Gilliam gives the material a lunatic poetry of his own, but remains impervious to the requirements of narrative pacing.
12 Monkeys (1995)
Tomatometer
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Reviews Counted:48
Fresh:41
Rotten:7
Average Rating:7.2/10
Consensus: The plot's a bit of a jumble, but excellent performances and mind-blowing plot twists make 12 Monkeys a kooky, effective experience.
Runtime: 2 hrs 10 mins
Genre: Science-Fiction/Fantasy
Synopsis: In this intriguing science fiction film from director Terry Gilliam, penal colony prisoner James Cole must travel back in time from the year 2035 to find the cause of a virus that killed five... In this intriguing science fiction film from director Terry Gilliam, penal colony prisoner James Cole must travel back in time from the year 2035 to find the cause of a virus that killed five billion people in 1997. Cole's trip into the past won't be easy. For starters, he winds up in the wrong year on his first attempt. Once, as he time-travels, Cole ends up a prisoner in an insane asylum in 1990. There, he meets psychiatrist Kathryn Railly and inmate Jeffrey Goines, who could hold the key to the epidemic's spread. Cole later winds up in the middle of a World War I battlefield. After meeting James for a second time, in another year, Dr. Railly gets further involved in his quest. Although she thinks at first that Cole must be crazy, Kathryn soon starts to believe him and attempts to help. But James has already started to question his own sanity and tries to figure out if his journeys through time are real or if he's just been imagining everything. [More]
Starring: Bruce Willis, Brad Pitt, Madeleine Stowe, Christopher Plummer
Starring: Bruce Willis, Brad Pitt, Madeleine Stowe, Christopher Plummer
Director: Terry Gilliam
Director: Terry Gilliam
Producer: Charles Roven
Composer: Paul Buckmaster
Reviews for 12 Monkeys
Disorientating, but good performances all round. Will have you thinking for days afterwards.
Terry Gilliam's most mature film to date demands rigorous analysis from the viewer. Add to this the director's grotesquely comic hallmarks, and the resulting film is a complex and rewarding fantasy.
A clever, complex, and poignant success is as astonishing as it is satisfying.
One of the qualities that makes 12 Monkeys so good is the fact that it is almost too complicated to explain.
I'm pleased beyond words to find a movie that cares deeply for its characters even as they fall under the wheels of destiny, instead of killing them just to be clever.
Aside from his trademark visual style, Gilliam generally handles the chaos he depicts quite well, and he's come up with a marvelous cast.
Despite my beef with the interminable convolutions of 12 Monkeys, the film has one major thing going for it: put simply, it's very, very cool.
Willis and Pitts's performances, Gilliam's atmospherics and an exhilarating momentum easily outweigh such trifling flaws.
Dark and somber like Blade Runner, this sci-fi is a spectacular mess, a convoluted film with too many ideas for its own good, blending (among other things) the virus thriller with the post-apocalyptic genre.
The whole scope of 12 Moneys is completely insane, often confusing, sometimes almost unintelligible; but somehow at the end it all comes together and everything makes sense if you look at it closely enough.
It has a story -- and a good one at that -- with characters one cares about and isn't just a flashy display of what today's special effects teams are capable of. Anybody out there in Hollywood listening to any of this?
There's always overripe method to his madness, but in the new 12 Monkeys Mr. Gilliam's methods are uncommonly wrenching and strong.
12 Monkeys seems to go down smoothly without compromising anything or dumbing itself down.
In some ways, 12 Monkeys is the end-of-the-world thriller that Kathryn Bigelow's Strange Days wanted to be.
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