Among the many lacking Pulp Fiction carbon copies that refuses to realize its surrealistic shortcomings. An exaggerated and aimless mess starving for attention
2 Days In The Valley (1996)
Tomatometer
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Reviews Counted:51
Fresh:32
Rotten:19
Average Rating:6.2/10
Runtime: 1 hr 45 mins
Genre: Dramas
Synopsis: L.A.'s much-vilified San Fernando Valley is the setting for the chaotic goings-on in this multi-plotted comedic thriller featuring a murderous insurance scam perpetrated by sadistic... L.A.'s much-vilified San Fernando Valley is the setting for the chaotic goings-on in this multi-plotted comedic thriller featuring a murderous insurance scam perpetrated by sadistic double-crossers, a bumbling, love-struck hit man, a kidnapped, gallstone-suffering art dealer, a washed-up, suicidal screenwriter, a pair of burnt-out undercover cops, and one of the best catfights ever filmed. Guilty fun. [More]
Starring: Danny Aiello, Jeff Daniels, Teri Hatcher, Glenne Headly
Starring: Danny Aiello, Jeff Daniels, Teri Hatcher, Glenne Headly, Peter Horton, Marsha Mason, Paul Mazursky, James Spader, Eric Stoltz, Charlize Theron, Greg Cruttwell, Keith Carradine, Louise Fletcher, Austin Pendleton, Michael Jai White, Lawrence Tierney, Micole Mercurio
Director: John Herzfeld
Director: John Herzfeld
Screenwriter: John Herzfeld
Producer: Herb Nanas, Jeff Wald, Keith Samples, Tony Amatullo
Composer: Anthony Marinelli
Reviews for 2 Days In The Valley
A sleek, amusingly nasty screen debut by a film maker whose television credits include an Amy Fisher docudrama.
An ensemble-cast mishmash of crime and betrayal that manages to work.
This movie isn’t bad for mere entertainment, but it’s overshadowed by other, better movies in the same genre.
Funny, pathetic, sad, absurdist -- writer-director John Herzfeld plays it any number of ways, and makes them all work.
Herzfeld's marriage of dark humor with graphic violence isn't compatible, and his occasional moral statements about cheapened life stick out like sore thumbs.
2 Days in the Valley is witty and bracing in its own right, and it shouldn't be buried under extraneous comparisons to Pulp Fiction.
There are too many characters, but some are a lot of fun. The tone shifts, from graphic murder to wig-flipping farce, are too extreme, but much of it works.
Mazursky delivers one of the best lines in the film when he observes, "It's been my observation that losers are more truthful than winners." Amen. Here's to some losers who sometimes get to win.
Somehow, although this film's unevenness tends to take us out of the action now and then, there's something kind of agreeable about it.
A solid picture that is probably accessible to a wider audience than Pulp Fiction was...
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