Not vintage Coen brothers... but they're still filmmakers to love, even if they sometimes make it increasingly difficult to do so.
A Serious Man (2009)
Tomatometer
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Reviews Counted:159
Fresh:138
Rotten:21
Average Rating:7.8/10
Consensus: Blending dark humor with profoundly personal themes, the Coen brothers deliver what might be their most mature -- if not their best -- film to date.
Rated: 15 [See Full Rating] for language, some sexuality/nudity and brief violence
Genre: Comedies
Theatrical Release:20-11-2009
Synopsis:
Imaginatively exploring questions of faith, familial responsibility, delinquent behavior, dental phenomena, academia, mortality, and Judaism - and intersections thereof - A Serious Man is the new...
Imaginatively exploring questions of faith, familial responsibility, delinquent behavior, dental phenomena, academia, mortality, and Judaism - and intersections thereof - A Serious Man is the new film from Academy Award-winning writer/directors Joel and Ethan Coen.
A Serious Man is the story of an ordinary man's search for clarity in a universe where Jefferson Airplane is on the radio and F-Troop is on TV. It is 1967, and Larry Gopnik (Tony Award nominee Michael Stuhlbarg), a physics professor at a quiet Midwestern university, has just been informed by his wife Judith (Sari Lennick) that she is leaving him. She has fallen in love with one of his more pompous acquaintances, Sy Ableman (Fred Melamed), who seems to her a more substantial person than the feckless Larry. Larry's unemployable brother Arthur (Richard Kind) is sleeping on the couch, his son Danny (Aaron Wolff) is a discipline problem and a shirker at Hebrew school, and his daughter Sarah (Jessica McManus) is filching money from his wallet in order to save up for a nose job.
While his wife and Sy Ableman blithely make new domestic arrangements, and his brother becomes more and more of a burden, an anonymous hostile letter-writer is trying to sabotage Larry's chances for tenure at the university. Also, a graduate student seems to be trying to bribe him for a passing grade while at the same time threatening to sue him for defamation. Plus, the beautiful woman next door torments him by sunbathing nude. Struggling for equilibrium, Larry seeks advice from three different rabbis. Can anyone help him cope with his afflictions and become a righteous person - a mensch - a serious man? --© Focus films
Starring: Michael Stuhlbarg, Fred Melamed, Richard Kind, Aaron Wolf
Starring: Michael Stuhlbarg, Fred Melamed, Richard Kind, Aaron Wolf, Sari Wagner, Jessica McManus
Director: Joel Coen, Ethan Coen
Director: Joel Coen, Ethan Coen
Screenwriter: Joel Coen, Ethan Coen
Producer: Joel Coen, Ethan Coen
Composer: Carter Burwell
Studio: Focus Features
Reviews for A Serious Man
The film is slow-burning and lugubrious but there is some amusement to be found in the parade of eccentric individuals, running jokes and repetitive dream sequences served up to illustrate the fact that life is one big cosmic joke.
The Coen brothers may just have made their masterpiece with this, their 14th feature and yet another hairpin-bend change of direction, which has been their trademark for their entire career.
The film’s potency is rooted in quiet precision and detailed realisation. Roger Deakins’s typically polished photography gives an oppressively hard edge to Midwestern suburbia.
The human comedy as portrayed in this film was never so cruel — or so funny.
Admirably low-key, deeply compelling and their warmest movie since Fargo.
A Serious Man may be the Coens' most personal film, but the humour's too oblique to truly trouble the funnybone.
There’s no real answer given, but then the Coen brothers have never been known as philosophers. They are, however, pretty smart film-makers.
The Coen brothers most personal film to date, a typically shkrewy look at Jewishness that smartly nails the ticky-tackiness of American suburbia in 1967.
For proof of comedy and tragedy’s close relationship, watch this. Larry is essentially having a nervous breakdown yet it’s the Coens’ most humanely funny script in years.
A complex, non-commercial Coen film that strips back the stars for an absorbing, affectionate look at the Bros’ youth.
Admirers of the Coens – including those who have lapsed, like myself – will rejoice in their best film for a long while, and one of their most irreducibly oddball.
Another impudent and exquisitely engineered comedy from Joel and Ethan Coen.
Impressively directed, hugely enjoyable black comedy from the Coen Brothers, with a superb script and a terrific central performance from Michael Stuhlbarg.
A Serious Man feels – initially, at least – like a return to an earlier kind of filmmaking for the Coens.
Euphoric, sad and thoughtful all at once... The Coens have finished the noughties as America's pre-eminent film-makers.
This film is at once laugh-out-loud funny and deeply serious, troubling and satisfying, warm and bleak, both respectful of the Jewish heritage and mocking its restrictions and false comforts.
It's impeccable filmmaking, with the Coens' expert writing, directing and editing enhanced by Roger Deakins' vibrant cinematography.
Possibly the brothers' most consistently amusing film since The Big Lebowski.
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