The stories here are thin, unnecessarily complicated and glibly cryptic; some sections are difficult to follow, even annoying in their self-consciousness.
Adoration (2009)
Tomatometer
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Reviews Counted:72
Fresh:50
Rotten:22
Average Rating:6.5/10
Consensus: A complex and thought-provoking work, Atom Egoyan's Adoration works well as both mystery and engaging drama.
Runtime: 1 hr 41 mins
Genre: Dramas
Synopsis: Canadian filmmaker Atom Egoyan has spent most of his career exploring themes of identity and perception, and he returns to this territory again in ADORATION. Simon (Devon Bostick) is a bright... Canadian filmmaker Atom Egoyan has spent most of his career exploring themes of identity and perception, and he returns to this territory again in ADORATION. Simon (Devon Bostick) is a bright high-school student who lives with his uncle, Tom (Scott Speedman), following the death of his parents, Rachel (Rachel Blanchard) and Sami (Noam Jenkins). When Simon visits Rachel’s dying father, he learns that Sami may have killed himself and Rachel by deliberately crashing their car. In Simon’s high school, his French and drama teacher, Sabine (Arsinee Khanjian), reads a story about a terrorist who tried to blow up an airplane by planting a bomb in his girlfriend’s luggage. Simon claims the story is about his parents, telling the whole school that his father placed a bomb that failed to detonate in his mother’s carry-on. Sabine suddenly becomes close to Simon, while debate about his father’s actions lights up the school, with Egoyan carefully steering his film in several unexpected directions. Egoyan is a master storyteller who knows exactly how to subtly manipulate the timeline of ADORATION to keep his audience on their toes. The truth behind the death of Simon’s parents slowly unravels as the film progresses, and the juxtaposition in values between Simon and Tom is thoroughly examined. Egoyan cleverly uses Simon’s obsession with Internet chatrooms to give insight into the escalation of interest in his false declaration about his parents’ past, but he is always painted as a sympathetic character whose fantasy life has toppled over into reality as he struggles to come to terms with a terrible tragedy. Bostick’s performance as Simon is exceptional and thoroughly convincing, and pushes ADORATION toward the heady heights of Egoyan’s best work in EXOTICA (1994) and THE SWEET HEREAFTER (1997). [More]
Starring: Devon Bostick, Arsinee Khanjian, Scott Speedman, Rachel Blanchard
Starring: Devon Bostick, Arsinee Khanjian, Scott Speedman, Rachel Blanchard, Noam Jenkins, Yuval Daniel, Jeremy Wright, Thomas Hauff
Director: Atom Egoyan
Director: Atom Egoyan
Screenwriter: Atom Egoyan
Producer: Atom Egoyan
Composer: Mychael Danna
Studio: Sony Pictures Classics
Reviews for Adoration
Typically dense and complex drama from Atom Egoyan that's as satisfying as completing a jigsaw puzzle.
With his usual themes of memory and technology, Egoyan tells a provocative and deeply emotional story that centres on current issues. It's a little heavy handed, but still thoroughly involving.
Egoyan will continue to make some of this generation's most provocative and enduring films; Adoration just isn't one of them.
When all is revealed at the end, it becomes obvious Egoyan has cheated audiences with a batch of fake clues and false paths.
A stylish film with a solid cast and equally solid acting. But it feels like an exercise film, the kind of filmic monologue one might produce for an assignment not unlike the story that the young hero concocts.
As thoughtful, calculated, somber and cold as a heavily footnoted term paper...
Egoyan’s ham-fisted commentaries on religion, terrorism and xenophobia are so needy they make Crash perpetrator Paul Haggis look subtle.
The time-jumping narrative and self-consciously somnambulant mood undermine the writer-director’s zeitgeist-inspired thesis.
Once all the pieces of the story are assembled, the whole thing turns out to be not that big of a deal.
Adoration may be driven by Egoyan's usual weighty concerns, but too often it operates on cruise control.
The movie's fractured structure and contrived subplots obscure a potentially affecting story and do nothing to advance the debate on any of its incendiary issues.
Whatever mystery is here is not a function of the story but of how Egoyan chooses to tell the story. Once all is revealed, the reaction is, 'So what?'
Steeped in relentless (and often clumsy) symbolism, and hamstrung by a frustratingly disjointed narrative, it's puzzling for all the wrong reasons.
Atom Egoyan's latest glum puzzle is a meditation on post-9/11 hysteria, but it's too much 'What's the meaning of terrorism?' cud chewing too late.
Because of the allegorical nature of its people, "Adoration" never fully brings them to life – especially, and most crucially, Simon and Sabine. They are mouthpieces before they are human beings.
This is one of those films that isn't nearly as interesting as the conversations that it may inspire.
After a promising start, this ambitious but ultimately clunky and unwieldy movie dissolves into a pile of ideas in dire need of dramatization.
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