The book-within -the-film is a bad light comedy inside another bad light comedy.
Alex and Emma (2003)
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Reviews Counted:129
Fresh:14
Rotten:115
Average Rating:3.8/10
Consensus: A dull and unfunny comedy where the leads fail to generate any sparks.
Runtime: 1 hr 36 mins
Genre: Comedies
Synopsis: "Adam Shipley had given up on love. Art was to be his mistress. And so it was that in the summer of 1924, he took a sabbatical from Andover to write, if not the Great American Novel, certainly... "Adam Shipley had given up on love. Art was to be his mistress. And so it was that in the summer of 1924, he took a sabbatical from Andover to write, if not the Great American Novel, certainly something that would make the world sit up and take notice." Alex Sheldon (LUKE WILSON) is an author whose writer's block is the least of his problems - he also happens to be flat broke and owes Cuban loan sharks $100,000. After hanging him out the window and destroying his laptop computer, the thugs give Alex an ultimatum: pay up in 30 days or wind up dead. The only way Alex is going to get that kind of money is by finishing his novel, which is currently less than one sentence long. He's got some idea of what he wants the story to be; as he puts it, "It's about the powerlessness of being in love, how it devours the insides of a person like a deadly virus. It's a comedy." He just can't seem to get it out onto paper. Now lacking both inspiration and a laptop, Alex secures the services of opinionated stenographer Emma Dinsmore (KATE HUDSON) to help him complete the novel and get paid by his publisher in time to save his skin. The story of Adam Shipley (also portrayed by LUKE WILSON) soon begins to emerge. The fictional Adam is a romantic young writer who has been hired to tutor the children of Polina Delacroix (SOPHIE MARCEAU), a chic, gorgeous French woman in dire financial straits. The story that reveals itself is of the obsessive love that Adam develops for Polina while ignoring the potential for true love with Polina's au pair, known in successive incarnations as the stern Swede Ylva, Elsa the bawdy German, Eldora the Spanish beauty and down-to-earth American Anna, (all played by KATE HUDSON). Meanwhile, Alex and Emma spend their days and nights working together on the novel. Emma challenges his ideas at every turn, and her initially irritating but undeniably intriguing input begins to influence Alex and his story. Soon, real life begins to imitate art, and art, to imitate life. [More]
Starring: Luke Wilson, Kate Hudson, David Paymer, Sophie Marceau
Starring: Luke Wilson, Kate Hudson, David Paymer, Sophie Marceau
Director: Rob Reiner
Director: Rob Reiner
Screenwriter: Jeremy Leven
Producer: Rob Reiner, Alan Greisman, Todd Black, Elie Samaha
Composer: Marc Shaiman
Studio: Warner Bros.
Reviews for Alex and Emma
[The film] fails despite Kate Hudson's tinkling laugh and Luke Wilson's likably laconic presence.
Alex & Emma is interesting in fits and starts, but it's too sluggish and convoluted to really keep up with its premise.
Watching Wilson and Hudson toil thanklessly through this mess is more laborious than writing the Great American Novel. And a lot less lucrative.
Like Alex's work in process, which tries to portray the powerlessness of being in love, this film romance only succeeds in relaying a poor version of a tired old love story.
Imitating that life, Alex & Emma is more artifice than art. But chemistry is the key to a romantic comedy, and this one has enough to unlock guarded hearts.
It's a little like Adaptation, but with the contemporary fashion for romantic comedies with a deadline.
Insomniacs in search of a solid two-hour nap should greet the arrival of Alex & Emma with some enthusiasm. All others will want to diligently avoid this film.
A romantic comedy so desperately unfunny that you have to wonder whether [Reiner] can ever recover from it.
Alex & Emma has trouble overcoming the badness of the novel at the center of its story. It doesn't help that the movie declares it a literary success.
An inoffensive movie with appealing leads and a handful of decent laughs, but like Hudson's hair, it's obviously contrived and drab.
Alex and Emma is a film for people who haven't been to the movies since the silent era.
By exposing the inanity of most romantic comedies ..., it's possible some inventive writer will be inspired to explode the formula and try something different. Possible, but not bloody likely.
Top to bottom, this is made from the Romantic Comedy Template. The problem is, it’s JUST the template, with most of the blanks left unfilled.
. . . a death rattle for movies that emulate Woody Allen’s formula but slip in and out of theatres without the twinge of emotional resonance that the master seemed to effortlessly evoke.
Alex & Emma could have been a contender, instead of a drag, which it is.
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