Why is this a movie, when it almost certainly works better as a novel with more time for all of its characters and atmosphere?
A Guide to Recognizing Your Saints (2006)
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Reviews Counted:93
Fresh:70
Rotten:23
Average Rating:6.6/10
Consensus: A Guide to Recognizing Your Saints is a lively, powerful coming-of-age tale with winning performances and sharp direction from first-timer Dito Montiel.
Rated: 15 [See Full Rating] for pervasive language, some violence, sexuality, and drug use.
Runtime: 1 hr 38 mins
Genre: Dramas
Theatrical Release:02-03-2007
Synopsis: Writer Dito Montiel's highly cinematic memoir of his childhood in Queens, New York, makes the leap to the big screen, with the author himself getting behind the camera to helm this powerful, and at... Writer Dito Montiel's highly cinematic memoir of his childhood in Queens, New York, makes the leap to the big screen, with the author himself getting behind the camera to helm this powerful, and at times gut-wrenching, adaptation. The film flits back and forth between the adult Montiel's (Robert Downey Jr.) emotional return to the neighborhood after a 15-year gap, and the childhood antics that led to his younger self (played by Shia LeBouf) fleeing to Los Angeles in 1986. Downey's older brother Montiel is an introspective, quietly successful author who comes home after he is informed of his father's (Chazz Palminteri) life-threatening illness. LeBouf's teenage Montiel is a young tearaway who runs into constant trouble with his gang of friends, falls in love with local looker Laurie (Rosario Dawson), and dreams of an escape from the city with his Scottish friend, Mike (Martin Compston). The balance of the film tilts in favor of the kids, with most of the action taking place in 1986. These scenes acutely capture the punishing heat of the New York City summer, with the teenage gang soaked in sweat and dirt as they trample through their crumbling Queens ghetto. Channing Tatum gives a terrifying performance as Montiel's violent young friend, Antonio, and Palminteri is equally intimidating, filling the screen with palpable rage as he barks at the older and younger versions of his son. The skittish narrative makes frequent lurches through the decades, and also sees characters frequently breaking the fourth wall by directly addressing the audience, recalling the work of writer-director team Guillermo Arriaga and Alejandro González Iñárritu (21 GRAMS, AMORES PERROS). Montiel couples this with the gritty stylistic verve of classic New York movies such as MEAN STREETS and SATURDAY NIGHT FEVER, ultimately transforming SAINTS into the perfect distillation of two separate eras in an ever-evolving city. [More]
Starring: Robert Downey, Rosario Dawson, Shia LaBeouf, Chazz Palminteri
Starring: Robert Downey, Rosario Dawson, Shia LaBeouf, Chazz Palminteri, Dianne Wiest, Eric Roberts, Channing Tatum
Director: Dito Montiel
Director: Dito Montiel
Screenwriter: Dito Montiel
Producer: René Bastian, Lucy Cooper
Composer: Jonathan Elias
Studio: First Look
Reviews for A Guide to Recognizing Your Saints
Scenemaker Dito Montiel's rough, grating memoir of growing up in a poor, violent section of Astoria, Queens, in the mid-1980s features a few too many arty flourishes, but also packs a raw power that's hard to shake.
This is a gifted director who actually has something to say and knows how to say it. We'll be hearing from him again.
'Stick to the book' isn't always the best advice for a screenwriter adapting a best- seller, but when it's his own memoir, it would lend a more certain authenticity.
There's a quality of daring in Montiel's approach, trusting that the intensity of his feeling for his characters can become contagious.
All in all, Saints is a good, tough memory piece and an above-average directing debut.
Chaos, grit, and bravado run rampant through the streets of 1986 Queens in writer/director Dito Montiel's well-acted ... adaptation of his own memoir.
Every performance works; every actor is at the top of his or her game.
Montiel attempts to interweave past and present, but he yields so much time to his teenage years that the present-day material comes perilously close to looking like a framing story.
Former hard-core punk rocker Dito Montiel's directorial debut, based on his memoir of the same name, has a raw street authenticity to it, but frequently runs into trouble when real life fails to follow a good story arc.
The story could use a little tightening in places where the pace slackens, but overall this is a lovely debut. It's an homage to Montiel's family and old friends, and to the ghost of his old self.
Saints is so personal and site-specific a work that it's hard to imagine what Dito Montiel will pull out of his hat for an encore. But even if this is the only movie he has in him, the Queens kid hasn't done so badly for himself after all.
Dito Montiel's autobiographical tale is so full of life and feeling that the screen can hardly contain it.
The flow of flashbacks isn't as seamless as it could be. But, as noted, coping with one's past is never as neat as most other movies make it out to be.
For just about every bit that throbs convincingly with the pain of an open wound or the thrill of a newfound love, there's some arty or self-serving flourish that doesn't achieve Montiel's desired effect.
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