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Movies / Upcoming / Still Walking
Still Walking

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Still Walking (2009)

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Reviews Counted:33

Fresh:33

Rotten:0

Average Rating:8.3/10

Consensus: Hirokazu Kore-eda's film may seem modest at first, but this family drama casts a delicate, entrancing spell.

Genre: Dramas

Synopsis: Ryota is the 40-year-old son of the Yokoyama family. He has recently married a widow with a ten-year-old son from her previous marriage, who are joining him on a rare visit home. Only his elderly... Ryota is the 40-year-old son of the Yokoyama family. He has recently married a widow with a ten-year-old son from her previous marriage, who are joining him on a rare visit home. Only his elderly parents now live in the house, which once doubled as a flourishing medical clinic. The annex, a medical examining room still boasting a wall of pharmaceuticals, remains unchanged, though the patriarchal doctor has retired. Despite the unchanged outward appearances, everything has slightly aged. The family has gathered to remember Junpei, the eldest son, who died in a terrible accident fifteen years earlier. Ryota, an art restorer, has never lived up to his brilliant brother, who was supposed to take over the family clinic, and he remains uncomfortable with his father. He arrives home, determined to hide the fact that he is currently unemployed. His older sister, Chinami, has already arrived with her family and is cheerfully entertaining the extended family. Toshiko, their deceptively mild-mannered mother, emits a string of sarcastic remarks as she bustles around the kitchen preparing the family’s favorite foods. The scenes of the respective couples and family members alternately reminiscing and bickering around the food-laden table, will bring a family memory to everyone’s mind. Based on Kore-eda’s original screenplay, under his polished direction, all the characters come sharply to life, exchanging dialogue that both delights and tugs at your heart. As the film unfolds, brimming with compelling realism, it reveals the modest joys and gentle sorrows that accompany the realization that life must inevitably move on. The Yokoyama’s are a typical dysfunctional family, bonded by love as well as resentments and secrets. With a subtle balance of gentle humor and wistful sorrow, Kore-eda portrays just how annoying, and exactly how precious, family can be. --© IFC Films [More]

Starring: Hiroshi Abe, Yui Natsukawa, Kazuya Takahashi, Shohei Tanaka

Starring: Hiroshi Abe, Yui Natsukawa, Kazuya Takahashi, Shohei Tanaka, Kirin Kiki, Yoshio Harada

Director: Hirokazu Kore-eda

Director: Hirokazu Kore-eda
Screenwriter: Hirokazu Kore-eda
Producer: Taguchi Hijiri, Yoshihiro Kato
Studio: IFC Films

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Reviews for Still Walking

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1 - 20 (sorted by date; UK critics are listed first)
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The fluid, unobtrusive camera work handles with equal ease moments of intense intimacy, the look in a child’s eyes or the silent expression of a couple about to go to sleep while also making the best of glorious open-air landscapes.

Full Review Source: Screen International | comment Comment
08/25/09
Screen International

Still Walking strikes an extraordinary balance between the moment-to-moment pleasure of life and the inevitable regret that accompanies time's passing.

Full Review Source: Minneapolis Star Tribune | comment Comment
10/15/09
Colin Covert
Colin Covert
Minneapolis Star Tribune

Still Walking is a miniaturist's masterpiece, the ebb and flow of familial love distilled to its essence.

Full Review Source: St. Louis Post-Dispatch | comment Comment
10/14/09
Joe Williams
Joe Williams
St. Louis Post-Dispatch

This masterful family drama by Japanese writer- director Hirokazu Kore-eda commences on a deceptively tranquil note, lightly spiced with a needling humor.

Full Review Source: Seattle Times | comment Comment
10/08/09
Michael Upchurch
Michael Upchurch
Seattle Times

Pitch-perfect and profoundly moving...

Full Review Source: Philadelphia Inquirer | comment Comment
09/24/09
Steven Rea
Steven Rea
Philadelphia Inquirer

The tone is perfect; this is one of those rare films that, despite being rooted firmly in the world around us, is utterly absorbing and capable of reducing the immediacies of life into abstract thoughts in the back of one's mind.

