Merely functions as a disingenuous attempt to make him palatable to the mainstream.
Tyson (2009)
Tomatometer
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Reviews Counted:123
Fresh:106
Rotten:17
Average Rating:7.1/10
Consensus: A fascinating, emotional, and frank confessional from Iron Mike that sheds a sympathetic light on one of boxing's most controversial icons.
Rated: 15 [See Full Rating] for language including sexual references.
Runtime: 90 mins
Genre: Education/General Interest
Theatrical Release:27-03-2009
Synopsis: Love him or hate him, Mike Tyson is inarguably one of popular culture’s most fascinating figures. In this riveting documentary portrait of the controversial boxer, filmmaker and friend James Toback... Love him or hate him, Mike Tyson is inarguably one of popular culture’s most fascinating figures. In this riveting documentary portrait of the controversial boxer, filmmaker and friend James Toback lets Tyson tell his own volatile story. It all started in a rough-and-tumble Brooklyn neighborhood, where Tyson was picked on and beaten up as a youngster. But when he turned his fear into anger, he realized that his fists had the ferocity to frighten everyone around him. As a teenager, Tyson moved upstate to live with trainer Cus D’Amato, who became the devoted and compassionate father figure he never had. This support helped Tyson develop the strength and focus needed to become a devastating champion inside the ring. But when D’Amato died, something inside Tyson died too, turning him into an even more dangerous monster outside of the ring. As Tyson speaks openly about the ups and downs in his tumultuous life--alternating between moments of sincere introspection and animalistic rage--Toback employs a split-screen approach to further emphasize his emotionally unstable nature. Mixed into this talking-head monologue is striking archival footage that shows Tyson in his prime, when he was one of the most feared and idolized athletes on the planet. TYSON is an appropriately subjective journey into the mind of a massively complicated man. [More]
Director: James Toback
Director: James Toback
Producer: James Toback, Damon Bingham
Composer: Salaam Remi
Studio: Sony Pictures Classics
Reviews for Tyson
[Mike Tyson] could hardly have wished for a more sympathetic protrait.
Listening to Tyson tell his side of the story, you come to understand him with new depth and complexity.
Some documentaries grow in the shadows; others demand to be made. The story of boxer Mike Tyson, powerfully recounted in a new film, is as rich as a Dickens novel.
Some parts are hilarious, some are heartbreaking and whether or not you think Mike is a rapist or saint -- you can't help but feel his truth.
[S]erves only to show us a reprehensible example of the worst of American manhood, and of American celebrity....
The movie tries hard to gain your sympathy for this troubled individual who admits that he never thought he would miraculously live to be 40.
No other sporting figure has ever been afforded so much screen time for self-revelation: just another instance of Iron Mike's one-of-a-kind status.
Stage-managed acts of public apology are de rigueur for penitent celebrities and athletes, but few lay it on the line like Tyson does here.
With no sense that Toback is pressing Tyson behind the camera, it's easy to see this as more of a puff piece propping up Tyson's sense of importance rather than any work of documentary filmmaking.
I went into the movie ambivalent about him, but after hearing his hate-fuled, unself-aware rants, I shifted to the 'can't stand him' camp.
I can't say I've ever wanted to be in Mike Tyson's head, but this documentary by James Toback certainly took me there, and I won't soon forget it.
When Tyson finally admits defeat and announces retirement, it's those crinkly, hurting eyes you remember.
The closest most of us will ever come to an intimate chat with the champ.
A revealing portrait of the troubled Mike Tyson elicits horror and sympathy.
It may be discomfiting at times, but it's always honest, and like all of Toback's strongest work, it's challenging from beginning to end.
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