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5X2 (2005)
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Reviews Counted:67
Fresh:43
Rotten:24
Average Rating:6.1/10
Consensus: Five scenes from a marriage, deftly and poignantly presented.
Theatrical Release:18-03-2005
Synopsis: Focusing on the failed relationship of a thirtysomething couple, French director Francois Ozon (SWIMMING POOL, UNDER THE SAND) organizes this film into five chapters they shared together. In... Focusing on the failed relationship of a thirtysomething couple, French director Francois Ozon (SWIMMING POOL, UNDER THE SAND) organizes this film into five chapters they shared together. In backwards chronology, the first chapter of Marion (Valeria Bruni-Tedeschi) and Gilles's (Stephane Freiss) story has them signing divorce papers, and the last chapter shows the first sparks of romance between them years earlier. A master of controlling his audience's emotions, Ozon elicits vast sympathies for each character, making their relationship--and especially, the problems they cannot live with--more painful with each new detail revealed about Marion and Gilles. We see them alone in their darkest moments as they sit staring into space, smouldering with bitter helplessness at how the relationship is irreversibly wrong. And we see them love, and spar, and hurt each other in ways that seem unimaginable until the full picture is painted. It is this hurt that makes Marion, with her big, defeated, glassy blue eyes, unable to look at Gilles as they review the terms of their divorce. And it is this same hurt that culminates in Gilles raping Marion in a hotel room, brokenhearted and enraged at losing her love. How did this twosome wind up in such a miserable state? The remaining chapters--which pull viewers backwards by their heartstrings--reveal many secrets about this truly sad story. Lacking any tension-breakers, like the line dance in Ozon's WATER DROPS ON BURNING ROCKS, 5 X 2 is sober and disconcertingly intimate. Honest to the point of emotional torture, yet compassionate toward his characters, Ozon has constructed another beautifully moving film. The soundtrack by Philippe Rombi, which features poignant contemporary tunes, plays a part too, in that the characters interact with it, and it becomes their anthem. [More]
Starring: Valeria Bruni-Tedeschi, Stephane Freiss, Francoise Fabian, Michael Lonsdale
Starring: Valeria Bruni-Tedeschi, Stephane Freiss, Francoise Fabian, Michael Lonsdale, Antoine Chappey, Geraldine Pailhas, Jason Tavassoli, Jean-Pol Brissart, Marc Ruchmann
Director: Francois Ozon
Director: Francois Ozon
Screenwriter: Emmanuelle Bernheim, Francois Ozon
Producer: Olivier Delbosc, Marc Missonnier
Composer: Philippe Rombi
Studio: ThinkFilm
Reviews for 5X2
Like life, it's a film full of unanswered questions and uncertain motivations.
In each scene, both characters do things that are tender and cruel, which is so like real life that it's almost hard to watch.
The acting of both leads is good, at times more than that, but you feel that you've already seen every scene they're in, in countless other movies.
It ends where the story begins at an Italian seaside resort as the couple happily swim off together into the sunset at their first encounter.
Deconstructing the breakup of a romance in reverse chronological order is no longer original; Pinter has done it in "Betrayal" and Jane Campion in her TV film "Two Friends." However, the film is well-acted even if it doesn't offer new insights.
Peeling off the emotional layers one by one, François Ozon's 5 X 2 reveals intimate snapshots of a relationship, simply but searingly.
(...) Es de esas películas que vale quizá más por las reflexiones y debates que dispara entre las personas que como pieza cinematográfica en sí misma.
The soulful Bruni-Tedeschi gives the impression that her beautiful face is bruised, even though it is blemish free; it's one of the best performances of the year.
Even while we’re flipping through the snapshots of two people’s ultimate disenchantment with each other, it never feels tawdry or excessive or, for that matter, very interesting.
We watch Marion and Gilles with a sort of clinical detachment, and it's difficult to really care.
Doesn't feel like a gimmick at all. It feels like a natural introduction to the characters.
Bruni-Tedeschi and Freiss give solid performances, though, and their physical transformations over time (a slight weight gain for her, facial hair for him) are convincing.
The reverse-chronology gimmick ends up only serving up a trite observation that lies and mistrust are a poor foundation for a marriage.
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