Full Review Source: ReelViews | comment Comment
09/24/09
James Berardinelli
James Berardinelli
ReelViews

Kore-eda's scenarios have always tended toward quiet yet troubling contemplation, but Still Walking is probably his most subdued yet, with unmistakable echoes of the great Yasujiro Ozu.

Full Review Source: East Bay Express | comment Comment
09/23/09
Kelly Vance
Kelly Vance
East Bay Express

As opposed to Ozu’s haiku-like dialogue, Koreeda’s exchanges unfold with an everyday homeliness; he subtly reveals seething resentments and regrets while never losing sight of his characters’ fallible humanity.

Full Review Source: Boston Phoenix | comment Comment
09/17/09
Brett Michel
Brett Michel
Boston Phoenix

...seems more French than Japanese with its chaotic gathering and multi-layered and constant dialogue.

Full Review Source: Reeling Reviews | comment Comment
09/16/09
Laura Clifford
Laura Clifford
Reeling Reviews

Though [Koreeda] has made a film of droll and dry observational precision, its emotional minimalism is almost fetishistic -- and, by the end, a tad frustrating.

Full Review Source: Entertainment Weekly | comment Comment
09/09/09
Owen Gleiberman
Owen Gleiberman
Entertainment Weekly

It will strongly move you, but you won't be able to say exactly why. It illuminates 24 hours in the life of a Japanese family, and though it may appear that not much is happening, by the end everything is revealed.

Full Review Source: Los Angeles Times | comment Comment
09/04/09
Kenneth Turan
Kenneth Turan
Los Angeles Times
Top Critic Icon Top Critic

The director has said that, though the story was inspired by the deaths of his parents, he hoped to make a film "brimming with life." He's succeeded.

Full Review Source: San Francisco Chronicle | comment Comment
09/04/09
Walter V. Addiego
Walter V. Addiego
San Francisco Chronicle

The presentation of these elements is never less than patient, tranquil and thoughtful.

Full Review Source: Combustible Celluloid | comment Comment
09/03/09
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

One fears to blink, because some essential element in the story will be lost and, with it, some nuance, of which there are many.

Full Review Source: Washington Post | comment Comment
09/03/09
Washington Post

If anyone can be considered an heir of the great Yasujiro Ozu, it might be Hirokazu Kore-Eda, the writer and director of Still Walking.

Full Review Source: Chicago Sun-Times | comment Comment
09/03/09
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

Still Walking is a triumph of mood and storytelling imbued with fine performances. Kore-eda creates more bombast in the quiet of a living room than I've seen from all this year's summer blockbusters.

Full Review Source: TheDivaReview.com | comment Comment
08/29/09
Diva Velez
Diva Velez
TheDivaReview.com

A captivating, heartfelt and character-driven tapestry brimming with well-nuanced performances, exquisite cinematography and just the right balance of delicate humor.

Full Review Source: NYC Movie Guru | comment Comment
08/28/09
Avi Offer
Avi Offer
NYC Movie Guru

Kore-eda, talented director that he is, never allows the story to sink into soap-opera melodrama, and he refrains from pointing fingers.

Full Review Source: New York Post | comment Comment
08/28/09
V.A. Musetto
V.A. Musetto
New York Post

A gentle, absorbing drama that carefully modulates sentimentality with an eye for the way family members can be casually cruel to each other and outsiders.

Full Review Source: Metromix.com | comment Comment
08/28/09
Geoff Berkshire
Geoff Berkshire
Metromix.com

Kore-eda has an extraordinary grasp on his characters, modest people who clearly mean a great deal to him. They will to you, as well.

Full Review Source: New York Daily News | comment Comment
08/28/09
Elizabeth Weitzman
Elizabeth Weitzman
New York Daily News
 
 
1 - 20 (sorted by date; UK critics are listed first)
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