A harrowing journey of two women made desperate by a government that puts bureaucracy ahead of the interests of its people.
4 Months, 3 Weeks and 2 Days (2008)
Tomatometer
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Reviews Counted:127
Fresh:122
Rotten:5
Average Rating:8.3/10
Consensus: Featuring gut-wrenching performances from Anamaria Marinca and Laura Vasiliu, 4 Months is a gripping portrayal of life in Communist Romania.
Theatrical Release:04-01-2008
Synopsis: NEW YORK PREMIERE AT NEW YORK FILM FESTIVAL 2007 (Limited) On the heels of Cristi Puiu’s brilliant THE DEATH OF MR. LAZARESCU comes another outstanding picture, 4 MONTHS, 3 WEEKS AND 2 DAYS,... NEW YORK PREMIERE AT NEW YORK FILM FESTIVAL 2007 (Limited) On the heels of Cristi Puiu’s brilliant THE DEATH OF MR. LAZARESCU comes another outstanding picture, 4 MONTHS, 3 WEEKS AND 2 DAYS, which firmly establishes Romania as a major force in early 21st-century world cinema. Winner of the Palme d’Or at the 2007 Cannes Film Festival, Cristian Mungiu’s excruciatingly intense drama is set in Bucharest in the mid-1980s, as Nicolae Ceaucescu and his evil dictatorship continue to reign. In a country where abortion is outlawed, a young college student, Gabita (Laura Vasiliu), finds herself in big trouble. Unsure what to do, she turns to her roommate, Otilia (Anamaria Marinca), for help. On the day on which the film takes place, the pair connects with a black market doctor, Bebe (Vlad Ivanov), in order to take care of Gabita’s pregnancy--but, of course, it isn’t that simple. The resulting 24 hours reveals a harrowing descent into a world in which the possibility of tragedy lurks around every corner. Mungiu’s decision to film every scene in a hyper-documentary style, with long, unbroken takes (by co-producer Oleg Mutu), ratchets up the tension to nearly unbearable proportions. Adding even greater drama is his decision to focus on the friend, not the victim. Marinca’s face, filmed in unflinching close-ups, expresses the impossibly complex flood of emotions that nag her throughout the day. The film’s true revelation, however, is Ivanov, whose portrayal of the shady doctor is an absolute tour-de-force. 4 MONTHS, 3 WEEKS AND 2 DAYS is filmmaking at its most masterly. [More]
Starring: Anamaria Marinca, Vlad Ivanov, Laura Vasilu
Starring: Anamaria Marinca, Vlad Ivanov, Laura Vasilu
Director: Cristian Mungiu
Director: Cristian Mungiu
Screenwriter: Cristian Mungiu
Producer: Cristian Mungiu, Oleg Mutu
Studio: IFC Films
Reviews for 4 Months, 3 Weeks and 2 Days
It conveys unblinking and despairing emotional truth with enough intensity to leave you gasping for air.
Mungiu guides his story with infinite patience, favoring long, still shots that capture all those mundane details that eventually turn out to be not so mundane.
An excruciatingly tense study in the minor misjudgments of youth forced suddenly and shockingly into the adult world.
This Romanian drama suffers from a flaw common to many European films: too much intellect, not enough heart.
A ragtag tour de force, a low-budget, high-drama independent marvel that reinvigorates cinéma-vérité.
4 Months, 3 Weeks and 2 Days unspools as dispassionately as a security camera video. There are no judgments rendered here, only truths that arise from harrowing insights.
Never surrendering its grip on the viewer, 4 Months is the rare film with gravity and speed -- a moral tale in the form of a suspense thriller.
This is one of the year's very best movies, provided you don't mind a sort of horrible depression hangover that keeps the film in your thoughts long after you've left the theatre.
Mungiu's fascination with modes (and codes) of behavior gives his period piece a resonant universality.
Accomplished melding of both an aesthetic and a moral sensibility, of politics and art, of love and disillusionment, of acting and being.
The film favours naturalism over polemics and is all the more forceful because of it.
Strange to long for the humorous undercurrents of the no less despondent Lazarescu and Bucharest, but perhaps making sense of the red specter requires just such a penetrating mix of solemnity and absurdity.
This year’s Palme d’Or winner, 4 Months, 3 Weeks and 2 Days, makes it’s U.S. debut at the New York Film Festival
Performances are naturalistic and flawless, and Mingiu's dialogue sounds as if he were recording real life.
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