Writer-director Cristian Mungiu confirms the Romanian cinema renaissance while creating a paradoxical marvel: a bleak tale of illegal abortion that powerfully affirms one's faith in people.
4 Months, 3 Weeks and 2 Days (2008)
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Reviews Counted:127
Fresh:122
Rotten:5
Average Rating:8.3/10
Consensus: Featuring gut-wrenching performances from Anamaria Marinca and Laura Vasiliu, 4 Months is a gripping portrayal of life in Communist Romania.
Theatrical Release:04-01-2008
Synopsis: NEW YORK PREMIERE AT NEW YORK FILM FESTIVAL 2007 (Limited) On the heels of Cristi Puiu’s brilliant THE DEATH OF MR. LAZARESCU comes another outstanding picture, 4 MONTHS, 3 WEEKS AND 2 DAYS,... NEW YORK PREMIERE AT NEW YORK FILM FESTIVAL 2007 (Limited) On the heels of Cristi Puiu’s brilliant THE DEATH OF MR. LAZARESCU comes another outstanding picture, 4 MONTHS, 3 WEEKS AND 2 DAYS, which firmly establishes Romania as a major force in early 21st-century world cinema. Winner of the Palme d’Or at the 2007 Cannes Film Festival, Cristian Mungiu’s excruciatingly intense drama is set in Bucharest in the mid-1980s, as Nicolae Ceaucescu and his evil dictatorship continue to reign. In a country where abortion is outlawed, a young college student, Gabita (Laura Vasiliu), finds herself in big trouble. Unsure what to do, she turns to her roommate, Otilia (Anamaria Marinca), for help. On the day on which the film takes place, the pair connects with a black market doctor, Bebe (Vlad Ivanov), in order to take care of Gabita’s pregnancy--but, of course, it isn’t that simple. The resulting 24 hours reveals a harrowing descent into a world in which the possibility of tragedy lurks around every corner. Mungiu’s decision to film every scene in a hyper-documentary style, with long, unbroken takes (by co-producer Oleg Mutu), ratchets up the tension to nearly unbearable proportions. Adding even greater drama is his decision to focus on the friend, not the victim. Marinca’s face, filmed in unflinching close-ups, expresses the impossibly complex flood of emotions that nag her throughout the day. The film’s true revelation, however, is Ivanov, whose portrayal of the shady doctor is an absolute tour-de-force. 4 MONTHS, 3 WEEKS AND 2 DAYS is filmmaking at its most masterly. [More]
Starring: Anamaria Marinca, Vlad Ivanov, Laura Vasilu
Starring: Anamaria Marinca, Vlad Ivanov, Laura Vasilu
Director: Cristian Mungiu
Director: Cristian Mungiu
Screenwriter: Cristian Mungiu
Producer: Cristian Mungiu, Oleg Mutu
Studio: IFC Films
Reviews for 4 Months, 3 Weeks and 2 Days
First, this movie should be enjoyed. Later, marveled at. And then, once the excitement has faded, 4 Months, 3 Weeks and 2 Days really should be studied, because director Cristian Mungiu creates scenes unlike any ever filmed.
Features impressive performances by the three main characters and powerful naturalistic cinematography.
An historical story of consequence and consequences around an enduringly lively social argument.
4 Months, 3 Weeks and 2 days feels like a kind of appendix -- and a bursting one at that -- to Krzysztof Kieslowski's Decalogue.
For film connoisseurs who are interested in how far the medium can go in depicting human stories with realism at its most confrontational and even discomfiting, 4 Months, 3 Weeks and 2 Days will provide a bracing breath of fresh cinematic air.
Oleg Mutu's deft handheld camerawork and Mungiu's meticulous reconstruction of Ceausescu-era Romania, in all its corruption, hypocrisy and drab cleanliness, create an overweening atmosphere of dread.
Excruciating, ugly and very, very foreign. Sounds like the ideal candidate for the Palme D'Or.
Cristian Mungiu's elegantly crafted, brilliantly acted film, set in Bucharest in the late 1980s, near the end of the vile Ceausescu regime, needs special help in finding the audience it deserves.
4 Months rings true, one reason being that the story was inspired by real-life events.
Talk about body horror: combining social melodrama, character study, and hair-raising thriller, 4 Months, 3 Weeks and 2 Days is a riveting ordeal in three parts.
Starkly, brutally honest, Cristian Mungiu's well-acted abortion drama paints a bleak picture of Romanian life in the late '80s.
Embodies the humanistic perspective… that simply to relate the story of a significant human event, to tell the truth without gloss or commentary, has value in itself.
...rises above any pro-choice or pro-life preachiness because the picture's first concern is for the humanity of its characters, born or not.
But one lingering question remains %u2013 why would anyone want to see this, besides film buffs wanting to see last year's Palm d'Or winner?
In 4 Months, 3 Weeks and 2 Days, a ferocious, unsentimental, often brilliantly directed film, the camera doesn’t follow the action, it expresses consciousness itself.
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