The film rapidly degenerates into an Escape From Canary Wharf video game.
28 Weeks Later (2007)
Tomatometer
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Reviews Counted:179
Fresh:128
Rotten:51
Average Rating:6.6/10
Consensus: While 28 Weeks Later lacks the humanism that made 28 Days Later a classic, it's made up with fantastic atmosphere and punchy direction.
Rated: 18 [See Full Rating] for strong violence and gore, language and some sexuality/nudity
Runtime: 1 hr 53 mins
Genre: Horror/Suspense
Theatrical Release:11-05-2007
Synopsis: Danny Boyle's surprise 2003 hit, 28 DAYS LATER, gets the sequel treatment here. Few elements from the first film remain--actor Cilian Murphy doesn't return, and Boyle and screenwriter/novelist Alex... Danny Boyle's surprise 2003 hit, 28 DAYS LATER, gets the sequel treatment here. Few elements from the first film remain--actor Cilian Murphy doesn't return, and Boyle and screenwriter/novelist Alex Garland take producer credits this time out. In their places step director/co-writer Juan Carlos Fresnadillo (INTACTO) and actor Robert Carlyle (TRAINSPOTTING), who bring the original story to its next logical step. The zombies (again referred to as "the infected") from the first film have died out and England is ready for repopulation. The American military are slowly bringing British citizens back to London, where a heavily guarded community is picking up the pieces and trying to return to normal life. Carlyle plays Don, a man who has lost his wife but is reunited with his children, Andy (Mackintosh Muggleton) and Tammy (Imogen Poots), near the start of Fresnadillo's film. The two kids soon escape from the heavily guarded community, go off searching for their childhood home, and discover that mom might not be quite as dead as they originally thought. Chaos follows, with the sadistic military and the forlorn survivors battling both each other and "the infected." Fresnadillo apes much of Boyle's style from the original film, shooting in rapidly edited sequences that cause plenty of blink-and-you'll-miss-it moments. A pounding soundtrack helps enliven the scenes with "the infected," and an abundance of swooping aerial shots highlight the desolate London landscape. A few minor sub-plots emerge, Fresnadillo offers sly commentary on the military's trigger-happy tendencies, and the film ends up somewhere in between zombie fare such as George A. Romero's LAND OF THE DEAD and dystopian visions of the future such as Alfonso Cuaron's CHILDREN OF MEN. [More]
Starring: Robert Carlyle, Imogen Poots, Mackintosh Muggleton, Catherine McCormack
Starring: Robert Carlyle, Imogen Poots, Mackintosh Muggleton, Catherine McCormack, Rose Byrne, Jeremy Renner, Harold Perrineau, Idris Elba
Director: Juan Carlos Fresnadillo
Director: Juan Carlos Fresnadillo
Screenwriter: Juan Carlos Fresnadillo, Roland Joffe, Jesus Olmo
Producer: Andrew MacDonald, Danny Boyle, Alex Garland
Composer: John Murphy
Screenwriter: Jesús Olmo, Rowan Joffe, Juan Carlos Fresnadillo
Studio: Fox Atomic
Reviews for 28 Weeks Later
28 Weeks Later takes up where Danny Boyle left off, then continues where the weak-hearted pass out.
The worst horror is that the dark ending suggests a franchise in the making.
These zombies didn't walk anymore, they marauded and chased their victims down like a pack of rabid dogs.
It’s breathless action from start to finish and a must-see for all schlock-horror fans.
Apart from a few nerve-jangling moments at the start and some snazzy digital effects, this is about as pointless and unnecessary as sequels get.
A frantic follow-up that delivers jolts, claret and just enough character to make you care.
The age-old thrills of seeing monsters gouge a human's eyeballs have rarely been this elegantly packaged.
The way is left open for more movies in a lucrative franchise: 52 Weeks Later, 104 Weeks Later, or maybe Nine 1/2 Weeks Later, the porn version with Kim Basinger.
Well worth seeing, especially for fans of the original. But all its brilliance only serves to compound the disappointing and pedestrian final half hour.
An exciting, action-packed and superbly directed thriller that more than lives up to the original film. Highly recommended.
Bigger action, more amazing deserted (and devastated) London sequences and biting contemporary relevance, if a touch less heart than the original.
Even better than the first film, generating more consistent characters and keeping us thoroughly entertained from grisly start to creep-out finish.
A worthy sequel that is recommended - even if you're tired of zombie flicks!
Every bit as visceral and provocative as the original, but cinematographer Enrique Chediak’s deserted London can’t hold a candle to Anthony Dod Mantle’s.
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