Typically dense and complex drama from Atom Egoyan that's as satisfying as completing a jigsaw puzzle.
Adoration (2009)
Tomatometer
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Reviews Counted:72
Fresh:50
Rotten:22
Average Rating:6.5/10
Consensus: A complex and thought-provoking work, Atom Egoyan's Adoration works well as both mystery and engaging drama.
Runtime: 1 hr 41 mins
Genre: Dramas
Synopsis: Canadian filmmaker Atom Egoyan has spent most of his career exploring themes of identity and perception, and he returns to this territory again in ADORATION. Simon (Devon Bostick) is a bright... Canadian filmmaker Atom Egoyan has spent most of his career exploring themes of identity and perception, and he returns to this territory again in ADORATION. Simon (Devon Bostick) is a bright high-school student who lives with his uncle, Tom (Scott Speedman), following the death of his parents, Rachel (Rachel Blanchard) and Sami (Noam Jenkins). When Simon visits Rachel’s dying father, he learns that Sami may have killed himself and Rachel by deliberately crashing their car. In Simon’s high school, his French and drama teacher, Sabine (Arsinee Khanjian), reads a story about a terrorist who tried to blow up an airplane by planting a bomb in his girlfriend’s luggage. Simon claims the story is about his parents, telling the whole school that his father placed a bomb that failed to detonate in his mother’s carry-on. Sabine suddenly becomes close to Simon, while debate about his father’s actions lights up the school, with Egoyan carefully steering his film in several unexpected directions. Egoyan is a master storyteller who knows exactly how to subtly manipulate the timeline of ADORATION to keep his audience on their toes. The truth behind the death of Simon’s parents slowly unravels as the film progresses, and the juxtaposition in values between Simon and Tom is thoroughly examined. Egoyan cleverly uses Simon’s obsession with Internet chatrooms to give insight into the escalation of interest in his false declaration about his parents’ past, but he is always painted as a sympathetic character whose fantasy life has toppled over into reality as he struggles to come to terms with a terrible tragedy. Bostick’s performance as Simon is exceptional and thoroughly convincing, and pushes ADORATION toward the heady heights of Egoyan’s best work in EXOTICA (1994) and THE SWEET HEREAFTER (1997). [More]
Starring: Devon Bostick, Arsinee Khanjian, Scott Speedman, Rachel Blanchard
Starring: Devon Bostick, Arsinee Khanjian, Scott Speedman, Rachel Blanchard, Noam Jenkins, Yuval Daniel, Jeremy Wright, Thomas Hauff
Director: Atom Egoyan
Director: Atom Egoyan
Screenwriter: Atom Egoyan
Producer: Atom Egoyan
Composer: Mychael Danna
Studio: Sony Pictures Classics
Reviews for Adoration
With his usual themes of memory and technology, Egoyan tells a provocative and deeply emotional story that centres on current issues. It's a little heavy handed, but still thoroughly involving.
The stories here are thin, unnecessarily complicated and glibly cryptic; some sections are difficult to follow, even annoying in their self-consciousness.
As for Mr. Egoyan, he remains an auteur at the highest level of cinematic creation, and even one of his lesser films, like Adoration, deserves to be seen.
An intelligent, well-nuanced and provocative drama that maintains its gradual suspense and intrigue throughout.
Egoyan is always in complete control of the material, letting us know details only when he chooses to reveal them and only when it serves the right purpose in the timeline of his story.
Adoration's ending may feel a little too artificial, a little too idealistic, but there is still something lovely about where these people end up.
Egoyan's pacing is careful, deliberate, as it must be, because he's pulling together a complex tale, playing with time to reveal details piece by piece.
I'm always going to be something of an apologist for a filmmaker like Egoyan, someone so true to his characters and his concepts that he sometimes doesn't know how to manage them into a completely successful screenplay.
Egoyan draws strong performances from the entire cast, including a solid performance from Scott Speedman, sporting a heavy beard, as the uncle raising the orphaned Simon, a sort of everyman embodying Western liberalism who is flawed by his own insularity.
Best you "feel" the film as it presents itself. Then engage it intellectually. That is what an Egoyan film is all about.
Bostick turns in a quietly mesmerizing performance, capturing Simon's sense of loss without slipping into pathos.
Moody, provocative and intellectually ambitious, Adoration is primed to elicit impassioned discussion among audiences.
As with all of Egoyan's films, "Adoration" is a forward-thinking exploratory work of cinema meant to invigorate audiences into social discussions beyond its narrative structure.
Adoration is a delicate rumination on how innocence and truth evolve in the aftermath of catastrophe, as people stake emotional ownership in tragedy.
...ultimately overcomes an almost disastrously plodding opening half hour to become a slight yet somewhat engaging piece of work.
Celebrated Canadian filmmaker Atom Egoyan ingeniously merges themes of family history, human psychology, politics, prejudice, terrorism and technology into an intriguing and intelligent drama that also works as a mystery.
After some artistic and commercial flops, Egoyan is back on terra firma with a film that explores a central theme of his work, the impact of the media and technology on our interpersonal communication and formation of identities that are always frail.
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