Andre Téchiné extracts superb performances and finds drama in the everyday moments of human interaction.
Alice et Martin (1998)
Genre: Foreign Films
Starring: Juliette Binoche, Alexis Loret, Mathieu Amalric, Carmen Maura, Marthe Villalonga
Screenwriter: André Téchiné, Gilles Taurand, Olivier Assayas
Producer: Alain Sarde
Composer: Philippe Sarde
Reviews
For all the increasing sophistication of Téchiné's technique, the emotions he deals with are basic, and all the more powerful for it.
With his thirteenth feature, André Téchiné conducts a masterly dissection of male hysteria.
Low key and curiously devoid of thematic density, this is confident, but rather soulless film-making.
This staid, somber film is heartening proof that what doesn't kill us might indeed make us stronger.
An involving love story between two emotionally damaged outsiders.
The sheer neurotic intensity of Techine's characters -- characteristically stretching both backward and forward in time, as in a Faulkner novel--holds one throughout, as does Techine's masterful direction and many of the other performances.
Alice and Martin is not to be missed, particularly in this endless lull of summer.
Binoche’s character is sketchily drawn. Although she gives an admirable, unshowy performance, her role is underwritten, with the script frequently using her as the engine that propels the plot.
The movie is long, but doesn't feel that way, and despite a dearth of interesting visuals after the first 20 minutes, it makes for a welcome change of pace from Hollywood
Director André Téchiné here eschews that French lightness and opts instead for what is apparently supposed to pass for psychological profundity.
This long-winded, uninteresting, uninvolving and tedious French pic is another example of a filmmaker (Andre Techine) who's too involved with one of his cast members


Top Critic