The ending won't likely come as that much of a surprise to fans of this genre.
Abandon (2002)
Tomatometer
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Reviews Counted:108
Fresh:18
Rotten:90
Average Rating:4.3/10
Consensus: The plotline for Abandon is too disjointed and muddled to offer much in the way of thrills.
Runtime: 1 hr 39 mins
Genre: Dramas
Synopsis: Oscar-winning screenwriter Stephen Gaghan (TRAFFIC) makes his directorial debut with ABANDON, a dense, moody psychological thriller. Loosely based on the book ADAM'S FALL by Sean Desmond, ABANDON... Oscar-winning screenwriter Stephen Gaghan (TRAFFIC) makes his directorial debut with ABANDON, a dense, moody psychological thriller. Loosely based on the book ADAM'S FALL by Sean Desmond, ABANDON tells the troubled story of Katie (Katie Holmes), a college senior who's having a tough time keeping herself focused. She is still struggling with memories of her boyfriend Embry (Charlie Hunnam), who disappeared two years earlier. Her past comes back to haunt her when recovering alcoholic detective Wade Handler (Benjamin Bratt) is assigned to Embry's case. As Katie struggles to finish her thesis and secure a job with a prestigious firm in the city, she must contend with the reappearance of Embry, who seems intent on destroying her life. Gaghan's stylish picture, shot by acclaimed cinematographer Matthew Libatique, owes an obvious debt to classic thrillers from the 1970s (he even goes so far as to have Holmes sing a rendition of the theme to ROSEMARY'S BABY, ala Roman Polanski and his starlet, Mia Farrow). Zooey Deschanel (MUMFORD, THE GOOD GIRL) delivers yet another scene-stealing performance as Katie's snide, sarcastic friend. The film dwells in the murky territory between realistic college drama and abstract psychological thriller, making it an unsettling and suspenseful experience. [More]
Starring: Katie Holmes, Charlie Hunnam, Benjamin Bratt, Zooey Deschanel
Starring: Katie Holmes, Charlie Hunnam, Benjamin Bratt, Zooey Deschanel, Melanie Lynskey, Gabriel Mann, Gabrielle Union, Fred Ward, Will McCormack
Director: Stephen Gaghan, Edward Zwick
Director: Stephen Gaghan
Screenwriter: Stephen Gaghan
Director: Edward Zwick
Producer: Lynda Obst, Gary Barber, Roger Birnbaum
Composer: Clint Mansell
Studio: Paramount Pictures
Reviews for Abandon
The only thing worse than your substandard, run-of-the-mill Hollywood picture is an angst-ridden attempt to be profound.
The movie finally did not satisfy me, and so I cannot recommend it, but there is a lot to praise, beginning with Katie Holmes' performance.
It can't make up its mind whether it's a serious drama, a swoony romance, or a psychological thriller.
Thriller directorial debut for Traffic scribe Gaghan has all the right parts, but the pieces don't quite fit together.
... expands the horizons of boredom to the point of collapse, turning into a black hole of dullness, from which no interesting concept can escape.
You've convinced yourself it's a drama just before the story twists, after which the throwaway 'filler' scenes become conversation points you'll decipher on the way home.
A highly schizophrenic movie that clearly wants to explore the lives of university students under stress their senior year but is forced to do so within a thriller format that requires spooky moments and malevolent ghosts.
Credit this picture with an ambitious effort to dramatize an ineffable yet recognizable mood -- even if its ambition isn't quite fulfilled.
Gaghan never manages to create any significant suspense nor give any of the plot's red herrings enough color to make them worth considering.
Challenging, intermittently engrossing and unflaggingly creative. But it's too long and too convoluted and it ends in a muddle.
Gaghan ... has thrown every suspenseful cliché in the book at this nonsensical story.
Abandon all hope ye who enter here and are hoping to see a good movie - this is not so much a psychological thriller as it is a psychological torture-test of endurance.
Abandon may hide behind an art-house facade, yet it’s really just a standard Hollywood slasher minus the blood. Perhaps a more fitting title for the film would be Urbane Legends.
Gaghan supplies the movie with one good twist, then muffs the delivery with a twitchy flashback/flash-forward story structure.
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