Wears its influences...a little too heavily on its sleeve. But it does effectively convey a lingering sense of dread that can't be easily dismissed.
Anamorph (2008)
Tomatometer
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Reviews Counted:25
Fresh:6
Rotten:19
Average Rating:4.5/10
Consensus: Thin on plot but heavy on academic references, Anamorph proves more derivative than terrifying.
Runtime: 1 hr 43 mins
Genre: Dramas
Synopsis: Willem Dafoe (THE ENGLISH PATIENT) plays an NYPD detective who grapples with a string of unusual serial murders, perpetrated by a killer who fashions himself an artist. As the detective... Willem Dafoe (THE ENGLISH PATIENT) plays an NYPD detective who grapples with a string of unusual serial murders, perpetrated by a killer who fashions himself an artist. As the detective investigates the brilliantly composed crime scenes, he draws closer to a mystery that may end up implicating himself. H.S. Miller wrote and directed this moody psychological thriller. [More]
Starring: Willem Dafoe, Scott Speedman, Peter Stormare, Clea DuVall
Starring: Willem Dafoe, Scott Speedman, Peter Stormare, Clea DuVall, James Rebhorn, Amy Carlson
Director: H.S. Miller
Director: H.S. Miller
Screenwriter: Tom Phelan, H.S. Miller
Producer: Marissa McMahon
Composer: Reinhold Heil, Johnny Klimek
Studio: IFC Films
Reviews for Anamorph
The atmosphere created by director H.S. Miller is gothic, tortured, stylized yet tinged with a classicist's sense of composition, symmetry and, yes, perspective.
The serial killer in Anamorph shows promise, even if some of his best moves are derivative. The same is true of the film’s director.
Weirdly positioning serial killing as a depraved form of creative expression and the victims as signature works of art, Anamorph has the odd effect of simultaneous repulsion and fascination.
A visual treat for Dafoe fans that goes well beyond the conventional horror genre into questions of reality and fantasy and how, or if, we tell the difference.
Sure, it's better than 88 Minutes [what isn't?] but it's still pretty pointless, with unclear exposition and murky plot developments.
Anamorph dances around ponderous issues and grotesque scenery but fails to really engage, startle or disturb.
Director/co-writer H.S. Miller just lays on the chilly blues and a wet-blanket mood of arty anguish, leaving cinematographer Fred Murphy and production designer Jackson De Govia to trump up trompe l'oeils of carefully posed carrion.
The long shadow of David Fincher's Seven falls on Anamorph, a moody, ultimately unexciting thriller.
An academic thriller likely to engage only avid collectors of serial-killer flicks.
No more interesting than any standard episode of "CSI" or any of the other myriad of cop-centric whodunits polluting our airwaves.
Compelling as it often is, Anamorph feels positively cloddish next to David Fincher’s Seven or Zodiac, with which it shares a fondness for shadowy rooms and dimly lit obsessions.
Though this snuff flick takes its title from an asexual stage of reproduction in the life of a fungus, don't expect to find any fungi, I mean fun guys, in this lame excuse for graphic displays of vivisection.
A serial-killer flick told like an art lecture, Anamorph manages to be gruesome yet dull.
The unfortunate fact is that it's more than a little dull when it isn't preposterous.
A grimy, ugly film about death and the living dead in New York City, without the redeeming ambition of Seven or even the cultural commentary of Summer of Sam.
Latest News for Anamorph
January 17, 2009:
EMarketingMag.com: Weirdly positioning serial killing as a depraved form of creative expression and the victims as signature works of art, Anamorph has the odd effect of simultaneous repulsion and fascination. ![]()
More...
December 18, 2008:
Weirdly positioning serial killing as a depraved form of creative expression and the victims as signature works of art, Anamorph has the odd effect of simultaneous repulsion and fascination. ![]()
More...
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