If not for a hokey ending and some cheesy plot devices, "1408" would have been the scariest, and best, ghost movie of the season.
1408 (2007)
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Reviews Counted:162
Fresh:127
Rotten:35
Average Rating:6.7/10
Consensus: Relying on psychological tension rather than overt violence and gore, 1408 is a genuinely creepy thriller with a strong lead performance by John Cusack.
Rated: 15 [See Full Rating] for thematic material including disturbing sequences of violence and terror, frightening images and language
Runtime: 1 hr 44 mins
Genre: Horror/Suspense
Theatrical Release:31-08-2007
Synopsis: The PG-13 rating given to 1408 belies this film's truly terrifying effects on its audience. Though it's far less gory than its peers, it has frightening moments and a creepy mood throughout. John... The PG-13 rating given to 1408 belies this film's truly terrifying effects on its audience. Though it's far less gory than its peers, it has frightening moments and a creepy mood throughout. John Cusack (IDENTITY) plays Mike Enslin, a gifted writer who has turned his talents to paranormal travel books. His stays in haunted hotels never shake him, but he's intrigued by New York's Dolphin Hotel. Room 1408 has been the site of dozens of deaths, and this is a selling point for the skeptic in Mike. Despite the warnings of the hotel manager (Samuel L. Jackson, BLACK SNAKE MOAN), Mike resolves to stay in the haunted room. No one has lasted more than an hour in 1408, and Mike has his work cut out for him. Though Cusack got his acting pedigree in comedies, he proves he's able to adeptly carry a horror film. He's in practically every frame of the film, often alone, and he's great at making the audience share in his fear. This is the second English-language film from director Mikael Hafstrom (DERAILED), and he does a good job of establishing tension. A lot of the credit is due to the film's sound crew, whose detailed work goes far in giving 1408 its unsettling feeling. Like THE SHINING, this is based on writing from horror master Stephen King, and it's a similarly creepy tale set in a hotel. But in its execution, 1408 is far more indebted to classic horror films such as the original 1963 version of THE HAUNTING. [More]
Starring: John Cusack, Samuel L. Jackson, Mary McCormack, Tony Shalhoub
Starring: John Cusack, Samuel L. Jackson, Mary McCormack, Tony Shalhoub
Director: Mikael Håfström
Director: Mikael Håfström
Screenwriter: Matt Greenberg, Scott Alexander, Larry Karaszewski
Producer: Lorenzo Di Bonaventura
Composer: Gabriel Yared
Studio: Dimension Films
Reviews for 1408
No matter how entertaining the gorefests of folks like Eli Roth are, there will always be an entertainment value in films that are more into spooking people than making them sick.
The ability of 1408 to raise goosebumps relies on Cusack's skill in making even the doubting Enslin appear genuinely terrified.
Stripped of unnecessary gore and predictable scare tactics, 1408 is a chilling psychological mind-bender, which stays true to its Stephen King roots.
Domestic difficulties were central to the scariness of 'The Shining' and 'Pet Sematary,' but here the psychological back story and so-called character development seem like padding.
...ultimately little doubt that the film's build-up is more effective than its pay-off.
A Stephen King short story is adapted and brought to the screen in 1408, more psychological thriller than outright horror.
While it's refreshing to see a scary movie that's not about torture and dismembered corpses, that's not enough.
Cusack carries it all, especially when there aren't any other actors around for him to interact with.
Hafstrom turns in a clean, almost old-fashioned film with a precise rhythm... But the movie's real trick is the rising sense of dreadful expectation.
While 1408 is no Shining, it's a solid and welcome entry to the kind of begotten supernatural tales all too sparse in contemporary cinema.
A much better-than-average horror flick that doesn't rely on hardcore torture and gore to thrill it's audience.
1408 stumbles one too many times and cannot escape the genre's most common curse -- the dumb ending.
A little suspension of disbelief goes a long way once the scary stuff gets going.
gruesome and psychologically chilling, not gory and shockingly gross
Stephen King can be counted on to put the fun back into a ghost story. He did it with The Shining, and again in 1408, a short story that is the basis for this suspenseful chiller about a writer's hallucinogenic night in a haunted room.
Hafstrom can't balance the requirement of excitement with the necessity of depth without jerking the film's pace around like a bad carnival ride.
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November 01, 2007:
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October 02, 2007:
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