After a shaky start, Wilson and Hudson manage to inject some charm into the proceedings, but "Alex & Emma" is a very slight affair
Alex and Emma (2003)
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Reviews Counted:129
Fresh:14
Rotten:115
Average Rating:3.8/10
Consensus: A dull and unfunny comedy where the leads fail to generate any sparks.
Runtime: 1 hr 36 mins
Genre: Comedies
Synopsis: "Adam Shipley had given up on love. Art was to be his mistress. And so it was that in the summer of 1924, he took a sabbatical from Andover to write, if not the Great American Novel, certainly... "Adam Shipley had given up on love. Art was to be his mistress. And so it was that in the summer of 1924, he took a sabbatical from Andover to write, if not the Great American Novel, certainly something that would make the world sit up and take notice." Alex Sheldon (LUKE WILSON) is an author whose writer's block is the least of his problems - he also happens to be flat broke and owes Cuban loan sharks $100,000. After hanging him out the window and destroying his laptop computer, the thugs give Alex an ultimatum: pay up in 30 days or wind up dead. The only way Alex is going to get that kind of money is by finishing his novel, which is currently less than one sentence long. He's got some idea of what he wants the story to be; as he puts it, "It's about the powerlessness of being in love, how it devours the insides of a person like a deadly virus. It's a comedy." He just can't seem to get it out onto paper. Now lacking both inspiration and a laptop, Alex secures the services of opinionated stenographer Emma Dinsmore (KATE HUDSON) to help him complete the novel and get paid by his publisher in time to save his skin. The story of Adam Shipley (also portrayed by LUKE WILSON) soon begins to emerge. The fictional Adam is a romantic young writer who has been hired to tutor the children of Polina Delacroix (SOPHIE MARCEAU), a chic, gorgeous French woman in dire financial straits. The story that reveals itself is of the obsessive love that Adam develops for Polina while ignoring the potential for true love with Polina's au pair, known in successive incarnations as the stern Swede Ylva, Elsa the bawdy German, Eldora the Spanish beauty and down-to-earth American Anna, (all played by KATE HUDSON). Meanwhile, Alex and Emma spend their days and nights working together on the novel. Emma challenges his ideas at every turn, and her initially irritating but undeniably intriguing input begins to influence Alex and his story. Soon, real life begins to imitate art, and art, to imitate life. [More]
Starring: Luke Wilson, Kate Hudson, David Paymer, Sophie Marceau
Starring: Luke Wilson, Kate Hudson, David Paymer, Sophie Marceau
Director: Rob Reiner
Director: Rob Reiner
Screenwriter: Jeremy Leven
Producer: Rob Reiner, Alan Greisman, Todd Black, Elie Samaha
Composer: Marc Shaiman
Studio: Warner Bros.
Reviews for Alex and Emma
While it's no When Harry Met Sally, it is a nice return to the genre by director Rob Reiner.
Though it is arguably Reiner's least grotesque film of the last decade, it seems the work of a director in absentia.
This is a warmed-over, low-end recycling of director Rob Reiner's own When Harry Met Sally.
The movie works. Well, it does for me. And, I suspect, it will for anyone who isn't looking for Dostoevsky.
So precise a distillation of genre cliché that it's at once dada and military.
After wishing I could claw my eyes out through How to Lose a Guy in 10 Days and now Alex and Emma...if I never see another Kate Hudson movie it will be too soon.
Could almost be a Mad TV parody of a god-awful modern romantic comedy.
Wilson and Hudson can two-step with the best of them, but the music they sway to is repetitive and indistinguishable, a tune heard in countless romantic comedies of the past.
Wilson does his best work ever, and Hudson is her usual charming self.
Mildly clever climactic twist is bogged down by fifteen superfluous minutes of desperate bathetic slush that kills the flow.
The overall effect is not unlike watching a film with the DVD commentary track already incorporated into the script.
Saved from being mere fluff by the smooth transitions from the present to 1924 and back.
Pairing two bankable actors as likable Kate Hudson and Luke Wilson in a romantic comedy would seem like a recipe for success, but the end result proves to be a dull, draggy disappointment.
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