A perfect example of Godard shaking up convention and exploring new ways of making cinema, Alphaville is challenging in places and thematically familiar in others.
Alphaville (1965)
Tomatometer
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Reviews Counted:23
Fresh:20
Rotten:3
Average Rating:8/10
Consensus: While Alphaville is by no means a conventional sci-fi film, Jean-Luc Godard creates a witty, noir-ish future all his own.
Runtime: 1 hr 40 mins
Genre: Science-Fiction/Fantasy
Synopsis: With 1965's ALPHAVILLE--part sci-fi action film, part noir thriller--the acclaimed French New Wave director Jean-Luc Godard achieves a stunningly clinical futurism using absolutely no special... With 1965's ALPHAVILLE--part sci-fi action film, part noir thriller--the acclaimed French New Wave director Jean-Luc Godard achieves a stunningly clinical futurism using absolutely no special visual effects. The result is a moving, original film that, with its abstract, political, and intellectual themes, essentially redefines the apocalyptic science fiction genre. ALPHAVILLE, clearly the product of one of cinema's greatest contributors, is nothing less than a bona fide cult classic. A bizarre space-chase across a glass and metal landscape of futuristic Paris--here called Alphaville--is the movie's premise. Creating a dystopian "tomorrow" characterized by alienation and cold corporate comforts, Godard slyly suggests that the future is now. Secret agent man Lemmy Caution (Eddie Constantine) travels across the expanses of intergalactic space and time to uncover the fate of his missing predecessor. Working under the alias of Ivan Johnson, Caution is accompanied in his quest by the lovely Natasha Vonbraun (Anna Karina), the daughter of a supposedly missing professor. Caution later discovers that the elder Vonbraun is the mastermind behind Alpha 60--the rigid, masterful computer that governs Alphaville. Alpha's job is to crush individuality, eradicating any human being who does not conform. Ultimately, Lemmy is left with no other choice but to destroy the calculating chip-and-wire monolith, with the only weapons he has left: his heart and soul. [More]
Starring: Eddie Constantine, Anna Karina, Akim Tamiroff, Howard Vernon
Starring: Eddie Constantine, Anna Karina, Akim Tamiroff, Howard Vernon, Laszlo Szabo
Director: Jean-Luc Godard
Director: Jean-Luc Godard
Screenwriter: Jean-Luc Godard
Producer: Andre Michelin
Composer: Paul Misraki
Reviews for Alphaville
One of Godard's most sheerly enjoyable movies, a dazzling amalgam of film noir and science fiction.
Godard's avoidance of conventional science fiction architecture, in favour of what was actually available within Paris 1965, is his way of commenting on the city, what it was doing to its inhabitants, and what they were in danger of becoming.
It remains an outstanding example of the filmmaker's power to transform an environment through the selection of detail: everything in it is familiar, but nothing is recognizable.
Mr. Godard's conclusion that love -- good old love -- conquers all is a curiously disappointing finish for such an initially promising film.
This cold war allegorical sci-fi film is imaginatively made and proves that sometimes the most mundane images can become dazzling in the right context.
It works both as a philosophical treatise on politics and film as well as an entertaining and often amusing look at a future overrun by technology.
A poetic, funny, and visually inspired blend of sci-fi, detective-film satire, and political allegory.
Esta fascinante mistura de noir, 1984 e Admirável Mundo Novo filosofa, como Solaris faria sete anos depois, sobre a natureza do homem e suas contradições.
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