Across the Universe, in which Taymor shoehorns, contorts and otherwise bullies some of the Fab Four's greatest hits into a vapid Hollywood musical, is the kind of project that must have looked great on paper. On screen, eh, not so much.
Across the Universe (2007)
Tomatometer
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Reviews Counted:149
Fresh:80
Rotten:69
Average Rating:5.8/10
Consensus: Psychedelic musical numbers can't mask Across the Universe's clichéd love story and uninteresting characters.
Theatrical Release:28-09-2007
Synopsis: The Beatles' songs may have provided the soundtrack for the lives of those coming of age in the 1960s, but their extensive catalogue acts as the literal soundtrack in this romantic musical from... The Beatles' songs may have provided the soundtrack for the lives of those coming of age in the 1960s, but their extensive catalogue acts as the literal soundtrack in this romantic musical from visionary director Julie Taymor. Newcomer Jim Sturgess stars as Jude, a young man working on the docks in Liverpool. Eager to escape, he travels to Princeton where he meets Max (Joe Anderson). But it's his meeting with Max's younger sister Lucy (Evan Rachel Wood) that changes him. They quickly fall in love, but their relationship is tested by the chaos of the late 1960s and Max's unwilling tour in Vietnam. Throughout the film, characters burst into classics from the Beatles: frat boys sing "With a Little Help from My Friends," while Uncle Sam bursts from a recruitment poster with strains of "I Want You (She's So Heavy)." U2's Bono makes a cameo as a counterculture leader and croons "I Am the Walrus," and actor-comedian Eddie Izzard provides a trippy rendition of "Being for the Benefit of Mr. Kite." Sturgess has the voice, charm, and good looks to fill Shea Stadium with hordes of screaming young women. As Jude, he's earnest and certainly capable of carrying the film. Wood capably balances Lucy's naiveté and knowledge, easily moving between her love for Jude and her passion for her cause. Though the performances are strong, it's Taymor's gifted direction that makes ACROSS THE UNIVERSE so fascinating to watch. As in FRIDA and Broadway's THE LION KING, she proves herself an artist with creativity few can match. Director of photography Bruno Delbonnel also deserves praise for his contribution to the striking visuals. He has worked with Jean-Pierre Jeunet on AMELIE and A VERY LONG ENGAGEMENT, and he brings the same sense of romance and whimsy to this unique musical. [More]
Starring: Jim Sturgess, Evan Rachel Wood, Joe Anderson, Dana Fuchs
Starring: Jim Sturgess, Evan Rachel Wood, Joe Anderson, Dana Fuchs, Martin Luther McCoy, Bono, Eddie Izzard, Salma Hayek
Director: Julie Taymor
Director: Julie Taymor
Screenwriter: Dick Clement, Ian La Frenais
Story: Julie Taymor, Dick Clement, Ian La Frenais
Producer: Suzanne Todd, Jennifer Todd, Matthew Gross
Composer: Elliot Goldenthal
Studio: Columbia Pictures
Reviews for Across the Universe
If you can get past its relatively minor failings, it's hard not to be seduced by the big heart of this chaotic, colorful movie.
There's so much to like, even love, about Across the Universe that you're even more exasperated about its faults.
Across the Universe feels like something entombed on Broadway, made to instruct bored tourists while grasping after Importance. It’s an anomalous musical epic: a Pop movie without the excitement of pop.
As Beatles tunes are turned into schmaltzy goo, you'll learn nothing about Vietnam, hate the Fab Four, and still have no clue what it means to be an eggman or a walrus.
After Hair, Hairspray and the mass marketing of tie-dye, can the ’60s be shrunk to fit any further? Yes, indeed.
Despite the film's coda, the classic All You Need Is Love, you'll need more than love--like patience and tolerance-- for Taymor's overlong (133 minutes), self-indulgent, excessively stylized musical collage, hampered by generic and banal narrative.
One could never argue that Across the Universe isn't ambitious. However, like many ambitious movies, this one fails spectacularly.
A lush, interesting mix of media - song, old-school psychedelic effects, acting & dance. It's a musical tribute to Rock's most loved British band that plays out in America.
Julie Taymor has delivered an audacious, idiosyncratic creation that plays like a riff on Hair with Fab Four cachet, stretching a thin love story across one tumultuous decade.
Across the Universe would make for a much stronger picture if Taymor had worked from a better dramatic script, one that fleshed out the characters and made them a distinguishing force out to make history, like the Beatles themselves.
While it's overlong and not without problems, there can be no denying that Taymor has made an impressive, distinctive and unforgettable contribution to the musical genre.
Taymor's signatures are visible throughout, but she is clearly trying hard to gussy up a screenplay that plays more like The Wonder Years without the cultural insight.
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