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A Guide to Recognizing Your Saints (2006)
Tomatometer
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Reviews Counted:93
Fresh:70
Rotten:23
Average Rating:6.6/10
Consensus: A Guide to Recognizing Your Saints is a lively, powerful coming-of-age tale with winning performances and sharp direction from first-timer Dito Montiel.
Rated: 15 [See Full Rating] for pervasive language, some violence, sexuality, and drug use.
Runtime: 1 hr 38 mins
Genre: Dramas
Theatrical Release:02-03-2007
Synopsis: Writer Dito Montiel's highly cinematic memoir of his childhood in Queens, New York, makes the leap to the big screen, with the author himself getting behind the camera to helm this powerful, and at... Writer Dito Montiel's highly cinematic memoir of his childhood in Queens, New York, makes the leap to the big screen, with the author himself getting behind the camera to helm this powerful, and at times gut-wrenching, adaptation. The film flits back and forth between the adult Montiel's (Robert Downey Jr.) emotional return to the neighborhood after a 15-year gap, and the childhood antics that led to his younger self (played by Shia LeBouf) fleeing to Los Angeles in 1986. Downey's older brother Montiel is an introspective, quietly successful author who comes home after he is informed of his father's (Chazz Palminteri) life-threatening illness. LeBouf's teenage Montiel is a young tearaway who runs into constant trouble with his gang of friends, falls in love with local looker Laurie (Rosario Dawson), and dreams of an escape from the city with his Scottish friend, Mike (Martin Compston). The balance of the film tilts in favor of the kids, with most of the action taking place in 1986. These scenes acutely capture the punishing heat of the New York City summer, with the teenage gang soaked in sweat and dirt as they trample through their crumbling Queens ghetto. Channing Tatum gives a terrifying performance as Montiel's violent young friend, Antonio, and Palminteri is equally intimidating, filling the screen with palpable rage as he barks at the older and younger versions of his son. The skittish narrative makes frequent lurches through the decades, and also sees characters frequently breaking the fourth wall by directly addressing the audience, recalling the work of writer-director team Guillermo Arriaga and Alejandro González Iñárritu (21 GRAMS, AMORES PERROS). Montiel couples this with the gritty stylistic verve of classic New York movies such as MEAN STREETS and SATURDAY NIGHT FEVER, ultimately transforming SAINTS into the perfect distillation of two separate eras in an ever-evolving city. [More]
Starring: Robert Downey, Rosario Dawson, Shia LaBeouf, Chazz Palminteri
Starring: Robert Downey, Rosario Dawson, Shia LaBeouf, Chazz Palminteri, Dianne Wiest, Eric Roberts, Channing Tatum
Director: Dito Montiel
Director: Dito Montiel
Screenwriter: Dito Montiel
Producer: René Bastian, Lucy Cooper
Composer: Jonathan Elias
Studio: First Look
Reviews for A Guide to Recognizing Your Saints
Montiel constantly inserts the kind of “look at me, I’m a director!” touches that only remind viewers that he’s an amateur.
It's a poignant look at some boys who could use some saints preserving them.
It takes a while to recognize these saints, but the effort is worth it.
The movie never answers the question of why, exactly, the audience should care about these characters.
Martin Scorsese made his ode to Little Italy, Mean Streets, back in 1973, which seems like an long time ago. But it hasn't been so long that it's acceptable for another film to cop its vibe.
The strong cast... is hamstrung by Montiel's insistence that all dialogue be delivered at shouting level.
Dito Montiel's autobiographical film is full of raw emotional power and infused with painful observation %u2026 in which he unflinchingly lays it all bare. He doesn't even change his name for the central character
I think we can agree there's a problem with a movie that pretends to be gritty realism but also asks us to believe Rosario Dawson and Robert Downey Jr. are the same age, even though she's 27 and he's 41.
If you enjoy films that are superbly acted, with incredible realism, and don't mind foul language, then this should be on your must-see list.
A Guide to Recognizing Your Saints is inchoate, but it demonstrates that instincts and brio can compensate for a lot.
Though A Guide to Recognizing Your Saints is not a great movie, I prefer its street-grit version of adolescent desperation to the arch, mannered tone of Running With Scissors.
Like an O'Neill play, its virtues are not in well-constructed ideas but in the emotional catharses it wrings out of its audience.
The story of Dito escaping and then facing his demons is meaningful. But that story is so buried in actorly noise that it feels false.
By splitting up the story, Montiel does not spend enough time on either one. Both versions of Dito remain too much of a mystery.
You don't watch "A Guide to Recognizing Your Saints." You get mugged by it.
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