The camera drools over each titilating catfight and gazelle-like leap.
Aeon Flux (2005)
Tomatometer
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Reviews Counted:98
Fresh:10
Rotten:88
Average Rating:3.3/10
Consensus: Aeon Flux lacks the gravity-defying pace of its animated predecessor, and, despite some flash, is largely a dull affair.
Runtime: 1 hr 33 mins
Genre: Science-Fiction/Fantasy
Synopsis: Karyn Kusama, the writer-director of GIRLFIGHT, the story of a tough female boxer, turns her attentions to a tough female superhero in AEON FLUX. Based on a series of animated shorts that aired on... Karyn Kusama, the writer-director of GIRLFIGHT, the story of a tough female boxer, turns her attentions to a tough female superhero in AEON FLUX. Based on a series of animated shorts that aired on MTV, the live-action feature film version stars Charlize Theron, in jet black hair, as the secret agent of the title. Aeon Flux is a Monican who has been ordered to assassinate Trevor Goodchild (Martin Csokas), the leader of Bregna--a futuristic walled city that is the last vestige of humanity on 25th-century earth. But a long-buried memory prevents her from killing him, ultimately making both of them targets. As Trevor battles his brother, Oren (Jonny Lee Miller), for control of Bregna, Aeon seeks revenge for the murder of her sister (Amelia Warner) while also being hunted down by her former partner, Sithandra (Sophie Okonedo). At the center of it all is a secret that threatens to tear everything apart. Theron, who performed most of her own stunts, glides through the film in barely-there outfits, while also jumping, running, slinking, diving, and cartwheeling her way through dangerous situations, recalling the gorgeous movements made by the animated version. The film alternates between stark gray-and-white sets and brilliant splashes of red, green, and yellow, adding a vibrancy that befits a cartoon adaptation. The taut script, by Phil Hay and Matt Manfredi (who previously teamed up on CRAZY/BEAUTIFUL), delves deep into the relationships of siblings that often border between love and hate. Graeme Revell's smart score never overwhelms the action, which involves a lot of automatic weapons, and Oscar winner Frances McDormand and Oscar nominee Pete Postlethwaite feature in small roles. [More]
Starring: Charlize Theron, Marton Csokas, Jonny Lee Miller, Sophie Okonedo
Starring: Charlize Theron, Marton Csokas, Jonny Lee Miller, Sophie Okonedo, Frances McDormand, Pete Postlethwaite, Amelia Warner, Caroline Chikezie, Nikolai Kinski
Director: Karyn Kusama
Director: Karyn Kusama
Screenwriter: Matt Manfredi, Phil Hay
Composer: Reinhold Heil, Johnny Klimek
Studio: Paramount Pictures
Reviews for Aeon Flux
The telling of this story is rather dull and lifeless; the film is full of rote combat sequences and no real sense of danger or adventure.
A slick-looking action movie with too much exposition and a weighty, pretentious tone.
Sometimes the film looks a little silly and the high hopes we had of talented director Karyn Kusama of Girlfight fame, are not realised. The end result is a film that verges on boring.
Aeon Flux es el último blockbuster de la esperada temporada navideña y resulta sin embargo, tan sólo un filme palomero de fin de semana.
The bright, retro-futuristic Pop Art production design matches the 1970s 'THX-1138' values of a story that suggests freedom can be found within the natural world that lies outside our technological cocoons.
There is something particularly ghastly about a bad science fiction movie
Aeon Flux is not a instant classic or a pants-wettingly exciting adaptation of a forgotten graphic novel, but it is also not a Catwomanesque career killer nor a wasted 93 minutes.
...sci-fi jolting gibberish. Did we already mention witnessing Theron in skin-hugging get-ups acting like a curvaceous contortionist experiencing PMS?
If the film proves anything, it’s that what made Aeon Flux compelling and special as an animated series had everything to do with the medium and the freedom Chung was given to shape the story as he pleased.
While its heart is in the right place, Aeon Flux’s head is just a little too high to make much sense.
Theron makes a mark in the video game action flick genre with this, and thereby widens her portfolio. As though she needed to.
The enormous, and probably impossible, amount of style and wit required to resuscitate the original cartoon into something with real faces, bodies, gravity, and locations is beyond Kusama.
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