A delicate, devastating Japanese tragicomedy.
Still Walking (2009)
Tomatometer
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Reviews Counted:53
Fresh:53
Rotten:0
Average Rating:8.2/10
Consensus: Hirokazu Kore-eda's film may seem modest at first, but this family drama casts a delicate, entrancing spell.
Genre: Dramas
Theatrical Release:15-01-2010
Synopsis: Ryota is the 40-year-old son of the Yokoyama family. He has recently married a widow with a ten-year-old son from her previous marriage, who are joining him on a rare visit home. Only his elderly... Ryota is the 40-year-old son of the Yokoyama family. He has recently married a widow with a ten-year-old son from her previous marriage, who are joining him on a rare visit home. Only his elderly parents now live in the house, which once doubled as a flourishing medical clinic. The annex, a medical examining room still boasting a wall of pharmaceuticals, remains unchanged, though the patriarchal doctor has retired. Despite the unchanged outward appearances, everything has slightly aged. The family has gathered to remember Junpei, the eldest son, who died in a terrible accident fifteen years earlier. Ryota, an art restorer, has never lived up to his brilliant brother, who was supposed to take over the family clinic, and he remains uncomfortable with his father. He arrives home, determined to hide the fact that he is currently unemployed. His older sister, Chinami, has already arrived with her family and is cheerfully entertaining the extended family. Toshiko, their deceptively mild-mannered mother, emits a string of sarcastic remarks as she bustles around the kitchen preparing the family’s favorite foods. The scenes of the respective couples and family members alternately reminiscing and bickering around the food-laden table, will bring a family memory to everyone’s mind. Based on Kore-eda’s original screenplay, under his polished direction, all the characters come sharply to life, exchanging dialogue that both delights and tugs at your heart. As the film unfolds, brimming with compelling realism, it reveals the modest joys and gentle sorrows that accompany the realization that life must inevitably move on. The Yokoyama’s are a typical dysfunctional family, bonded by love as well as resentments and secrets. With a subtle balance of gentle humor and wistful sorrow, Kore-eda portrays just how annoying, and exactly how precious, family can be. --© IFC Films [More]
Starring: Hiroshi Abe, Yui Natsukawa, Kazuya Takahashi, Shohei Tanaka
Starring: Hiroshi Abe, Yui Natsukawa, Kazuya Takahashi, Shohei Tanaka, Kirin Kiki, Yoshio Harada
Director: Hirokazu Kore-eda
Director: Hirokazu Kore-eda
Screenwriter: Hirokazu Kore-eda
Producer: Taguchi Hijiri, Yoshihiro Kato
Studio: IFC Films
Reviews for Still Walking
while this film is full of all the bitterness, regret, jealousy, disappointment, deceit and awkward love that make up any family, it depicts these with a calm restraint and subtlety, excluding even the slightest hint of melodrama
Koreeda’s almost sage-like understanding of what makes modern families tick places him and this wonderful film in the league of Japan’s grand master, Ozu, and you can’t ask for higher praise than that.
A beautifully measured melodrama that owes much to Yasujiro Ozu’s Japanese classic Tokyo Story.
This is a higher order of storytelling, and this gentle, lovely film is impossible to watch without a lump in the throat.
An acutely observed and tenderly rendered portrait of family, mortality and remembering.
Koreeda’s big theme is the transience of all our lives, but he doesn’t make a meal of it. Instead, he essays a moving restraint that evokes Ozu’s vintage domestic dramas – no mean feat.
Full of the small revelations that make up everyone’s memories and regrets. It is beautifully acted too.
utaka Yamazaki's photography and Gontiti's guitar score are as impeccable as the performances, but it's Koreeda's delicacy, wit and insight that makes this so intricate, poignant and truthful.
Limpidly shot, translucently acted, Still Walking steals up on you quietly and stays with you forever.
The writer-director Hirokazu Kore-eda, who made the brilliant After Life, has the imaginative sympathy of a great novelist, unsparing yet not unforgiving in his examination of a family held together by habit, regret and, ultimately, an unspoken love.
Told with a measured pace, Still Walking gently beguiles as it captures the tensions, the silly misunderstandings, love and lingering regrets that are present in all families.
The film exquisitely observes this awkward truth with wisdom, artistry, humour and an understanding that love, respect and regret come as a package.
A well made, superbly acted family drama that's definitely worth seeing, though it won't appeal to everyone.
The fluid, unobtrusive camera work handles with equal ease moments of intense intimacy, the look in a child’s eyes or the silent expression of a couple about to go to sleep while also making the best of glorious open-air landscapes.
Koreeda makes it worth our while to watch these people, allowing us to dig for nuggets of information, piecing them together, and learning something about the resilience of family bonds along the way.
You leave this film with the sense of having spent time with real people with real-world problems.
It's not the happiest, most upbeat of material, but screenwriter and director Hirokazu Koreeda finds a few opportunities to inject some welcome humor and lighter observational bits.
[L]ike a big, deep, relaxing cinematic breath of fresh air and wonder and loveliness...
Latest News for Still Walking
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