Recalling Reservoir Dogs and Pulp Fiction - but edgier than both - this is a hell of a first film. For all its bonecrunching savagery, it's also a fundamentally moral work.
Amores Perros (2001)
Genre: Dramas
Starring: Gael Garcia Bernal, Emilio Echevarria, Goya Toledo, Alvaro Guerrero, Vanessa Bauche
Screenwriter: Guillermo Arriaga Jordan
Composer: Gustavo Santaolaya
DVD Info
Release:
Jun 2, 2004
DVD Features:
- Region 1
- Keep Case
- Widescreen
Audio:
- Dolby Digital 5.1 - Spanish
- Dolby Digital Stereo - English
- Dolby Digital 2.0 - French
Additional Release Material:
- Audio Commentary - 1. Production
- Featurettes (2)
- Music Videos (3)
Interactive Features:
- Interactive Menus
- Scene Selection
Text/Photo Galleries:
- Storyboards
Reviews
Astonishingly powerful debut film from director Inarritu - brilliantly shot, superbly acted and deeply heartfelt, this is one of the best films of the year.
A stunningly made film, raw and authentic, with the ability to get way under the skin.
An ambitious multi-plotted portrait of overlapping lives in contemporary Mexico City, Amores perros rarely relaxes its grip.
This is first-rate filmmaking, horrific and tender, raw and lyrical.
The structure lacks purpose, the film struggles to justify its two-and-a-half-hour running time and the faint-hearted might find it a little gory.
... it is a hyperviolent movie against violence; a graphic portrayal of infidelity in the name of marriage; a tale of murderous sibling rivalry in the name of family.
Amores Perros signals the bold, audacious, fiercely human and ultra-violent feature directorial debut of Inarritu, a gifted Mexican director bound to make a mark on international cinema.
Gonzalez Inarritu's sinfully enjoyable epic roars in on a wave of blood, gunshots and dog barks.
One of the most honored and most expertly articulated Mexican films of recent years.
It is that rarest of features that shows a deep understanding of people, truly cinematic storytelling technique and brilliantly choreographed fight and chase scenes.
A harrowing, powerful and often disturbing movie about three seemingly unrelated stories that collide after one horrific car accident in Mexico City.
Seemingly uneven, Questionably overlong, Indisputably intriguing
That rarest of features that shows a deep understanding of people, truly cinematic storytelling technique and brilliantly choreographed fight and chase scenes.
It is a raw, intermittently brilliant film that heralds a sort of renaissance in Mexican film.
It's good and good-looking and features one of the best soundtracks in years ... but it's also slick and schematic, weak on feeling and overly indebted to Tarantino.
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