The rich visual texture, using glorious Technicolor, and a soaring emotional score lend what is essentially a thin story a kind of epic tension.
All That Heaven Allows (1955)
Tomatometer
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Reviews Counted:26
Fresh:24
Rotten:2
Average Rating:7.6/10
Runtime: 89 mins
Genre: Dramas
Synopsis: In ALL THAT HEAVEN ALLOWS, Douglas Sirk's haunting suburban morality play, Jane Wyman plays Cary Scott, a wealthy middle-aged widow in love with a younger man considered by those around her to be... In ALL THAT HEAVEN ALLOWS, Douglas Sirk's haunting suburban morality play, Jane Wyman plays Cary Scott, a wealthy middle-aged widow in love with a younger man considered by those around her to be far below her social standing. Her torrid affair with Ron Kirby (Rock Hudson), a handsome, earthy gardener, quickly creates unbearable societal pressure for Cary. Giving in to the scathing criticism of her stodgy neighbors and her materialistic children, Cary severs contact with Ron. She then discovers--perhaps too late--that her heart cannot be so easily caged. Wyman delivers a strong, emotive performance, and Hudson smolders as her feverish romantic interest. ALL THAT HEAVEN ALLOWS, marked by Sirk's distinctive, lavish visual style, stands as a searing example of how materialism can result in alienation from natural feelings. The film was remade in 1974 with additional interracial themes by German director (and unabashed Sirk fan) Rainer Werner Fassbinder as ALI: FEAR EATS THE SOUL; and later paid homage by Todd Haynes in his 2002 reworking FAR FROM HEAVEN. [More]
Starring: Jane Wyman, Rock Hudson, Agnes Moorehead, Conrad Nagel
Starring: Jane Wyman, Rock Hudson, Agnes Moorehead, Conrad Nagel, Virginia Grey, Gloria Talbott
Director: Douglas Sirk
Director: Douglas Sirk
Producer: Ross Hunter
Composer: Frank Skinner, Joseph Gershenson
Reviews for All That Heaven Allows
Romance novel in narrative this transcends its genre with visual depth and perceptive socio-cultural insights.
Beneath the stunningly lovely visuals -- all expressionist colours, reflections, and frames-within-frames, used to produce a precise symbolism -- lies a kernel of terrifying despair
While the stars deliver performances in Heaven that are graceful enough to carry the film, the rest of this love story just sort of, um, lies there.
Solid and sensible drama plainly had to give way to outright emotional bulldozing and a paving of easy clichés.
A masterpiece (1955) by one of the most inventive and recondite directors ever to work in Hollywood, Douglas Sirk.
The enjoyability of All That Heaven Allows is hampered by the fact that there's no real plot here.
After seeing Sirk's disturbing film, it makes one wonder why any sensitive person would have wanted to live in an American small town in the 1950s.
When Carey (Jane Wyman) first visits the Andersons, friends of Ron (Rock Hudson), Thoreau's Walden is placed on the table. She then reads a passage in which he describes the "mass of men living lives of quiet desperation," a summation of her life.
Sirk handles all of this in both a delicate and a heavy-handed manner that are oddly complementary
'Time, if anything, will vindicate Douglas Sirk,' wrote Andrew Sarris in 1968. He was right.
Sirk’s film is filled with such satirical barbs at the American rat race, and horrifyingly enough, most of his attacks feel unusually prescient.
An example of a seemingly innocuous, mainstream movie having serious social criticism -- even subversion -- at its heart.
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