growls the entertainer with the mohawk and the full-length ringmaster gown.
There's nothing worse than a soft-boiled noir. Dashiell Hammett this is not.
According to its press kit, this is 'an atmospheric film noir musical fantasy,' 'a noir fever dream' and a 'blues-infused noir mystery.' If you suspect those are code words for 'pointless hooey,' you're right.
Even though it isn't necessarily a "good" film by most conventional critical standards, I have to admit that the sheer strangeness of the entire enterprise kept me reasonably compelled from beginning to end
The flimsy plot -- less a whodunit than an isn't-it-screamingly-obvious-that-that-guy-done-it! -- will have thriller fans singing the blues.
Sophisticated elements rise above this murk - Toledo as the MC and music that is a serious contribution to the blues repertory.
An unwieldy combination of film noir and film musical, Dark Streets doesn't manage to be effective on either level.
A poetic, rambunctious film that shows no matter how much we see, we never see, and no matter how much things change, the more they stay the same.
It's like a high school play version of noir with musical numbers written by the drama teacher. In the end, these streets aren't nearly dark enough.
Latest News for Dark Streets
November 03, 2008:
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